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	<updated>2026-09-12T06:56:44Z</updated>
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		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1767</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1767"/>
		<updated>2026-03-02T13:32:31Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: /* Formation */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = Prism_live.png&lt;br /&gt;
| caption             = Prism performing at Shiba Postal Savings Hall, July 20, 1979&lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
===Formation===&lt;br /&gt;
In early 1975, guitarist [[Akira Wada]], who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039;, inspired by pillars of the British rock scene [[wikipedia:Black_Sabbath|Black Sabbath]], [[wikipedia:Deep_purple|Deep Purple]] and [[wikipedia:Led_zeppelin|Led Zeppelin]], decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including [[wikipedia:Return_to_Forever|Chick Corea&#039;s Return to Forever]], [[wikipedia:Mahavishnu_orchestra|Mahavishnu Orchestra]] and [[wikipedia:Santana|Santana]], Wada decided that a key component of the sound he was trying to achieve was the [[wikipedia:Rhodes_piano|Fender Rhodes Piano]]. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably [[w:ja:谷川史郎|Tanigawa Shiro]]&#039;s &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent.&lt;br /&gt;
&lt;br /&gt;
=== 1975-1977: Pre-Debut Years===&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;[[w:ja:クロスオーバー_(音楽)|Crossover]]&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s [[wikipedia:Live_house|live houses]]. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on [[w:ja:NHKラジオ第1放送|NHK Radio]]&#039;s &amp;quot;[[w:ja:若いこだま|Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;]]&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the [[w:ja:市川市八幡市民会館|Ichikawa City Civic Hall]], opening for John Yamazaki &amp;amp; The School Band, featuring [[w:ja:森園勝敏|Katsutoshi Morizono]]. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for [[w:ja:千葉テレビ放送|Chiba TV]]&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the [[w:ja:日仏会館|Masion Franco-Japonaise]] in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In January of 1977, drummer Yusuke Ono would leave the band, with his replacement being Toru &amp;quot;Rika&amp;quot; Suzuki, who prior to joining Prism had been a member of [[Casiopea]]. In the following month, guitarist Katsutoshi Morizono would begin to regularly perform live with the band, and following a concert at the Korakuen Stadium on February 19, 1977 titled &#039;&#039; The Three Big Name Guitarists&#039;&#039; featuring Morizono, [[wikipedia:Creation_(Japanese_band)|Kazuo Takeda &amp;amp; Creation]] and [[wikipedia:Char_(musician)|Char]] ,where Prism had performed as Morizono&#039;s band, he would officially join them as the fifth member. Between February and March of 1977, keyboardist Koki &amp;quot;Corky&amp;quot; Ito joined the band as Organist and Synthesizer player, establishing the band&#039;s classic, most well-known lineup.&lt;br /&gt;
&lt;br /&gt;
=== 1977-1979: The Polydor Years ===&lt;br /&gt;
Following the addition of Morizono and Ito, Prism were signed to [[wikipedia:Polydor_records|Polydor records]] for a multi-record contract. The band&#039;s highly anticipated debut album PRISM was recorded between April and June of 1977 at Polydor Recording Studios in Tokyo, and was released on the September 1, 1977 to immense acclaim. The album featured guest musicians Pecker on percussion and Yasuhisa &amp;quot;Papa&amp;quot; Shirao on Saxophone, the latter of whom would regularly perform live with the band between 1977 and 1979, becoming a defacto member. According to Wada, the album had completely sold out of all 8,000 copies within the first hour of release. &lt;br /&gt;
&lt;br /&gt;
Following the album&#039;s success, a commemorative &#039;Debut&#039; concert was held at the Meguro Sugino Auditorium &#039;&#039;(Sugino Kodo)&#039;&#039; on September 24, 1977. It is reported that fans had lined up up for over 500 meters outside the doors of the venue, stretching several blocks. Lines were apparently so long at one point that authorities were called to assess the situation. At the request of the band, this legendary concert was recorded in full on multi-track tape, but wasn&#039;t released in any capacity at the time. 26 years later in 2003, the reels were discovered by chance in Polydor&#039;s archive during a re-release project for Prism&#039;s first 4 studio and live albums. In 2004, the recording was finally released as a 2-CD live album titled &#039;&#039;1977 Live at Sugino Kodo&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
For Eric Clapton&#039;s 1977 Tour of Japan, Polydor Records, who were in charge of promotion for the tour, had chosen Prism as the opening act following their dramatic rise in popularity. The tour began in Osaka on September 26, 1977, two days after the concert at Sugino Kodo. Prism&#039;s opening act was apparently so good that Clapton&#039;s tour management made them cut songs from their set, turn down the volume, and take simpler solos. After continuing their live activities and recording demos throughout October, Prism began recording their second album in November of 1977. On March 1, 1978, Prism released their second studio album titled &#039;&#039;Second Thoughts / Second Mind&#039;&#039;. Once again the album featured notable guests, including Shuichi &amp;quot;Ponta&amp;quot; Murakami on drums, and horn &amp;amp; strings arrangements by Hiromasa &amp;quot;Colgen&amp;quot; Suzuki. A release commemoration concert was held on March 11, 1978 at the Tokyo Postal Savings Hall, featuring a twin drum performance between Rika and Ponta, which would become a staple at Prism live shows throughout their time as Polydor artists.&lt;br /&gt;
&lt;br /&gt;
The exact timeline is unclear, but at some point between August and September of 1978, Katsutoshi Morizono decided to leave the band to pursue his solo career before the recording of the third album. During this time, keyboardist Daisaku Kume had also planned his departure from the band and would continue his activities in Morizono&#039;s group, but he would stay as a guest for the recording of the following album and several live performances.&lt;br /&gt;
Prism&#039;s third album began recording in October 1978, featuring percussionist Yazukazu &amp;quot;YAS-KAZ&amp;quot; Sato, who had been performing live with the band as a guest, finishing in November of the same year. In February of 1979, Prism released their third studio album. titled &#039;&#039;Prism III&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Shortly following the third album&#039;s release, keyboardist Koki Ito had also left the band, forcing Prism to rebuild both their lineup and sound following the departure of three key members. Jazz keyboardist Masahiro Sayama was recruited to join the band, whom Wada had become acquainted with during his time performing alongside him in saxophonist Toshiyuki Honda&#039;s group &amp;quot;Burning Wave&amp;quot;. After operating for a short period as a four-piece band once more, Prism had organised a handful of &amp;quot;goodbye concerts&amp;quot;, to signal the end of an era for the band. Concerts held at the Tokyo Postal Savings Hall on July 20th, and Aichi Cultural Hall in Nagoya on August 31st 1979 featured all members from the band&#039;s history as Polydor recording artists, with Akira Wada and Katsutoshi Morizono on Guitar, Daisuku Kume, Koki Ito and Masahiro Sayama on Keyboards, Ken Watanabe on Bass, Toru Suzuki and Shuichi &amp;quot;Ponta&amp;quot; Murakami on Drums, Yasuhisa Shirao on Saxophone, and Yasukazu &amp;quot;YAS-KAZ&amp;quot; Sato on Percussion. These two legendary concerts were professionally recorded and released as the double LP live album &#039;&#039;PRISM LIVE&#039;&#039; in November of 1979.&lt;br /&gt;
&lt;br /&gt;
=== 1980-1982: Warner Pioneer Years ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1766</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1766"/>
		<updated>2026-03-02T09:07:46Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = Prism_live.png&lt;br /&gt;
| caption             = Prism performing at Shiba Postal Savings Hall, July 20, 1979&lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
===Formation===&lt;br /&gt;
In early 1975, guitarist [[Akira Wada]], who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene [[wikipedia:Black_Sabbath|Black Sabbath]], [[wikipedia:Deep_purple|Deep Purple]] and [[wikipedia:Led_zeppelin|Led Zeppelin]], decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including [[wikipedia:Return_to_Forever|Chick Corea&#039;s Return to Forever]], [[wikipedia:Mahavishnu_orchestra|Mahavishnu Orchestra]] and [[wikipedia:Santana|Santana]], Wada decided that a key component of the sound he was trying to achieve was the [[wikipedia:Rhodes_piano|Fender Rhodes Piano]]. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably [[w:ja:谷川史郎|Tanigawa Shiro]]&#039;s &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
=== 1975-1977: Pre-Debut Years===&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;[[w:ja:クロスオーバー_(音楽)|Crossover]]&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s [[wikipedia:Live_house|live houses]]. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on [[w:ja:NHKラジオ第1放送|NHK Radio]]&#039;s &amp;quot;[[w:ja:若いこだま|Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;]]&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the [[w:ja:市川市八幡市民会館|Ichikawa City Civic Hall]], opening for John Yamazaki &amp;amp; The School Band, featuring [[w:ja:森園勝敏|Katsutoshi Morizono]]. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for [[w:ja:千葉テレビ放送|Chiba TV]]&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the [[w:ja:日仏会館|Masion Franco-Japonaise]] in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In January of 1977, drummer Yusuke Ono would leave the band, with his replacement being Toru &amp;quot;Rika&amp;quot; Suzuki, who prior to joining Prism had been a member of [[Casiopea]]. In the following month, guitarist Katsutoshi Morizono would begin to regularly perform live with the band, and following a concert at the Korakuen Stadium on February 19, 1977 titled &#039;&#039; The Three Big Name Guitarists&#039;&#039; featuring Morizono, [[wikipedia:Creation_(Japanese_band)|Kazuo Takeda &amp;amp; Creation]] and [[wikipedia:Char_(musician)|Char]] ,where Prism had performed as Morizono&#039;s band, he would officially join them as the fifth member. Between February and March of 1977, keyboardist Koki &amp;quot;Corky&amp;quot; Ito joined the band as Organist and Synthesizer player, establishing the band&#039;s classic, most well-known lineup.&lt;br /&gt;
&lt;br /&gt;
=== 1977-1979: The Polydor Years ===&lt;br /&gt;
Following the addition of Morizono and Ito, Prism were signed to [[wikipedia:Polydor_records|Polydor records]] for a multi-record contract. The band&#039;s highly anticipated debut album PRISM was recorded between April and June of 1977 at Polydor Recording Studios in Tokyo, and was released on the September 1, 1977 to immense acclaim. The album featured guest musicians Pecker on percussion and Yasuhisa &amp;quot;Papa&amp;quot; Shirao on Saxophone, the latter of whom would regularly perform live with the band between 1977 and 1979, becoming a defacto member. According to Wada, the album had completely sold out of all 8,000 copies within the first hour of release. &lt;br /&gt;
&lt;br /&gt;
Following the album&#039;s success, a commemorative &#039;Debut&#039; concert was held at the Meguro Sugino Auditorium &#039;&#039;(Sugino Kodo)&#039;&#039; on September 24, 1977. It is reported that fans had lined up up for over 500 meters outside the doors of the venue, stretching several blocks. Lines were apparently so long at one point that authorities were called to assess the situation. At the request of the band, this legendary concert was recorded in full on multi-track tape, but wasn&#039;t released in any capacity at the time. 26 years later in 2003, the reels were discovered by chance in Polydor&#039;s archive during a re-release project for Prism&#039;s first 4 studio and live albums. In 2004, the recording was finally released as a 2-CD live album titled &#039;&#039;1977 Live at Sugino Kodo&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
For Eric Clapton&#039;s 1977 Tour of Japan, Polydor Records, who were in charge of promotion for the tour, had chosen Prism as the opening act following their dramatic rise in popularity. The tour began in Osaka on September 26, 1977, two days after the concert at Sugino Kodo. Prism&#039;s opening act was apparently so good that Clapton&#039;s tour management made them cut songs from their set, turn down the volume, and take simpler solos. After continuing their live activities and recording demos throughout October, Prism began recording their second album in November of 1977. On March 1, 1978, Prism released their second studio album titled &#039;&#039;Second Thoughts / Second Mind&#039;&#039;. Once again the album featured notable guests, including Shuichi &amp;quot;Ponta&amp;quot; Murakami on drums, and horn &amp;amp; strings arrangements by Hiromasa &amp;quot;Colgen&amp;quot; Suzuki. A release commemoration concert was held on March 11, 1978 at the Tokyo Postal Savings Hall, featuring a twin drum performance between Rika and Ponta, which would become a staple at Prism live shows throughout their time as Polydor artists.&lt;br /&gt;
&lt;br /&gt;
The exact timeline is unclear, but at some point between August and September of 1978, Katsutoshi Morizono decided to leave the band to pursue his solo career before the recording of the third album. During this time, keyboardist Daisaku Kume had also planned his departure from the band and would continue his activities in Morizono&#039;s group, but he would stay as a guest for the recording of the following album and several live performances.&lt;br /&gt;
Prism&#039;s third album began recording in October 1978, featuring percussionist Yazukazu &amp;quot;YAS-KAZ&amp;quot; Sato, who had been performing live with the band as a guest, finishing in November of the same year. In February of 1979, Prism released their third studio album. titled &#039;&#039;Prism III&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Shortly following the third album&#039;s release, keyboardist Koki Ito had also left the band, forcing Prism to rebuild both their lineup and sound following the departure of three key members. Jazz keyboardist Masahiro Sayama was recruited to join the band, whom Wada had become acquainted with during his time performing alongside him in saxophonist Toshiyuki Honda&#039;s group &amp;quot;Burning Wave&amp;quot;. After operating for a short period as a four-piece band once more, Prism had organised a handful of &amp;quot;goodbye concerts&amp;quot;, to signal the end of an era for the band. Concerts held at the Tokyo Postal Savings Hall on July 20th, and Aichi Cultural Hall in Nagoya on August 31st 1979 featured all members from the band&#039;s history as Polydor recording artists, with Akira Wada and Katsutoshi Morizono on Guitar, Daisuku Kume, Koki Ito and Masahiro Sayama on Keyboards, Ken Watanabe on Bass, Toru Suzuki and Shuichi &amp;quot;Ponta&amp;quot; Murakami on Drums, Yasuhisa Shirao on Saxophone, and Yasukazu &amp;quot;YAS-KAZ&amp;quot; Sato on Percussion. These two legendary concerts were professionally recorded and released as the double LP live album &#039;&#039;PRISM LIVE&#039;&#039; in November of 1979.&lt;br /&gt;
&lt;br /&gt;
=== 1980-1982: Warner Pioneer Years ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1765</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1765"/>
		<updated>2026-03-02T09:02:46Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = Prism_live.png&lt;br /&gt;
| caption             = Prism performing at Shiba Postal Savings Hall, July 20, 1979&lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
===Formation===&lt;br /&gt;
In early 1975, guitarist [[Akira Wada]], who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene [[wikipedia:Black_Sabbath|Black Sabbath]], [[wikipedia:Deep_purple|Deep Purple]] and [[wikipedia:Led_zeppelin|Led Zeppelin]], decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including [[wikipedia:Return_to_Forever|Chick Corea&#039;s Return to Forever]], [[wikipedia:Mahavishnu_orchestra|Mahavishnu Orchestra]] and [[wikipedia:Santana|Santana]], Wada decided that a key component of the sound he was trying to achieve was the [[wikipedia:Rhodes_piano|Fender Rhodes Piano]]. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably [[w:ja:谷川史郎|Tanigawa Shiro]]&#039;s &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
=== 1975-1977: Pre-Debut Years===&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;[[w:ja:クロスオーバー_(音楽)|Crossover]]&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s [[wikipedia:Live_house|live houses]]. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on [[w:ja:NHKラジオ第1放送|NHK Radio]]&#039;s &amp;quot;[[w:ja:若いこだま|Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;]]&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the [[w:ja:市川市八幡市民会館|Ichikawa City Civic Hall]], opening for John Yamazaki &amp;amp; The School Band, featuring [[w:ja:森園勝敏|Katsutoshi Morizono]]. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for [[w:ja:千葉テレビ放送|Chiba TV]]&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the [[w:ja:日仏会館|Masion Franco-Japonaise]] in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In January of 1977, drummer Yusuke Ono would leave the band, with his replacement being Toru &amp;quot;Rika&amp;quot; Suzuki, who prior to joining Prism had been a member of [[Casiopea]]. In the following month, guitarist Katsutoshi Morizono would begin to regularly perform live with the band, and following a concert at the Korakuen Stadium on February 19, 1977 titled Three Big Name Guitarists featuring Morizono, [[wikipedia:Creation_(Japanese_band)|Kazuo Takeda &amp;amp; Creation]] and [[wikipedia:Char_(musician)|Char]] where Prism had performed as Morizono&#039;s band, he would officially join them as the fifth member. Between February and March of 1977, keyboardist Koki &amp;quot;Corky&amp;quot; Ito joined the band as Organist and Synthesizer player, establishing the band&#039;s classic, most well-known lineup.&lt;br /&gt;
&lt;br /&gt;
=== 1977-1979: The Polydor Years ===&lt;br /&gt;
Following the addition of Morizono and Ito, Prism were signed to [[wikipedia:Polydor_records|Polydor records]] for a multi-record contract. The band&#039;s highly anticipated debut album PRISM was recorded between April and June of 1977 at Polydor Recording Studios in Tokyo, and was released on the September 1, 1977 to immense acclaim. The album featured guest musicians Pecker on percussion and Yasuhisa &amp;quot;Papa&amp;quot; Shirao on Saxophone, the latter of whom would regularly perform live with the band between 1977 and 1979, becoming a defacto member. According to Wada, the album had completely sold out of all 8,000 copies within the first hour of release. &lt;br /&gt;
&lt;br /&gt;
Following the album&#039;s success, a commemorative &#039;Debut&#039; concert was held at the Meguro Sugino Auditorium &#039;&#039;(Sugino Kodo)&#039;&#039; on September 24, 1977. It is reported that fans had lined up up for over 500 meters outside the doors of the venue, stretching several blocks. Lines were apparently so long at one point that authorities were called to assess the situation. At the request of the band, this legendary concert was recorded in full on multi-track tape, but wasn&#039;t released in any capacity at the time. 26 years later in 2003, the reels were discovered by chance in Polydor&#039;s archive during a re-release project for Prism&#039;s first 4 studio and live albums. In 2004, the recording was finally released as a 2-CD live album titled &#039;&#039;1977 Live at Sugino Kodo&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
For Eric Clapton&#039;s 1977 Tour of Japan, Polydor Records, who were in charge of promotion for the tour, had chosen Prism as the opening act following their dramatic rise in popularity. The tour began in Osaka on September 26, 1977, two days after the concert at Sugino Kodo. Prism&#039;s opening act was apparently so good that Clapton&#039;s tour management made them cut songs from their set, turn down the volume, and take simpler solos. After continuing their live activities and recording demos throughout October, Prism began recording their second album in November of 1977. On March 1, 1978, Prism released their second studio album titled &#039;&#039;Second Thoughts / Second Mind&#039;&#039;. Once again the album featured notable guests, including Shuichi &amp;quot;Ponta&amp;quot; Murakami on drums, and horn &amp;amp; strings arrangements by Hiromasa &amp;quot;Colgen&amp;quot; Suzuki. A release commemoration concert was held on March 11, 1978 at the Tokyo Postal Savings Hall, featuring a twin drum performance between Rika and Ponta, which would become a staple at Prism live shows throughout their time as Polydor artists.&lt;br /&gt;
&lt;br /&gt;
The exact timeline is unclear, but at some point between August and September of 1978, Katsutoshi Morizono decided to leave the band to pursue his solo career before the recording of the third album. During this time, keyboardist Daisaku Kume had also planned his departure from the band and would continue his activities in Morizono&#039;s group, but he would stay as a guest for the recording of the following album and several live performances.&lt;br /&gt;
Prism&#039;s third album began recording in October 1978, featuring percussionist Yazukazu &amp;quot;YAS-KAZ&amp;quot; Sato, who had been performing live with the band as a guest, finishing in November of the same year. In February of 1979, Prism released their third studio album. titled &#039;&#039;Prism III&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Shortly following the third album&#039;s release, keyboardist Koki Ito had also left the band, forcing Prism to rebuild both their lineup and sound following the departure of three key members. Jazz keyboardist Masahiro Sayama was recruited to join the band, whom Wada had become acquainted with during his time performing alongside him in saxophonist Toshiyuki Honda&#039;s group &amp;quot;Burning Wave&amp;quot;. After operating for a short period as a four-piece band once more, Prism had organised a handful of &amp;quot;goodbye concerts&amp;quot;, to signal the end of an era for the band. Concerts held at the Tokyo Postal Savings Hall on July 20th, and Aichi Cultural Hall in Nagoya on August 31st 1979 featured all members from the band&#039;s history as Polydor recording artists, with Akira Wada and Katsutoshi Morizono on Guitar, Daisuku Kume, Koki Ito and Masahiro Sayama on Keyboards, Ken Watanabe on Bass, Toru Suzuki and Shuichi &amp;quot;Ponta&amp;quot; Murakami on Drums, Yasuhisa Shirao on Saxophone, and Yasukazu &amp;quot;YAS-KAZ&amp;quot; Sato on Percussion. These two legendary concerts were professionally recorded and released as the double LP live album &#039;&#039;PRISM LIVE&#039;&#039; in November of 1979.&lt;br /&gt;
&lt;br /&gt;
=== 1980-1982: Warner Pioneer Years ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1764</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1764"/>
		<updated>2026-03-02T09:01:46Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = Prism_live.png&lt;br /&gt;
| caption             = Prism performing at Shiba Postal Savings Hall, July 20, 1979&lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
===Formation===&lt;br /&gt;
In early 1975, guitarist [[Akira Wada]], who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene [[wikipedia:Black_Sabbath|Black Sabbath]], [[wikipedia:Deep_purple|Deep Purple]] and [[wikipedia:Led_zeppelin|Led Zeppelin]], decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including [[wikipedia:Return_to_Forever|Chick Corea&#039;s Return to Forever]], [[wikipedia:Mahavishnu_orchestra|Mahavishnu Orchestra]] and [[wikipedia:Santana|Santana]], Wada decided that a key component of the sound he was trying to achieve was the [[wikipedia:Rhodes_piano|Fender Rhodes Piano]]. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably [[w:ja:谷川史郎|Tanigawa Shiro]]&#039;s &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
=== 1975-1977: Pre-Debut Years===&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;[[w:ja:クロスオーバー_(音楽)|Crossover]]&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s [[wikipedia:Live_house|live houses]]. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on [[w:ja:NHKラジオ第1放送|NHK Radio]]&#039;s &amp;quot;[[w:ja:若いこだま|Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;]]&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the [[w:ja:市川市八幡市民会館|Ichikawa City Civic Hall]], opening for John Yamazaki &amp;amp; The School Band, featuring [[w:ja:森園勝敏|Katsutoshi Morizono]]. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for [[w:ja:千葉テレビ放送|Chiba TV]]&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the [[w:ja:日仏会館|Masion Franco-Japonaise]] in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In January of 1977, drummer Yusuke Ono would leave the band, with his replacement being Toru &amp;quot;Rika&amp;quot; Suzuki, who prior to joining Prism had been a member of [[Casiopea]]. In the following month, guitarist Katsutoshi Morizono would begin to regularly perform live with the band, and following a concert at the Korakuen Stadium on February 19, 1977 titled Three Big Name Guitarists featuring Morizono, [[wikipedia:Creation_(Japanese_band)|Kazuo Takeda &amp;amp; Creation]] and [[wikipedia:Char_(musician)|Char]] where Prism had performed as Morizono&#039;s band, he would officially join them as the fifth member. Between February and March of 1977, keyboardist Koki &amp;quot;Corky&amp;quot; Ito joined the band as Organist and Synthesizer player, establishing the band&#039;s classic, most well-known lineup.&lt;br /&gt;
&lt;br /&gt;
=== 1977-1979: The Polydor Years ===&lt;br /&gt;
Following the addition of Morizono and Ito, Prism were signed to [[wikipedia:Polydor_records|Polydor records]] for a multi-record contract. The band&#039;s highly anticipated debut album PRISM was recorded between April and June of 1977 at Polydor Recording Studios in Tokyo, and was released on the September 1, 1977 to immense acclaim. The album featured guest musicians Pecker on percussion and Yasuhisa &amp;quot;Papa&amp;quot; Shirao on Saxophone, the latter of whom would regularly perform live with the band between 1977 and 1979, becoming a defacto member. According to Wada, the album had completely sold out of all 8,000 copies within the first hour of release. &lt;br /&gt;
&lt;br /&gt;
Following the album&#039;s success, a commemorative &#039;Debut&#039; concert was held at the Meguro Sugino Auditorium &#039;&#039;(Sugino Kodo)&#039;&#039; on September 24, 1977. It is reported that fans had lined up up for over 500 meters outside the doors of the venue, stretching several blocks. Lines were apparently so long at one point that authorities were called to assess the situation. At the request of the band, this legendary concert was recorded in full on multi-track tape, but wasn&#039;t released in any capacity at the time. 26 years later in 2003, the reels were discovered by chance in Polydor&#039;s archive during a re-release project for Prism&#039;s first 4 studio and live albums. In 2004, the recording was finally released as a 2-CD live album titled &#039;&#039;1977 Live at Sugino Kodo&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
For Eric Clapton&#039;s 1977 Tour of Japan, Polydor Records, who were in charge of promotion for the tour, had chosen Prism as the opening act following their dramatic rise in popularity. The tour began in Osaka on September 26, 1977, two days after the concert at Sugino Kodo. Prism&#039;s opening act was apparently so good that Clapton&#039;s tour management made them cut songs from their set, turn down the volume, and take simpler solos. After continuing their live activities and recording demos throughout October, Prism began recording their second album in November of 1977. On March 1, 1978, Prism released their second studio album titled &#039;&#039;Second Thoughts / Second Mind&#039;&#039;. Once again the album featured notable guests, including Shuichi &amp;quot;Ponta&amp;quot; Murakami on drums, and horn &amp;amp; strings arrangements by Hiromasa &amp;quot;Colgen&amp;quot; Suzuki. A release commemoration concert was held on March 11, 1978 at the Tokyo Postal Savings Hall, featuring a twin drum performance between Rika and Ponta, which would become a staple at Prism live shows throughout their time as Polydor artists.&lt;br /&gt;
&lt;br /&gt;
The exact timeline is unclear, but at some point between August and September of 1978, Katsutoshi Morizono decided to leave the band to pursue his solo career before the recording of the third album. During this time, keyboardist Daisaku Kume had also planned his departure from the band and would continue his activities in Morizono&#039;s group, but he would stay as a guest for the recording of the following album and several live performances.&lt;br /&gt;
Prism&#039;s third album began recording in October 1978, featuring percussionist Yazukazu &amp;quot;YAS-KAZ&amp;quot; Sato, who had been performing live with the band as a guest, finishing in November of the same year. In February of 1979, Prism released their third studio album. titled &#039;&#039;Prism III&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Shortly following the third album&#039;s release, keyboardist Koki Ito had also left the band, forcing Prism to rebuild both their lineup and sound following the departure of three key members. Jazz keyboardist Masahiro Sayama was recruited to join the band, whom Wada had become acquainted with during his time performing alongside him in saxophonist Toshiyuki Honda&#039;s group &amp;quot;Burning Wave&amp;quot;. After operating for a short period as a four-piece band once more, Prism had organised a handful of &amp;quot;goodbye concerts&amp;quot;, to signal the end of an era for the band. Concerts held at the Tokyo Postal Savings Hall on July 20th, and Aichi Cultural Hall in Nagoya on August 31st 1979 featured all members from the band&#039;s history as Polydor recording artists, with Akira Wada and Katsutoshi Morizono on Guitar, Daisuku Kume, Koki Ito and Masahiro Sayama on Keyboards, Ken Watanabe on Bass, Toru Suzuki and Shuichi &amp;quot;Ponta&amp;quot; Murakami on Drums, Yasuhisa Shirao on Saxophone, and Yasukazu &amp;quot;YAS-KAZ&amp;quot; Sato on Percussion. These two legendary concerts were professionally recorded and released as the double LP live album &#039;&#039;PRISM LIVE&#039;&#039; in November of 1979.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1763</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1763"/>
		<updated>2026-03-02T08:48:55Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = Prism_live.png&lt;br /&gt;
| caption             = Prism performing at Shiba Postal Savings Hall, July 20, 1979&lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
===Formation===&lt;br /&gt;
In early 1975, guitarist [[Akira Wada]], who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene [[wikipedia:Black_Sabbath|Black Sabbath]], [[wikipedia:Deep_purple|Deep Purple]] and [[wikipedia:Led_zeppelin|Led Zeppelin]], decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including [[wikipedia:Return_to_Forever|Chick Corea&#039;s Return to Forever]], [[wikipedia:Mahavishnu_orchestra|Mahavishnu Orchestra]] and [[wikipedia:Santana|Santana]], Wada decided that a key component of the sound he was trying to achieve was the [[wikipedia:Rhodes_piano|Fender Rhodes Piano]]. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably [[w:ja:谷川史郎|Tanigawa Shiro]]&#039;s &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
=== 1975-1977: Pre-Debut Years===&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;[[w:ja:クロスオーバー_(音楽)|Crossover]]&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s [[wikipedia:Live_house|live houses]]. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on [[w:ja:NHKラジオ第1放送|NHK Radio]]&#039;s &amp;quot;[[w:ja:若いこだま|Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;]]&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the [[w:ja:市川市八幡市民会館|Ichikawa City Civic Hall]], opening for John Yamazaki &amp;amp; The School Band, featuring [[w:ja:森園勝敏|Katsutoshi Morizono]]. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for [[w:ja:千葉テレビ放送|Chiba TV]]&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the [[w:ja:日仏会館|Masion Franco-Japonaise]] in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In January of 1977, drummer Yusuke Ono would leave the band, with his replacement being Toru &amp;quot;Rika&amp;quot; Suzuki, who prior to joining Prism had been a member of [[Casiopea]]. In the following month, guitarist Katsutoshi Morizono would begin to regularly perform live with the band, and following a concert at the Korakuen Stadium on February 19, 1977 titled Three Big Name Guitarists featuring Morizono, [[wikipedia:Creation_(Japanese_band)|Kazuo Takeda &amp;amp; Creation]] and [[wikipedia:Char_(musician)|Char]] where Prism had performed as Morizono&#039;s band, he would officially join them as the fifth member. Between February and March of 1977, keyboardist Koki &amp;quot;Corky&amp;quot; Ito joined the band as Organist and Synthesizer player, establishing the band&#039;s classic, most well-known lineup.&lt;br /&gt;
&lt;br /&gt;
=== 1977-1979: The Polydor Years ===&lt;br /&gt;
Following the addition of Morizono and Ito, Prism were signed to [[wikipedia:Polydor_records|Polydor records]] for a multi-record contract. The band&#039;s highly anticipated debut album PRISM was recorded between April and June of 1977 at Polydor Recording Studios in Tokyo, and was released on the September 1, 1977 to immense acclaim. The album featured guest musicians Pecker on percussion and Yasuhisa &amp;quot;Papa&amp;quot; Shirao on Saxophone, the latter of whom would regularly perform live with the band between 1977 and 1979, becoming a defacto member. According to Wada, the album had completely sold out of all 8,000 copies within the first hour of release. &lt;br /&gt;
&lt;br /&gt;
Following the album&#039;s success, a commemorative &#039;Debut&#039; concert was held at the Meguro Sugino Auditorium &#039;&#039;(Sugino Kodo)&#039;&#039; on September 24, 1977. It is reported that fans had lined up up for over 500 meters outside the doors of the venue, stretching several blocks. Lines were apparently so long at one point that authorities were called to assess the situation. At the request of the band, this legendary concert was recorded in full on multi-track tape, but wasn&#039;t released in any capacity at the time. 26 years later in 2003, the reels were discovered by chance in Polydor&#039;s archive during a re-release project for Prism&#039;s first 4 studio and live albums. In 2004, the recording was finally released as a 2-CD live album titled &#039;&#039;1977 Live at Sugino Kodo&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
For Eric Clapton&#039;s 1977 Tour of Japan, Polydor Records, who were in charge of promotion for the tour, had chosen Prism as the opening act following their dramatic rise in popularity. The tour began in Osaka on September 26, 1977, two days after the concert at Sugino Kodo. Prism&#039;s opening act was apparently so good that Clapton&#039;s tour management made them cut songs from their set, turn down the volume, and take simpler solos. After continuing their live activities and recording demos throughout October, Prism began recording their second album in November of 1977. On March 1, 1978, Prism released their second studio album titled &#039;&#039;Second Thoughts / Second Mind&#039;&#039;. Once again the album featured notable guests, including Shuichi &amp;quot;Ponta&amp;quot; Murakami on drums, and horn &amp;amp; strings arrangements by Hiromasa &amp;quot;Colgen&amp;quot; Suzuki. A release commemoration concert was held on March 11, 1978 at the Tokyo Postal Savings Hall, featuring a twin drum performance between Rika and Ponta, which would become a staple at Prism live shows throughout their time as Polydor artists.&lt;br /&gt;
&lt;br /&gt;
The exact timeline is unclear, but at some point between August and September of 1978, Katsutoshi Morizono decided to leave the band to pursue his solo career before the recording of the third album. During this time, keyboardist Daisaku Kume had also planned his departure from the band and would continue his activities in Morizono&#039;s group, but he would stay as a guest for the recording of the following album and several live performances.&lt;br /&gt;
Prism&#039;s third album began recording in October 1978, featuring percussionist Yazukazu &amp;quot;YAS-KAZ&amp;quot; Sato, who had been performing live with the band as a guest, finishing in November of the same year. In February of 1979, Prism released their third studio album. titled &#039;&#039;Prism III&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Shortly the third album&#039;s release, keyboardist Koki Ito had also left the band. Prism was forced to rebuild their lineup following the departure of three key members&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1762</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1762"/>
		<updated>2026-03-02T06:51:41Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = Prism_live.png&lt;br /&gt;
| caption             = Prism performing at Shiba Postal Savings Hall, July 20, 1979&lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
===Formation===&lt;br /&gt;
In early 1975, guitarist [[Akira Wada]], who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene [[wikipedia:Black_Sabbath|Black Sabbath]], [[wikipedia:Deep_purple|Deep Purple]] and [[wikipedia:Led_zeppelin|Led Zeppelin]], decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including [[wikipedia:Return_to_Forever|Chick Corea&#039;s Return to Forever]], [[wikipedia:Mahavishnu_orchestra|Mahavishnu Orchestra]] and [[wikipedia:Santana|Santana]], Wada decided that a key component of the sound he was trying to achieve was the [[wikipedia:Rhodes_piano|Fender Rhodes Piano]]. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably [[w:ja:谷川史郎|Tanigawa Shiro]]&#039;s &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
=== 1975-1977: Pre-Debut Years===&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;[[w:ja:クロスオーバー_(音楽)|Crossover]]&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s [[wikipedia:Live_house|live houses]]. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on [[w:ja:NHKラジオ第1放送|NHK Radio]]&#039;s &amp;quot;[[w:ja:若いこだま|Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;]]&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the [[w:ja:市川市八幡市民会館|Ichikawa City Civic Hall]], opening for John Yamazaki &amp;amp; The School Band, featuring [[w:ja:森園勝敏|Katsutoshi Morizono]]. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for [[w:ja:千葉テレビ放送|Chiba TV]]&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the [[w:ja:日仏会館|Masion Franco-Japonaise]] in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In January of 1977, drummer Yusuke Ono would leave the band, with his replacement being Toru &amp;quot;Rika&amp;quot; Suzuki, who prior to joining Prism had been a member of [[Casiopea]]. In the following month, guitarist Katsutoshi Morizono would begin to regularly perform live with the band, and following a concert at the Korakuen Stadium on February 19, 1977 titled Three Big Name Guitarists featuring Morizono, [[wikipedia:Creation_(Japanese_band)|Kazuo Takeda &amp;amp; Creation]] and [[wikipedia:Char_(musician)|Char]] where Prism had performed as Morizono&#039;s band, he would officially join them as the fifth member. Between February and March of 1977, keyboardist Koki &amp;quot;Corky&amp;quot; Ito joined the band as Organist and Synthesizer player, establishing the band&#039;s classic, most well-known lineup.&lt;br /&gt;
&lt;br /&gt;
=== 1977-1979: The Polydor Years ===&lt;br /&gt;
Following the addition of Morizono and Ito, Prism were signed to the [[wikipedia:Polydor_records|Polydor]] record label for a multi-record contract. The band&#039;s highly anticipated debut album PRISM was recorded between April and June of 1977 at Polydor Recording Studios in Tokyo, and was released on the September 1, 1977 to immense acclaim. According to Wada, the album had completely sold out of all 8,000 copies within the first hour of release. Following the album&#039;s success, a commemorative &#039;Debut&#039; concert was held at the Meguro Sugino Auditorium (Sugino Kodo) on September 24, 1977. It is reported that fans had lineup up for over 500 meters outside the doors of the venue, stretching several blocks.　Lines were apparently so long at one point, authorities were called to assess the situation. At the request of the band, this legendary concert was recorded in full on multi-track tape, but wasn&#039;t released in any capacity at the time. 26 years later in 2003, the reels were discovered by chance in Polydor&#039;s archive during a re-release project for Prism&#039;s first 4 studio and live albums. In 2004, the recording was finally released as a 2-CD live album titled 1977 Live at Sugino Kodo.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=File:Prism_live.png&amp;diff=1761</id>
		<title>File:Prism live.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=File:Prism_live.png&amp;diff=1761"/>
		<updated>2026-03-02T06:48:54Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1760</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1760"/>
		<updated>2026-03-02T06:43:31Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = &lt;br /&gt;
| caption             = &lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
===Formation===&lt;br /&gt;
In early 1975, guitarist [[Akira Wada]], who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene [[wikipedia:Black_Sabbath|Black Sabbath]], [[wikipedia:Deep_purple|Deep Purple]] and [[wikipedia:Led_zeppelin|Led Zeppelin]], decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including [[wikipedia:Return_to_Forever|Chick Corea&#039;s Return to Forever]], [[wikipedia:Mahavishnu_orchestra|Mahavishnu Orchestra]] and [[wikipedia:Santana|Santana]], Wada decided that a key component of the sound he was trying to achieve was the [[wikipedia:Rhodes_piano|Fender Rhodes Piano]]. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably [[w:ja:谷川史郎|Tanigawa Shiro]]&#039;s &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
=== 1975-1977: Pre-Debut Years===&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;[[w:ja:クロスオーバー_(音楽)|Crossover]]&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s [[wikipedia:Live_house|live houses]]. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on [[w:ja:NHKラジオ第1放送|NHK Radio]]&#039;s &amp;quot;[[w:ja:若いこだま|Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;]]&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the [[w:ja:市川市八幡市民会館|Ichikawa City Civic Hall]], opening for John Yamazaki &amp;amp; The School Band, featuring [[w:ja:森園勝敏|Katsutoshi Morizono]]. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for [[w:ja:千葉テレビ放送|Chiba TV]]&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the [[w:ja:日仏会館|Masion Franco-Japonaise]] in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In January of 1977, drummer Yusuke Ono would leave the band, with his replacement being Toru &amp;quot;Rika&amp;quot; Suzuki, who prior to joining Prism had been a member of [[Casiopea]]. In the following month, guitarist Katsutoshi Morizono would begin to regularly perform live with the band, and following a concert at the Korakuen Stadium on February 19, 1977 titled Three Big Name Guitarists featuring Morizono, [[wikipedia:Creation_(Japanese_band)|Kazuo Takeda &amp;amp; Creation]] and [[wikipedia:Char_(musician)|Char]] where Prism had performed as Morizono&#039;s band, he would officially join them as the fifth member. Between February and March of 1977, keyboardist Koki &amp;quot;Corky&amp;quot; Ito joined the band as Organist and Synthesizer player, establishing the band&#039;s classic, most well-known lineup.&lt;br /&gt;
&lt;br /&gt;
=== 1977-1979: The Polydor Years ===&lt;br /&gt;
Following the addition of Morizono and Ito, Prism were signed to the [[wikipedia:Polydor_records|Polydor]] record label for a multi-record contract. The band&#039;s highly anticipated debut album PRISM was recorded between April and June of 1977 at Polydor Recording Studios in Tokyo, and was released on the September 1, 1977 to immense acclaim. According to Wada, the album had completely sold out of all 8,000 copies within the first hour of release. Following the album&#039;s success, a commemorative &#039;Debut&#039; concert was held at the Meguro Sugino Auditorium (Sugino Kodo) on September 24, 1977. It is reported that fans had lineup up for over 500 meters outside the doors of the venue, stretching several blocks.　Lines were apparently so long at one point, authorities were called to assess the situation. At the request of the band, this legendary concert was recorded in full on multi-track tape, but wasn&#039;t released in any capacity at the time. 26 years later in 2003, the reels were discovered by chance in Polydor&#039;s archive during a re-release project for Prism&#039;s first 4 studio and live albums. In 2004, the recording was finally released as a 2-CD live album titled 1977 Live at Sugino Kodo.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1759</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1759"/>
		<updated>2026-03-02T06:25:47Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = &lt;br /&gt;
| caption             = &lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
===Formation===&lt;br /&gt;
In early 1975, guitarist [[Akira Wada]], who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene [[wikipedia:Black_Sabbath|Black Sabbath]], [[wikipedia:Deep_purple|Deep Purple]] and [[wikipedia:Led_zeppelin|Led Zeppelin]], decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including [[wikipedia:Return_to_Forever|Chick Corea&#039;s Return to Forever]], [[wikipedia:Mahavishnu_orchestra|Mahavishnu Orchestra]] and [[wikipedia:Santana|Santana]], Wada decided that a key component of the sound he was trying to achieve was the [[wikipedia:Rhodes_piano|Fender Rhodes Piano]]. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably [[w:ja:谷川史郎|Tanigawa Shiro]]&#039;s &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
=== 1975-1977: Pre-Debut Years===&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;[[w:ja:クロスオーバー_(音楽)|Crossover]]&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s [[wikipedia:Live_house|live houses]]. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on [[w:ja:NHKラジオ第1放送|NHK Radio]]&#039;s &amp;quot;[[w:ja:若いこだま|Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;]]&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the [[w:ja:市川市八幡市民会館|Ichikawa City Civic Hall]], opening for John Yamazaki &amp;amp; The School Band, featuring Katsutoshi Morizono. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for [[w:ja:千葉テレビ放送|Chiba TV]]&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the [[w:ja:日仏会館|Masion Franco-Japonaise]] in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In January of 1977, drummer Yusuke Ono would leave the band, with his replacement being Toru &amp;quot;Rika&amp;quot; Suzuki, who prior to joining Prism had been a member of Casiopea. In the following month, guitarist Katsutoshi Morizono would begin to regularly perform live with the band, and following a concert at the Korakuen Stadium on February 19, 1977 titled Three Big Name Guitarists featuring Morizono, Kazuo Takeda and Char where Prism had performed as Morizono&#039;s band, he would officially join them as the fifth member. Between February and March of 1977, keyboardist Koki &amp;quot;Corky&amp;quot; Ito joined the band as Organist and Synthesizer player, establishing the band&#039;s classic, most well-known lineup.&lt;br /&gt;
&lt;br /&gt;
=== 1977-1979: The Polydor Years ===&lt;br /&gt;
Following the addition of Morizono and Ito, Prism were signed to the [[wikipedia:Polydor_records|Polydor]] record label for a multi-record contract. The band&#039;s highly anticipated debut album PRISM was recorded between April and June of 1977 at Polydor Recording Studios in Tokyo, and was released on the September 1, 1977 to immense acclaim. According to Wada, the album had completely sold out of all 8,000 copies within the first hour of release. Following the album&#039;s success, a commemorative &#039;Debut&#039; concert was held at the Meguro Sugino Auditorium (Sugino Kodo) on September 24, 1977. It is reported that fans had lineup up for over 500 meters outside the doors of the venue, stretching several blocks.　Lines were apparently so long at one point, authorities were called to assess the situation. At the request of the band, this legendary concert was recorded in full on multi-track tape, but wasn&#039;t released in any capacity at the time. 26 years later in 2003, the reels were discovered by chance in Polydor&#039;s archive during a re-release project for Prism&#039;s first 4 studio and live albums. In 2004, the recording was finally released as a 2-CD live album titled 1977 Live at Sugino Kodo.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1758</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1758"/>
		<updated>2026-03-02T05:36:07Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = &lt;br /&gt;
| caption             = &lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
In early 1975, guitarist Akira Wada, who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene Black Sabbath, Deep Purple and Led Zeppelin, decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including Chick Corea&#039;s Return To Forever, Mahavishnu Orchestra and Santana, Wada decided that a key component of the sound he was trying to achieve was the Fender Rhodes Piano. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;Crossover&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s live houses. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on NHK Radio&#039;s &amp;quot;Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the Ichikawa City Civic Center, opening for John Yamazaki &amp;amp; The School Band, featuring Katsutoshi Morizono. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for Chiba TV&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the Masion Franco-Japonaise in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
In January of 1977, drummer Yusuke Ono would leave the band, with his replacement being Toru &amp;quot;Rika&amp;quot; Suzuki, who prior to joining Prism had been a member of Casiopea. In the following month, guitarist Katsutoshi Morizono would begin to regularly perform live with the band, and following a concert at the Korakuen Stadium on February 19, 1977 titled Three Big Name Guitarists featuring Morizono, Kazuo Takeda and Char where Prism had performed as Morizono&#039;s band, he would officially join them as the fifth member. Between February and March of 1977, keyboardist Koki &amp;quot;Corky&amp;quot; Ito joined the band as Organist and Synthesizer player, establishing the band&#039;s classic, most well-known lineup.&lt;br /&gt;
&lt;br /&gt;
The band&#039;s highly anticipated debut album PRISM was recorded between April and June of 1977 at Polydor Recording Studios in Tokyo, and was released on the September 1, 1977 to immense acclaim. According to Wada, the album had completely sold out of all 8,000 copies within the first hour of release. Following the album&#039;s success, a commemorative &#039;Debut&#039; concert was held at the Meguro Sugino Auditorium (Sugino Kodo) on September 24, 1977. It is reported that fans had lineup up for over 500 meters outside the doors of the venue, stretching several blocks.　Lines were apparently so long at one point, authorities were called to assess the situation. At the request of the band, this legendary concert was recorded in full on multi-track tape, but wasn&#039;t released in any capacity at the time. 26 years later in 2003, the reels were discovered by chance in Polydor&#039;s archive during a re-release project for Prism&#039;s first 4 studio and live albums. In 2004, the recording was finally released as a 2-CD live album titled 1977 Live at Sugino Kodo.&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1757</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1757"/>
		<updated>2026-03-02T03:35:00Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = &lt;br /&gt;
| caption             = &lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
In early 1975, guitarist Akira Wada, who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene Black Sabbath, Deep Purple and Led Zeppelin, decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including Chick Corea&#039;s Return To Forever, Mahavishnu Orchestra and Santana, Wada decided that a key component of the sound he was trying to achieve was the Fender Rhodes Piano. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;Crossover&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s live houses. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live studio performance spot on NHK Radio&#039;s &amp;quot;Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the Ichikawa City Civic Center, opening for John Yamazaki &amp;amp; The School Band, featuring Katsutoshi Morizono. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for Chiba TV&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the Masion Franco-Japonaise in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1756</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1756"/>
		<updated>2026-03-02T03:30:28Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = &lt;br /&gt;
| caption             = &lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
In early 1975, guitarist Akira Wada, who had until then participated in local hard rock bands such as &#039;&#039;Snow Blind&#039;&#039; and &#039;&#039;Roadrunner&#039;&#039; inspired by pillars of the British rock scene Black Sabbath, Deep Purple and Led Zeppelin, decided to form his own instrumental jazz-fusion band after becoming deeply inspired by Jeff Beck&#039;s transformative album &#039;&#039;Blow By Blow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Listening to records from artists of the same jazz-fusion movement including Chick Corea&#039;s Return To Forever, Mahavishnu Orchestra and Santana, Wada decided that a key component of the sound he was trying to achieve was the Fender Rhodes Piano. Seeking the band&#039;s first member, a friend had told Wada that there was a young keyboardist named Daisaku Kume who owned a Rhodes, who upon invitation agreed to participate despite having never been in a band before. Around the same time, Ken Watanabe, a bassist that had also participated in the same circle of local hard rock bands, most notably &#039;&#039;Ballerina&#039;&#039;, was also invited to join the band. &lt;br /&gt;
At this point in time, the band had yet to have an official name, and would go by names such as &amp;quot;Akira Band&amp;quot;, &amp;quot;Wada Akira Session&amp;quot; and &amp;quot;Wolf Boy Ken&amp;quot;. During this period, members would also constantly change in a session-like format, but the trio of Wada, Watanabe and Kume would remain consistent. &lt;br /&gt;
&lt;br /&gt;
In late 1975, the band officially adopted the name Prism, and by the beginning of 1976 they would establish their first known full lineup of members. Akira Wada on Guitar, Ken Watanabe on Bass, Daisaku Kume on Electric Piano, Yoichi Haneda on Organ &amp;amp; Synthesizer, and Masaru Fukuda on drums. &lt;br /&gt;
Taking advantage of being the forerunners of the budding &amp;quot;Crossover&amp;quot; live music scene, Prism quickly became one of the hottest acts across Tokyo&#039;s live houses. Wada&#039;s virtuosic guitar technique and Watanabe&#039;s high-speed bass became a major selling point for the band. &lt;br /&gt;
Around this time, Kazuyuki Nishikdao&#039;s music management agency &#039;&#039;Heavy Flight&#039;&#039; added Prism to their roster of artists. &lt;br /&gt;
&lt;br /&gt;
Around of May of 1976, drummer Masaru Fukuda parted ways with the band, and was succeeded by Hideki Namura. Under the management of Heavy Flight, Prism found themselves with many golden opportunities for growth, such as a live stduio performance spot on NHK Radio&#039;s &amp;quot;Wakai Kodama &#039;&#039;(Young Spirits)&#039;&#039;&amp;quot; nation-wide broadcast, as well as several large hall performances alongside other bands associated with Heavy Flight. &lt;br /&gt;
At the end of June in 1976, the drummers would once again change, with Hideki Nakamura leaving the band and being replaced by Yusuke Ono. On September 5th of the same year, Prism would once again perform at a Heavy Flight event at the Ichikawa City Civic Center, opening for John Yamazaki &amp;amp; The School Band, featuring Katsutoshi Morizono. This is likely where Prism were introduced to Morizono, whose popularity later played a key role in the bands rising success. &lt;br /&gt;
&lt;br /&gt;
Between late September and November of 1976, keyboardist Yoichi Haneda would part ways with the band. Now acting as  a four-piece, December saw another very successful month for Prism, with their first ever Television appearance taking place on December 4, 1976 for Chiba TV&#039;s &#039;&#039;Rock Inn&#039;&#039; live music program. On December 24, 1976, Prism held their first solo headline concert at the Masion Franco-Japonaise in Ochanomizu, with Katsutoshi Morizono appearing as a guest for the first documented time.&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1754</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1754"/>
		<updated>2026-03-01T14:28:14Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = &lt;br /&gt;
| caption             = &lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released a total of 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Prism was formed in 1975 by Akira Wada and Ken Watanabe. In 1976, the group were signed to [[Polydor Records]] and toured nationwide. Prism released their debut album in 1977, &#039;&#039;Prism&#039;&#039;, which ran out of stock after its release. Shortly after, the band went on to support [[Eric Clapton]] at the [[Budokan]].Their 1986 song &#039;Take Off&#039; was featured in a [[Mild Seven]] commercial.&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Prism&amp;diff=1753</id>
		<title>Prism</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Prism&amp;diff=1753"/>
		<updated>2026-03-01T14:26:24Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox musical artist&lt;br /&gt;
| name                = {{nihongo|Prism|プリズム}}&lt;br /&gt;
| image               = &lt;br /&gt;
| caption             = &lt;br /&gt;
| origin              = Tokyo, Japan&lt;br /&gt;
| genre               = {{flatlist|&lt;br /&gt;
* [[Jazz Fusion]]&lt;br /&gt;
* [[Jazz Rock]]&lt;br /&gt;
* [[Progressive Rock]]&lt;br /&gt;
}}&lt;br /&gt;
| years_active        = &amp;lt;span title=&amp;quot;De-facto hiatus&amp;quot;&amp;gt;1975-2018&amp;lt;/span&amp;gt;&lt;br /&gt;
| label            = {{flatlist|&lt;br /&gt;
* Polydor&lt;br /&gt;
* Warner Bros. Records&lt;br /&gt;
* Moon Records&lt;br /&gt;
* TDK Records&lt;br /&gt;
* SMS Records&lt;br /&gt;
* Emotion&lt;br /&gt;
* Apollon&lt;br /&gt;
* Eastern Gale&lt;br /&gt;
* WEA Japan&lt;br /&gt;
* MELDAC&lt;br /&gt;
* Turnon-C&lt;br /&gt;
* Universal&lt;br /&gt;
* Cosmos Records&lt;br /&gt;
* Beat On Beat&lt;br /&gt;
* Athos&lt;br /&gt;
* Alvatoz&lt;br /&gt;
}}&lt;br /&gt;
| website                 = {{URL|prismjapan.com}}&lt;br /&gt;
| past_members        = Akira Wada&amp;lt;br /&amp;gt;Ken Watanabe&amp;lt;br /&amp;gt;Daisaku Kume&amp;lt;br /&amp;gt;Yoichi Haneda&amp;lt;br /&amp;gt;Masaru Fukuda&amp;lt;br /&amp;gt;Hideki Nakamura&amp;lt;br /&amp;gt;Yusuke Ono&amp;lt;br /&amp;gt;Toru (Rika) Suzuki&amp;lt;br /&amp;gt;Katsutoshi Morizono&amp;lt;br /&amp;gt;Koki (Corky) Ito&amp;lt;br /&amp;gt;Yasuhisa (Papa) Shirao&amp;lt;br /&amp;gt;Yasukazu Sato&amp;lt;br /&amp;gt;Masahiro Sayama&amp;lt;br /&amp;gt;Jun Aoyama&amp;lt;br /&amp;gt;Satoshi Nakamura&amp;lt;br /&amp;gt;Mansaku Kimura&amp;lt;br /&amp;gt;Jun Fukamachi&amp;lt;br /&amp;gt;Yoshikazu Matsuura&amp;lt;br /&amp;gt;Jiro Okada&amp;lt;br /&amp;gt;Cheru Watanabe&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
{{nihongo|&#039;&#039;&#039;Prism&#039;&#039;&#039;|プリズム|Purizumu}} was a Japanese [[wikipedia:Jazz_fusion|Jazz Fusion]] band lead by guitarist Akira Wada. They are largely considered to have been the country&#039;s first fusion band, having formed in 1975. Their debut record was released in 1977 under [[wikipedia:Polydor_Records|Polydor records]], titled &#039;&#039;PRISM&#039;&#039;. Since then, they have released over 35 records, including both studio and live albums.&lt;br /&gt;
&lt;br /&gt;
== Live Performances ==&lt;br /&gt;
See &#039;&#039;&#039;&#039;&#039;[[Prism/Live Performances|Live Performances.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Prism was formed in 1975 by Akira Wada and Ken Watanabe. In 1976, the group were signed to [[Polydor Records]] and toured nationwide. Prism released their debut album in 1977, &#039;&#039;Prism&#039;&#039;, which ran out of stock after its release. Shortly after, the band went on to support [[Eric Clapton]] at the [[Budokan]].Their 1986 song &#039;Take Off&#039; was featured in a [[Mild Seven]] commercial.&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
The band&#039;s final line-up was composed of Jiro Okada (bass), Satoshi &amp;quot;Mansaku&amp;quot; Kimura (drums), Akira Wada (guitar) and Tatsuya &amp;quot;Cheru&amp;quot; Watanabe (keyboards, vocals) as of their suspension of activities in 2018. On March 28, 2021, Wada died at the age of 64.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Hatnote|Defining who was a support member rather than simply a guest was based on live performances and if they were consistent members of the recording band, rather than simply making a short appearance with the band, be it live or on an album. Additionally, some of who was considered an official member in the 70s—along with the dates they necessarily joined the band officially—are ill defined, so interpretations were made based on known live performances and liner notes.}}&lt;br /&gt;
[[File:PrismMemberTimeline.png]]&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
Prism have released a total of 25 studio albums and 10 live albums since 1977. The band was signed to [[Universal Music Group]] in 2003, which re-released the band&#039;s first four albums, and remained their record publisher.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;Prism&#039;&#039; (1977)&lt;br /&gt;
* &#039;&#039;Second Thoughts/Second Move&#039;&#039; (1978)&lt;br /&gt;
* &#039;&#039;Prism III&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Prism Live&#039;&#039; (1979)&lt;br /&gt;
* &#039;&#039;Surprise&#039;&#039; (1980)&lt;br /&gt;
* &#039;&#039;Community Illusion&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Live Alive (Absolutely)&#039;&#039; (1981)&lt;br /&gt;
* &#039;&#039;Visions&#039;&#039; (1982)&lt;br /&gt;
* &#039;&#039;∞（永久機関）&#039;&#039; (1983)&lt;br /&gt;
* &#039;&#039;Nothin&#039; Unusual&#039;&#039; (1985)&lt;br /&gt;
* &#039;&#039;Dreamin&#039;&#039; (1986)&lt;br /&gt;
* &#039;&#039;Live Alive Vol. 2&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;The Silence of the Motion&#039;&#039; (1987)&lt;br /&gt;
* &#039;&#039;Mother Earth&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;Rejuvenation&#039;&#039; (1991)&lt;br /&gt;
* &#039;&#039;A Personal Change&#039;&#039; (1992)&lt;br /&gt;
* &#039;&#039;Prism Jam&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Uncovered&#039;&#039; (1995)&lt;br /&gt;
* &#039;&#039;Prismania&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;Whiter&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;In the Last Resort&#039;&#039; (2001)&lt;br /&gt;
* &#039;&#039;Present I&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;Present II&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;【Mju:】&#039;&#039; (2003)&lt;br /&gt;
* &#039;&#039;1977 Live at Sugino Kodo&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;Homecoming 2004&#039;&#039; (2004)&lt;br /&gt;
* &#039;&#039;三位一体&#039;&#039; (2005)&lt;br /&gt;
* &#039;&#039;Blue...&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism 30th Anniversary Live! [Homecoming]&#039;&#039; (2007)&lt;br /&gt;
* &#039;&#039;Prism Homecoming Vol. 3&#039;&#039; (2008)&lt;br /&gt;
* &#039;&#039;Invite (2009)&#039;&#039;&lt;br /&gt;
* &#039;&#039;Palace in the Sky&#039;&#039; (2011)&lt;br /&gt;
* &#039;&#039;Mode:Odd&#039;&#039; (2013)&lt;br /&gt;
* &#039;&#039;Celebrate&#039;&#039; (2017)&lt;br /&gt;
* &#039;&#039;What You See&#039;&#039; (2017)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1681</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1681"/>
		<updated>2026-01-31T02:49:51Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=BOWOW performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hitachi Lo-D Plaza&#039;&#039;&#039; (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
[[File:Lod_advertisement.jpg|thumb|right|250px|A magazine advertisement for Lo-D Plaza with visitor information.]]&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
Alongside live performances, Lo-D Plaza would also host film and video screenings, album listening parties, DJ sessions, performance art, comedy shows, and a weekly amateur band concert. In addition to these activities, a monthly radio program titled &amp;quot;FM Sound In Now&amp;quot; was recorded live from Lo-D Plaza, hosted by music icon Kouichi Sugiyama. This program ran from the mid to late 70s. &lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Concert stages were often limited to a maximum of 45 minutes, to fit the performance to one side of a 90 minute cassette tape without it needing to be flipped.&lt;br /&gt;
&lt;br /&gt;
Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance is played back for fans to then mix the recording to their liking onto cassette tape. In this format, the mixing desk arrangement could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of the two live stages of a performance.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a sign would light up with the phrase &#039;録音中&#039; (meaning &amp;quot;Now Recording&amp;quot; in English).&lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Folk, Blues, Punk Rock and Electronic genres. Unlike most live houses in Japan during this period which typically focused on hosting artists of particular genres, Lo-D Plaza served as a hub for fans to see a wide array of musical acts.&lt;br /&gt;
Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary. In the earlier years of the showroom, his group would often play 3 stages instead of the usual two. &lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
&lt;br /&gt;
A complete list of live performances to have taken place at Hitachi Lo-D Plaza between January of 1976 and May of 1982.&lt;br /&gt;
This list contains only musical performances, not other events that took place at Lo-D Plaza during this time period.&lt;br /&gt;
&lt;br /&gt;
Work in progress&lt;br /&gt;
&lt;br /&gt;
===1976===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
! Date !! Artist Name (English) !! Artist Name (Japanese) !! Stage Times !! Status&lt;br /&gt;
|-&lt;br /&gt;
| January 5th, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシー・ディックス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 6th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 8th, 1976 || Kōko Hirao, Hideto Kitamura Quartet || 平緒考子、北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 10th, 1976 || Oki Toru &amp;amp; Super Jam Session (Eddie Ban, George Yanagi, Ai, Hiroshi Takano, others) || 大木トオル＆スーパージャムセッション（エディ藩、柳ジョージ、アイ、高野博 他） || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 11th, 1976 || Yoshio Aoki / Hideto Kitamura Quartet || 青木義男／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 17th, 1976 || Strawberry Jam || ストロベリージャム || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 19th, 1976 || Noriko Harada &amp;amp; The Space Men || 原田紀子＆ザ・スペースメン || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 22nd, 1976 || Shoko Amano / Hideto Kitamura Quartet || 天野昇子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 24th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 25th, 1976 || Mayumi Kuroki / Hideto Kitamura Quartet || 黒木真由美／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 31st, 1976 || Bell || ベル || - || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Maki Minori || 真木みり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 2nd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 7th, 1976 || Otamajakushi || おたまじゃくし || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hatsumi Ohara || 小原初美 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 11th, 1976 || Miyako || ミヤコ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 14th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Yoko Asou || 麻生よう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 16th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 21st, 1976 || Zero || ゼロ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Anna Kurusu || 来栖あんな || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 23rd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 28th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 29th, 1976 || Yayoi Shiba || しばやよい || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 2nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 4th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 6th, 1976 || Masami Koizumi &amp;amp; Biscuit Gang || 小泉まさみ＆ビスケット・ギャング || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 7th, 1976 || Yuko Eguchi || 江口有子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 8th, 1976 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 9th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 13th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 14th, 1976 || Sayuri Nonaka || 野中小百合 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 15th, 1976 || Milk || ミルク || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 20th, 1976 || Ai Mikage and Los Novios || あい御影とロス・ノビオス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 21st, 1976 || Kazuko Misumi || 三純和子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 23rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 27th, 1976 || Humming Bird || ハミング・バード || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 28th, 1976 || Sherry || シェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 29th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 30th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 3rd, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 4th, 1976 || Arlequin || アルルカン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 5th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 7th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 9th, 1976 || Nana Okada / Toshio Mori || 岡田奈々／牧岩雅夫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Bad Boys || バッド・ボーイズ || 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 11th, 1976 || Yuko Asano || 浅野ゆう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 12th, 1976 || Hime Daruma || 姫ダルマ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 15th, 1976 || Hideto Kitamura Quartet +2 || 北村秀人4+2 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Bad Boys || バッド・ボーイズ || 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 18th, 1976 || Junko Kishi || 岸じゅんこ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 20th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 21st, 1976 || Hosei University New Orange Swing Orchestra || 法政大ニューオレンジスウィンジORCH || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 24th, 1976 || Weeping Harp Senoh with Rollercoaster || ウィーピング・ハープ・セノオ WITH ローラーコースター || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 25th, 1976 || Misae Aoki || 青木美冴 || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 26th, 1976 || Strawberry Jam || ストロベリージャム || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 29th, 1976 || Hideto Kitamura &amp;amp; Super Jazz Rock Band || 北村秀人＆スーパージャズ・ロックBAND || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 1st, 1976 || Sei Kitazumi || 北炭 生 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 2nd, 1976 || Hatsumi Ohara &amp;amp; Hideto Kitamura Quartet || 小原初美 ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 3rd, 1976 || Rouge || ルージュ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 4th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:30 / 2:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 8th, 1976 || ALFEE || アルフィー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 9th, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 14th, 1976 || Yuko Yoshimi || よしみゆうこ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 15th, 1976 || Emiko Yamauchi || 山内えみ子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 16th, 1976 || Chadha &amp;amp; Hideto Kitamura Quartet || チャダ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 22nd, 1976 || Sugar Love &amp;amp; Hideto Kitamura Quartet || シュガーラブ ＆ 北村秀人4 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 23rd, 1976 || Maybellin || メイベリン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 27th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 29th, 1976 || Kumo to Sora || くもと空 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 30th, 1976 || Michiko Ike || 池みちこ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| June 1st, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 2nd, 1976 || Kentaro Shimizu || 清水健太郎 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 5th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 6th, 1976 || Orange County Brothers || オレンジ・カウンティBr || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 7th, 1976 || Masanori Yanagida || やなぎだまさのり || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 10th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 12th, 1976 || Dai Yuuki || 結城大 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 13th, 1976 || Sanuki Yuko &amp;amp; Hideto Kitamura Quartet || 讃岐裕子 ＆ 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 19th, 1976 || The Lillies &amp;amp; Hideto Kitamura Quartet || ザ・リリーズ・北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 20th, 1976 || Misa Maria &amp;amp; Oasis Boys || ミサマリア＆オアシスボーイズ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 21st, 1976 || Suzunosuke Nagumo and Chindochu || 南雲鈴之助珍道中 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 22nd, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 24th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 25th, 1976 || Yuko Yoshimi || よしみゆうこ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 26th, 1976 || Masamitsu Takayama || 田山雅充 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 27th, 1976 || Atsuko Nakazawa || 中沢厚子 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| July 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 3rd, 1976 || Eriza Ryu || 竜エリザ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 4th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 5th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| July 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 10th, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 11th, 1976 || Lemon Pie || レモンパイ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 12th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 14th, 1976 || Senshu University Light Music Group || 専修大学軽音楽グループ || 3:20 / 5:50 || &lt;br /&gt;
|-&lt;br /&gt;
| July 15th, 1976 || Signal || シグナル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 17th, 1976 || Tsutomu Arakawa || 荒川務 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 18th, 1976 || Lucile || ルシール || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 19th, 1976 || AIDO || 愛奴 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 21st, 1976 || Sei Kitazumi || 北炭 生 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 31st, 1976 || Iwao Fukushima &amp;amp; The Midnighters || 福嶋岩雄＆ザ・ミッドナイターズ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 1st, 1976 || Utachi || うたち || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| August 7th, 1976 || Layla || レイラ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 8th, 1976 || Midori Nishiazki || 西崎みどり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 10th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 14th, 1976 || Jin Haneoka || はねおか仁 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 15th, 1976 || Hitomi Meguro || 目黒ひとみ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 21st, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 22nd, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 24th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 29th, 1976 || Tsukada Mikio || 塚田三喜夫 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 31st, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 2nd, 1976 || Shoko Amano + Hideto Kitamura Quartet || 天野昇子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 4th, 1976 || Orange County Brothers || オレンジ・カウンティーブラザーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 5th, 1976 || Misae Aoki + Hideto Kitamura Quartet || 青木美冴＋北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 23rd, 1976 || Kosuke Mine Sextet || 峰厚介6 || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 25th, 1976 || The Lillies || ザ・リリーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 26th, 1976 || Scandal || スキャンダル || 1:45 / 4:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 28th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 30th, 1976 || Chikako Hirao &amp;amp; Hideto Kitamura Quartet || 平緒千賀子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 2nd, 1976 || Mother House || マザー・ハウス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 3rd, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシーディックス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 4th, 1976 || Masahiro Yanagida || やなぎだまさひろ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 5th, 1976 || Maybellin || メインベリン || 12:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 7th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 9th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 10th, 1976 || Ryoichi Fukuzawa + Hideto Kitamura Quintet || 福沢良＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 11th, 1976 || Isao Taira || 龍村雅史 || 1:30 / 3:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 12th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 14th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 16th, 1976 || Bluegrass 51 || ブルーグラス51 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 17th, 1976 || Weeping Harp Senoh Band || ウィーピングハープセノオバンド || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 19th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 21st, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 23rd, 1976 || Betty Smith || ベティ・スミス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 24th, 1976 || Miki Kobayashi + Hideto Kitamura Sextet || 小林美樹＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 25th, 1976 || Penny Lane || ベニーレイン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 26th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 30th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 31st, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 3rd, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 4th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 6th, 1976 || Atelier || アトリエ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 7th, 1976 || Marblehead Messenger || マーブル・ヘッド・メッセンジャー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 11th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 12th, 1976 || Sei Kitazumi || 北炭生 || 12:15 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 13th, 1976 || Hikousen || 飛行船 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 14th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 18th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 20th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 21st, 1976 || Inaka Shibai || 田舎芝居 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 23rd, 1976 || Chanel || シャネル || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 25th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 27th, 1976 || Apples + Hideto Kitamura Sextet || アップルズ＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 30th, 1976 || Masami Sugawara + Hideto Kitamura Quintet || 菅原政美＋北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 4th, 1976 || Tom &amp;amp; Jerry || トム＆ジェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 5th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 7th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 11th, 1976 || Motohiko Hino Quintet || 日野元彦5 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 12th, 1976 || Last Show || ラストショー || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 13th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 14th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 17th, 1976 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 19th, 1976 || Hiromasa Suzuki Trio || 鈴木宏昌3 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 21st, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 23rd, 1976 || The Blessen Four + Hideto Kitamura Quintet || ザ・ブレッスン・フォー，北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 24th, 1976 || Tonari Kinjo || となりきんじょ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 25th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 26th, 1976 || Sei Kitazumi || 北炭生 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 30th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===1977===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
! Date !! Artist Name (English) !! Artist Name (Japanese) !! Stage Times !! Status&lt;br /&gt;
|-&lt;br /&gt;
| January 6th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 2:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 8th, 1977 || Ihojin || 異邦人 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 9th, 1977 || Mother House || マザーハウス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 10th, 1977 || Kabutomushi || かぶと虫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 11th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| January 13th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 6:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 14th, 1977 || Hosei University New Orange Swing Orchestra || 法政大学NEW ORANGE SWING ORCH || 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 15th, 1977 || Fats Bottle Blues Band || ファッツボトルBB || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 16th, 1977 || Seiko Miki + Hideto Kitamura Sextet || 三木聖子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| January 20th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 6:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 22nd, 1977 || MMP || MMP || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 23rd, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 23rd, 1977 || Hatsumi Ohara + Hideto Kitamura Quintet || 小原初美＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 25th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 6:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 27th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1977 || Yuko Sanuki + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || || &lt;br /&gt;
|-&lt;br /&gt;
| January 30th, 1977 || Hometown News || ホームタウン・ヌーズ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 31st, 1977 || Ittan-momen || いったんもめん || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープ5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 3rd, 1977 || Ryo Fukuzawa + Hideto Kitamura Quintet || 福沢良＋北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 3rd, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 5th, 1977 || Ma-Shin Gan || 魔神岩 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 6th, 1977 || Hideto Kitamura Quintet || 北村秀人5（生録会） || 1:30 / 4:00 / 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 7th, 1977 || Tonari Kinjo || となりきんじょ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープ5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 10th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 11th, 1977 || Four Trombones + Hideto Kitamura Quintet || フォートロンボーン＋北村秀人5 || 1:30 / 2:50 || &lt;br /&gt;
|-&lt;br /&gt;
| February 12th, 1977 || VAT 69 || VAT 69 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 13th, 1977 || Tsugumi Morita + Hideto Kitamura Sextet || 森田つぐみ＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 13th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 14th, 1977 || Hikousen || 飛行船 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープ5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 17th, 1977 || Hideto Kitamura Quintet + Chikako Hirao || 北村秀人5＋平緒千香子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 17th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 19th, 1977 || Masaru Imada Trio || 今田勝3 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 20th, 1977 || Chizuko Inada + Hideto Kitamura Quintet || いなだちづこ＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 20th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープ5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 24th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 26th, 1977 || Toshio Toyama and the Dixie Saints || 外山喜雄とデキシーセインツ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 27th, 1977 || Yuko Sanuki + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 27th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 28th, 1977 || Kabutomushi || かぶと虫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 1st, 1977 || Black Jack || ブラックジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 3rd, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 5th, 1977 || Lupin III || ルパンIII || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 6th, 1977 || Yuko Sanuki + Hideto Kitamura Quintet + 1 || 讃岐裕子＋北村秀人5＋1 || 12:30 / 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 7th, 1977 || Hikousen || 飛行船 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 8th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘とデキシーディックス || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 10th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 12th, 1977 || Mabumi Yamaguchi Quartet || 山口真文4 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 13th, 1977 || Shizuko Saiki + Hideto Kitamura Quintet + 1 || 斉木しずこ＋北村秀人5＋1 || 12:30 / 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 15th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘とデキシーディックス || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 17th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 19th, 1977 || Rosemary || ローズマリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 20th, 1977 || Miyako Aoi + Hideto Kitamura Quintet + 1 || 藍美代子＋北村秀人5＋1 || 12:30 / 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 21st, 1977 || Orange County Brothers || オレンジカウンティブラザーズ || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 22nd, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘とデキシーディックス || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 24th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 26th, 1977 || Heart Of Saturday Night || ハート・オブ・サタデイナイト || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 27th, 1977 || Mother House || マザーハウス || 2:00 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 28th, 1977 || Toru Arima &amp;amp; Noche Cubana || 有馬徹とノーチェクバーナ || 2:00 / 3:20 || &lt;br /&gt;
|-&lt;br /&gt;
| March 29th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘とデキシーディックス || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 31st, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 2nd, 1977 || CIRCUS || サーカス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 3rd, 1977 || Last Show || ラストショー || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 7th, 1977 || The Blessen Four + Hideto Kitamura Sextet || ザ・ブレッスン・フォー、北村秀人6 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 9th, 1977 || Keiko &amp;amp; Andy Lewis || けい子とエンディー・ルイス || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1977 || Haruophone || 近田春夫とハルヲフォン || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 12th, 1977 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 14th, 1977 || Hideto Kitamura Sextet || 北村秀人6 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 16th, 1977 || Tadashi Okamoto &amp;amp; Beer Child(?) || 岡本正とピアー・チャイルド || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1977 || Seiko Miki || 三木聖子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 19th, 1977 || Hideto Kitamura Sextet || 北村秀人6 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 20th, 1977 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 23rd, 1977 || The Lillies || ザ・リリーズ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 24th, 1977 || Brothers Together — Devotion, Mitsuhiro Sonoyama, Hiro Yanagida, Masao Izuka, and others || ブラザーズ・トゥゲザー ― デヴォーション，園山光博，柳田ヒロ，飯塚まさお，他 || 2:00 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| April 26th, 1977 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 28th, 1977 || Hideto Kitamura Sextet || 北村秀人6 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 29th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 30th, 1977 || Kosuke Mine Quintet || 峰厚介5 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 1st, 1977 || Atelier || アトリエ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 3rd, 1977 || Miyako Aoi || 藍美代子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 5th, 1977 || Sayuri Nonaka || 野中小百合 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 7th, 1977 || Lemon Pie || レモンパイ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 8th, 1977 || Kyoretsu Samba || 強烈サンバ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 10th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 12th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 14th, 1977 || Tasmanian Devil || タスマニアデビル || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 15th, 1977 || Guo Otsuka &amp;amp; 246 Transfer || 大塚ぐお＆246トランスファー || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 17th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 19th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 20th, 1977 || Yuji Yamamoto || 山本雄二 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 21st, 1977 || Peekaboo || ピーカブー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 22nd, 1977 || Fort Rombone / Tadahiro Nakazawa, Hirotaka Fukui, Michio Kagiwada, others || フォートロンボーン／中沢忠隆、福井宏隆、鍵和田道雄、他 || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 24th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 26th, 1977 || The Blessen Four || ブレッスンフォー || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 28th, 1977 || Ohiyama || 大火山 || 1:10 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 29th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 31st, 1977 || Black Jack || ブラックジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 2nd, 1977 || Louis || ルイ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 4th, 1977 || Albatros || アルバトロス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 5th, 1977 || The Boomy || ザ・ブーミー || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 6th, 1977 || Shoji Suzuki || 鈴木昇治 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 7th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 9th, 1977 || Louis || ルイ || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| June 12th, 1977 || Elza || エルザ || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| June 14th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 16th, 1977 || Louis || ルイ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 18th, 1977 || Tsugumi Morita || 森田つぐみ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 19th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 20th, 1977 || Mieko Nishijima || 西島三重子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 21st, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 23rd, 1977 || Louis || ルイ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 25th, 1977 || King Kong Paradise || キングコング・パラダイス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| June 26th, 1977 || Miki Hirayama &amp;amp; Memorial Sweet Shop || 平山三紀とメモリアル・スイート・ショップ || 1:30 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| June 28th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 30th, 1977 || Louis || ルイ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 2nd, 1977 || Heart Of Saturday Night || ハートオブ・サタデーナイト || 2:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 4th, 1977 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 5th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 7th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 9th, 1977 || Mabumi Yamaguchi Quartet || 山口真文クィンテット || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 10th, 1977 || Hitomi Okazaki || 岡崎ひとみ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 12th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 14th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘＆ディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 16th, 1977 || Penny Lane || ペニーレーン || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 17th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 19th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 21st, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘＆ディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 23rd, 1977 || Masamichi Sugi &amp;amp; Red Stripe || 杉真理＆レッドストライプ || 2:00 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| July 24th, 1977 || Katsumi Kahashi || 加橋かつみ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 26th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 28th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘＆ディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 30th, 1977 || Mother House || マザー・ハウス || 2:00 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| July 31st, 1977 || Amii Okazaki || 尾崎亜美＆コンビション || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 2nd, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 4th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 6th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 7th, 1977 || Zeus || ゼウス || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 9th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 11th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 13th, 1977 || Le Bergère || レ・ベルジェール || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 14th, 1977 || Yumi Nakaatari || 中当ユミ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 15th, 1977 || Kabutomushi || かぶと虫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 16th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 18th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 20th, 1977 || The Lillies || ザ・リリーズ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 21st, 1977 || Ballerina || バレリーナ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 23rd, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 25th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 27th, 1977 || Motohiki Hino Trio || 日野元彦トリオ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 28th, 1977 || Misa Maria &amp;amp; Oasis Boys || 三沙摩利亜とオアシスボーイズ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 31st, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 1st, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 3rd, 1977 || Texas Papa Family Band || テキサスパパ・ファミリーバンド || 1:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 4th, 1977 || Super Four Trombones + Hideto Kitamura Group || スーパー・フォートロンボーン＋北村秀人グループ || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 6th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とデキシーディックス＋１ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 8th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 10th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 12th, 1977 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 13th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 15th, 1977 || Aiko Ito || 伊藤愛子 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 17th, 1977 || Duesenberg || デューセンバーグ || 1:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 18th, 1977 || Sanmonyakusha || 三文役者 || 1:45 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 20th, 1977 || Hideto Kitamura Group || クロスオーバー特集／北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 22nd, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とデキシーディックス＋１ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 23rd, 1977 || George Ohtsuka Quintet || ジョージ大塚クィンテット || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 24th, 1977 || Tomi Kitagawa || 北川とみ || 1:30 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 25th, 1977 || Orange County Brothers || オレンジカウンティ・ブラザース || 1:00 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 27th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 29th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 1st, 1977 || Gerarti || ジェラルティー || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 2nd, 1977 || Miyoko Miyazawa || 藍美代子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 4th, 1977 || Texas Papa Family Band || テキサスパパ・ファミリー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 6th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 8th, 1977 || The Rookies || ザ・ルーキーズ || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 9th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 10th, 1977 || Albatros || アルバトロス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 11th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 13th, 1977 || Texas Papa Family Band || テキサスパパ・ファミリー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 15th, 1977 || Because || ビーカーズ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 16th, 1977 || Mayo Shono || 庄野真代 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 17th, 1977 || Freelancer || フリーランサー || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 18th, 1977 || Texas Papa Family Band || テキサスパパ・ファミリー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 20th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 22nd, 1977 || Makoto Fujiwara || 藤原誠 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 23rd, 1977 || Mieko Nishijima || 西島三重子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 25th, 1977 || Texas Papa Family Band || テキサスパパ・ファミリー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 27th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 29th, 1977 || Last Show || ラストショー || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 30th, 1977 || Crystal Sky || クリスタル・スカイ || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 1st, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 3rd, 1977 || Tadashi Okamoto || 岡本正 || 1:30 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| November 5th, 1977 || Tomi Kitagawa || 北川とみ || 1:30 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| November 6th, 1977 || Aiko Ito || 伊藤愛子 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 8th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 10th, 1977 || Sasuke Rolling Band || サスケローリングバンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 12th, 1977 || Yasuko Kawashima || 川島康子 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 13th, 1977 || Hurricane || ハリケーン || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 14th, 1977 || Magical Power Band || マジカル・パワー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 15th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 17th, 1977 || Sasuke Rolling Band || サスケローリングバンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 19th, 1977 || Amaterasu || アマテラス || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 20th, 1977 || Isao Suzuki Group || 鈴木勲グループ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 22nd, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 23rd, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 24th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 26th, 1977 || Magical Power Band || マジカル・パワー・バンド || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 27th, 1977 || Kazumi Watanabe Quartet || 渡辺香津美カルテット || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 28th, 1977 || Sasuke Rolling Band || サスケローリングバンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 29th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 1st, 1977 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 4th, 1977 || Mabumi Yamaguchi Quintet || 山口真文５ || 1:00 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 6th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 8th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 10th, 1977 || Sanmonyakusha || 三文役者 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 11th, 1977 || Keiko Maruyama || 丸山圭子 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 13th, 1977 || Penny Lane || ペニーレーン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 15th, 1977 || Black Jack || ブラックジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 17th, 1977 || HOTOKE BAND || HOTOKE BAND || 1:00 / 2:45 || &lt;br /&gt;
|-&lt;br /&gt;
| December 18th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 19th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 20th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋１ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 21st, 1977 || Kinokuniya Band || 紀の国屋BAND || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 22nd, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋１ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 24th, 1977 || Texas Papa Family band || テキサスパパ・ファミリーバンド || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 25th, 1977 || Toshiyuki Miyama &amp;amp; New Herd Orchestra || 宮間利之とニューハード・オーケストラ || 2:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 26th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| December 28th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| December 29th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:45 || &lt;br /&gt;
|}&lt;br /&gt;
== Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
File:Lod_Pamphlet.jpg|A pamphlet from March 1980, with a photograph of an unknown band performing.&lt;br /&gt;
File:Lo-D_Schedule_1980-10.jpg|Magazine advertisement from October 1980 with the month&#039;s live schedule and a how-to guide.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1680</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1680"/>
		<updated>2026-01-31T02:48:24Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: added 1977 live schedule&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=BOWOW performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hitachi Lo-D Plaza&#039;&#039;&#039; (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
[[File:Lod_advertisement.jpg|thumb|right|250px|A magazine advertisement for Lo-D Plaza with visitor information.]]&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
Alongside live performances, Lo-D Plaza would also host film and video screenings, album listening parties, DJ sessions, performance art, comedy shows, and a weekly amateur band concert. In addition to these activities, a monthly radio program titled &amp;quot;FM Sound In Now&amp;quot; was recorded live from Lo-D Plaza, hosted by music icon Kouichi Sugiyama. This program ran from the mid to late 70s. &lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Concert stages were often limited to a maximum of 45 minutes, to fit the performance to one side of a 90 minute cassette tape without it needing to be flipped.&lt;br /&gt;
&lt;br /&gt;
Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance is played back for fans to then mix the recording to their liking onto cassette tape. In this format, the mixing desk arrangement could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of the two live stages of a performance.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a sign would light up with the phrase &#039;録音中&#039; (meaning &amp;quot;Now Recording&amp;quot; in English).&lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Folk, Blues, Punk Rock and Electronic genres. Unlike most live houses in Japan during this period which typically focused on hosting artists of particular genres, Lo-D Plaza served as a hub for fans to see a wide array of musical acts.&lt;br /&gt;
Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary. In the earlier years of the showroom, his group would often play 3 stages instead of the usual two. &lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
&lt;br /&gt;
A complete list of live performances to have taken place at Hitachi Lo-D Plaza between January of 1976 and May of 1982.&lt;br /&gt;
This list contains only musical performances, not other events that took place at Lo-D Plaza during this time period.&lt;br /&gt;
&lt;br /&gt;
Work in progress&lt;br /&gt;
&lt;br /&gt;
===1976===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
! Date !! Artist Name (English) !! Artist Name (Japanese) !! Stage Times !! Status&lt;br /&gt;
|-&lt;br /&gt;
| January 5th, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシー・ディックス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 6th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 8th, 1976 || Kōko Hirao, Hideto Kitamura Quartet || 平緒考子、北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 10th, 1976 || Oki Toru &amp;amp; Super Jam Session (Eddie Ban, George Yanagi, Ai, Hiroshi Takano, others) || 大木トオル＆スーパージャムセッション（エディ藩、柳ジョージ、アイ、高野博 他） || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 11th, 1976 || Yoshio Aoki / Hideto Kitamura Quartet || 青木義男／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 17th, 1976 || Strawberry Jam || ストロベリージャム || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 19th, 1976 || Noriko Harada &amp;amp; The Space Men || 原田紀子＆ザ・スペースメン || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 22nd, 1976 || Shoko Amano / Hideto Kitamura Quartet || 天野昇子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 24th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 25th, 1976 || Mayumi Kuroki / Hideto Kitamura Quartet || 黒木真由美／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 31st, 1976 || Bell || ベル || - || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Maki Minori || 真木みり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 2nd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 7th, 1976 || Otamajakushi || おたまじゃくし || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hatsumi Ohara || 小原初美 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 11th, 1976 || Miyako || ミヤコ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 14th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Yoko Asou || 麻生よう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 16th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 21st, 1976 || Zero || ゼロ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Anna Kurusu || 来栖あんな || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 23rd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 28th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 29th, 1976 || Yayoi Shiba || しばやよい || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 2nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 4th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 6th, 1976 || Masami Koizumi &amp;amp; Biscuit Gang || 小泉まさみ＆ビスケット・ギャング || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 7th, 1976 || Yuko Eguchi || 江口有子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 8th, 1976 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 9th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 13th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 14th, 1976 || Sayuri Nonaka || 野中小百合 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 15th, 1976 || Milk || ミルク || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 20th, 1976 || Ai Mikage and Los Novios || あい御影とロス・ノビオス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 21st, 1976 || Kazuko Misumi || 三純和子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 23rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 27th, 1976 || Humming Bird || ハミング・バード || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 28th, 1976 || Sherry || シェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 29th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 30th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 3rd, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 4th, 1976 || Arlequin || アルルカン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 5th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 7th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 9th, 1976 || Nana Okada / Toshio Mori || 岡田奈々／牧岩雅夫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Bad Boys || バッド・ボーイズ || 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 11th, 1976 || Yuko Asano || 浅野ゆう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 12th, 1976 || Hime Daruma || 姫ダルマ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 15th, 1976 || Hideto Kitamura Quartet +2 || 北村秀人4+2 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Bad Boys || バッド・ボーイズ || 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 18th, 1976 || Junko Kishi || 岸じゅんこ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 20th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 21st, 1976 || Hosei University New Orange Swing Orchestra || 法政大ニューオレンジスウィンジORCH || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 24th, 1976 || Weeping Harp Senoh with Rollercoaster || ウィーピング・ハープ・セノオ WITH ローラーコースター || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 25th, 1976 || Misae Aoki || 青木美冴 || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 26th, 1976 || Strawberry Jam || ストロベリージャム || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 29th, 1976 || Hideto Kitamura &amp;amp; Super Jazz Rock Band || 北村秀人＆スーパージャズ・ロックBAND || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 1st, 1976 || Sei Kitazumi || 北炭 生 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 2nd, 1976 || Hatsumi Ohara &amp;amp; Hideto Kitamura Quartet || 小原初美 ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 3rd, 1976 || Rouge || ルージュ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 4th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:30 / 2:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 8th, 1976 || ALFEE || アルフィー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 9th, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 14th, 1976 || Yuko Yoshimi || よしみゆうこ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 15th, 1976 || Emiko Yamauchi || 山内えみ子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 16th, 1976 || Chadha &amp;amp; Hideto Kitamura Quartet || チャダ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 22nd, 1976 || Sugar Love &amp;amp; Hideto Kitamura Quartet || シュガーラブ ＆ 北村秀人4 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 23rd, 1976 || Maybellin || メイベリン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 27th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 29th, 1976 || Kumo to Sora || くもと空 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 30th, 1976 || Michiko Ike || 池みちこ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| June 1st, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 2nd, 1976 || Kentaro Shimizu || 清水健太郎 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 5th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 6th, 1976 || Orange County Brothers || オレンジ・カウンティBr || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 7th, 1976 || Masanori Yanagida || やなぎだまさのり || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 10th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 12th, 1976 || Dai Yuuki || 結城大 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 13th, 1976 || Sanuki Yuko &amp;amp; Hideto Kitamura Quartet || 讃岐裕子 ＆ 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 19th, 1976 || The Lillies &amp;amp; Hideto Kitamura Quartet || ザ・リリーズ・北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 20th, 1976 || Misa Maria &amp;amp; Oasis Boys || ミサマリア＆オアシスボーイズ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 21st, 1976 || Suzunosuke Nagumo and Chindochu || 南雲鈴之助珍道中 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 22nd, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 24th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 25th, 1976 || Yuko Yoshimi || よしみゆうこ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 26th, 1976 || Masamitsu Takayama || 田山雅充 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 27th, 1976 || Atsuko Nakazawa || 中沢厚子 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| July 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 3rd, 1976 || Eriza Ryu || 竜エリザ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 4th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 5th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| July 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 10th, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 11th, 1976 || Lemon Pie || レモンパイ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 12th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 14th, 1976 || Senshu University Light Music Group || 専修大学軽音楽グループ || 3:20 / 5:50 || &lt;br /&gt;
|-&lt;br /&gt;
| July 15th, 1976 || Signal || シグナル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 17th, 1976 || Tsutomu Arakawa || 荒川務 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 18th, 1976 || Lucile || ルシール || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 19th, 1976 || AIDO || 愛奴 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 21st, 1976 || Sei Kitazumi || 北炭 生 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 31st, 1976 || Iwao Fukushima &amp;amp; The Midnighters || 福嶋岩雄＆ザ・ミッドナイターズ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 1st, 1976 || Utachi || うたち || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| August 7th, 1976 || Layla || レイラ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 8th, 1976 || Midori Nishiazki || 西崎みどり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 10th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 14th, 1976 || Jin Haneoka || はねおか仁 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 15th, 1976 || Hitomi Meguro || 目黒ひとみ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 21st, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 22nd, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 24th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 29th, 1976 || Tsukada Mikio || 塚田三喜夫 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 31st, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 2nd, 1976 || Shoko Amano + Hideto Kitamura Quartet || 天野昇子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 4th, 1976 || Orange County Brothers || オレンジ・カウンティーブラザーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 5th, 1976 || Misae Aoki + Hideto Kitamura Quartet || 青木美冴＋北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 23rd, 1976 || Kosuke Mine Sextet || 峰厚介6 || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 25th, 1976 || The Lillies || ザ・リリーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 26th, 1976 || Scandal || スキャンダル || 1:45 / 4:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 28th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 30th, 1976 || Chikako Hirao &amp;amp; Hideto Kitamura Quartet || 平緒千賀子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 2nd, 1976 || Mother House || マザー・ハウス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 3rd, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシーディックス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 4th, 1976 || Masahiro Yanagida || やなぎだまさひろ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 5th, 1976 || Maybellin || メインベリン || 12:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 7th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 9th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 10th, 1976 || Ryoichi Fukuzawa + Hideto Kitamura Quintet || 福沢良＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 11th, 1976 || Isao Taira || 龍村雅史 || 1:30 / 3:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 12th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 14th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 16th, 1976 || Bluegrass 51 || ブルーグラス51 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 17th, 1976 || Weeping Harp Senoh Band || ウィーピングハープセノオバンド || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 19th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 21st, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 23rd, 1976 || Betty Smith || ベティ・スミス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 24th, 1976 || Miki Kobayashi + Hideto Kitamura Sextet || 小林美樹＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 25th, 1976 || Penny Lane || ベニーレイン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 26th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 30th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 31st, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 3rd, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 4th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 6th, 1976 || Atelier || アトリエ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 7th, 1976 || Marblehead Messenger || マーブル・ヘッド・メッセンジャー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 11th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 12th, 1976 || Sei Kitazumi || 北炭生 || 12:15 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 13th, 1976 || Hikousen || 飛行船 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 14th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 18th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 20th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 21st, 1976 || Inaka Shibai || 田舎芝居 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 23rd, 1976 || Chanel || シャネル || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 25th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 27th, 1976 || Apples + Hideto Kitamura Sextet || アップルズ＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 30th, 1976 || Masami Sugawara + Hideto Kitamura Quintet || 菅原政美＋北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 4th, 1976 || Tom &amp;amp; Jerry || トム＆ジェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 5th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 7th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 11th, 1976 || Motohiko Hino Quintet || 日野元彦5 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 12th, 1976 || Last Show || ラストショー || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 13th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 14th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 17th, 1976 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 19th, 1976 || Hiromasa Suzuki Trio || 鈴木宏昌3 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 21st, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 23rd, 1976 || The Blessen Four + Hideto Kitamura Quintet || ザ・ブレッスン・フォー，北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 24th, 1976 || Tonari Kinjo || となりきんじょ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 25th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 26th, 1976 || Sei Kitazumi || 北炭生 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 30th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===1977===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
! Date !! Artist Name (English) !! Artist Name (Japanese) !! Stage Times !! Status&lt;br /&gt;
|-&lt;br /&gt;
| January 6th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 2:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 8th, 1977 || Ihojin || 異邦人 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 9th, 1977 || Mother House || マザーハウス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 10th, 1977 || Kabutomushi || かぶと虫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 11th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| January 13th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 6:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 14th, 1977 || Hosei University New Orange Swing Orchestra || 法政大学NEW ORANGE SWING ORCH || 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 15th, 1977 || Fats Bottle Blues Band || ファッツボトルBB || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 16th, 1977 || Seiko Miki + Hideto Kitamura Sextet || 三木聖子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| January 20th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 6:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 22nd, 1977 || MMP || MMP || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 23rd, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 23rd, 1977 || Hatsumi Ohara + Hideto Kitamura Quintet || 小原初美＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 25th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 6:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 27th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1977 || Yuko Sanuki + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || || &lt;br /&gt;
|-&lt;br /&gt;
| January 30th, 1977 || Hometown News || ホームタウン・ヌーズ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| January 31st, 1977 || Ittan-momen || いったんもめん || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープ5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 3rd, 1977 || Ryo Fukuzawa + Hideto Kitamura Quintet || 福沢良＋北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 3rd, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 5th, 1977 || Ma-Shin Gan || 魔神岩 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 6th, 1977 || Hideto Kitamura Quintet || 北村秀人5（生録会） || 1:30 / 4:00 / 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 7th, 1977 || Tonari Kinjo || となりきんじょ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープ5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 10th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 11th, 1977 || Four Trombones + Hideto Kitamura Quintet || フォートロンボーン＋北村秀人5 || 1:30 / 2:50 || &lt;br /&gt;
|-&lt;br /&gt;
| February 12th, 1977 || VAT 69 || VAT 69 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 13th, 1977 || Tsugumi Morita + Hideto Kitamura Sextet || 森田つぐみ＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 13th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 14th, 1977 || Hikousen || 飛行船 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープ5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 17th, 1977 || Hideto Kitamura Quintet + Chikako Hirao || 北村秀人5＋平緒千香子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 17th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 19th, 1977 || Masaru Imada Trio || 今田勝3 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 20th, 1977 || Chizuko Inada + Hideto Kitamura Quintet || いなだちづこ＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 20th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1977 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープ5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 24th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 26th, 1977 || Toshio Toyama and the Dixie Saints || 外山喜雄とデキシーセインツ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 27th, 1977 || Yuko Sanuki + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 27th, 1977 || Hideto Kitamura Quintet || 北村秀人5 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 28th, 1977 || Kabutomushi || かぶと虫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 1st, 1977 || Black Jack || ブラックジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 3rd, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 5th, 1977 || Lupin III || ルパンIII || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 6th, 1977 || Yuko Sanuki + Hideto Kitamura Quintet + 1 || 讃岐裕子＋北村秀人5＋1 || 12:30 / 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 7th, 1977 || Hikousen || 飛行船 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 8th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘とデキシーディックス || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 10th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 12th, 1977 || Mabumi Yamaguchi Quartet || 山口真文4 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 13th, 1977 || Shizuko Saiki + Hideto Kitamura Quintet + 1 || 斉木しずこ＋北村秀人5＋1 || 12:30 / 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 15th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘とデキシーディックス || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 17th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 19th, 1977 || Rosemary || ローズマリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 20th, 1977 || Miyako Aoi + Hideto Kitamura Quintet + 1 || 藍美代子＋北村秀人5＋1 || 12:30 / 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 21st, 1977 || Orange County Brothers || オレンジカウンティブラザーズ || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 22nd, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘とデキシーディックス || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 24th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 26th, 1977 || Heart Of Saturday Night || ハート・オブ・サタデイナイト || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 27th, 1977 || Mother House || マザーハウス || 2:00 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 28th, 1977 || Toru Arima &amp;amp; Noche Cubana || 有馬徹とノーチェクバーナ || 2:00 / 3:20 || &lt;br /&gt;
|-&lt;br /&gt;
| March 29th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘とデキシーディックス || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 31st, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 2nd, 1977 || CIRCUS || サーカス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 3rd, 1977 || Last Show || ラストショー || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 7th, 1977 || The Blessen Four + Hideto Kitamura Sextet || ザ・ブレッスン・フォー、北村秀人6 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 9th, 1977 || Keiko &amp;amp; Andy Lewis || けい子とエンディー・ルイス || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1977 || Haruophone || 近田春夫とハルヲフォン || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 12th, 1977 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 14th, 1977 || Hideto Kitamura Sextet || 北村秀人6 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 16th, 1977 || Tadashi Okamoto &amp;amp; Beer Child(?) || 岡本正とピアー・チャイルド || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1977 || Seiko Miki || 三木聖子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 19th, 1977 || Hideto Kitamura Sextet || 北村秀人6 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 20th, 1977 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 23rd, 1977 || The Lillies || ザ・リリーズ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 24th, 1977 || Brothers Together — Devotion, Mitsuhiro Sonoyama, Hiro Yanagida, Masao Izuka, and others || ブラザーズ・トゥゲザー ― デヴォーション，園山光博，柳田ヒロ，飯塚まさお，他 || 2:00 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| April 26th, 1977 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 28th, 1977 || Hideto Kitamura Sextet || 北村秀人6 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 29th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 30th, 1977 || Kosuke Mine Quintet || 峰厚介5 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 1st, 1977 || Atelier || アトリエ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 3rd, 1977 || Miyako Aoi || 藍美代子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 5th, 1977 || Sayuri Nonaka || 野中小百合 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 7th, 1977 || Lemon Pie || レモンパイ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 8th, 1977 || Kyoretsu Samba || 強烈サンバ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 10th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 12th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 14th, 1977 || Tasmanian Devil || タスマニアデビル || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 15th, 1977 || Guo Otsuka &amp;amp; 246 Transfer || 大塚ぐお＆246トランスファー || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 17th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 19th, 1977 || Hideto Kitamura Quintet + 1 || 北村秀人5＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 20th, 1977 || Yuji Yamamoto || 山本雄二 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 21st, 1977 || Peekaboo || ピーカブー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 22nd, 1977 || Fort Rombone / Tadahiro Nakazawa, Hirotaka Fukui, Michio Kagiwada, others || フォートロンボーン／中沢忠隆、福井宏隆、鍵和田道雄、他 || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 24th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 26th, 1977 || The Blessen Four || ブレッスンフォー || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 28th, 1977 || Ohiyama || 大火山 || 1:10 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 29th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 31st, 1977 || Black Jack || ブラックジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 2nd, 1977 || Louis || ルイ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 4th, 1977 || Albatros || アルバトロス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 5th, 1977 || The Boomy || ザ・ブーミー || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 6th, 1977 || Shoji Suzuki || 鈴木昇治 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 7th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 9th, 1977 || Louis || ルイ || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| June 12th, 1977 || Elza || エルザ || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| June 14th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 16th, 1977 || Louis || ルイ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 18th, 1977 || Tsugumi Morita || 森田つぐみ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 19th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 20th, 1977 || Mieko Nishijima || 西島三重子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 21st, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 23rd, 1977 || Louis || ルイ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 25th, 1977 || King Kong Paradise || キングコング・パラダイス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| June 26th, 1977 || Miki Hirayama &amp;amp; Memorial Sweet Shop || 平山三紀とメモリアル・スイート・ショップ || 1:30 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| June 28th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| June 30th, 1977 || Louis || ルイ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 2nd, 1977 || Heart Of Saturday Night || ハートオブ・サタデーナイト || 2:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 4th, 1977 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 5th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 7th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 9th, 1977 || Mabumi Yamaguchi Quartet || 山口真文クィンテット || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 10th, 1977 || Hitomi Okazaki || 岡崎ひとみ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 12th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 14th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘＆ディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 16th, 1977 || Penny Lane || ペニーレーン || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 17th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 19th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 21st, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘＆ディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 23rd, 1977 || Masamichi Sugi &amp;amp; Red Stripe || 杉真理＆レッドストライプ || 2:00 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| July 24th, 1977 || Katsumi Kahashi || 加橋かつみ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 26th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 28th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘＆ディキシーディックス＋1 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 30th, 1977 || Mother House || マザー・ハウス || 2:00 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| July 31st, 1977 || Amii Okazaki || 尾崎亜美＆コンビション || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 2nd, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 4th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 6th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 7th, 1977 || Zeus || ゼウス || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 9th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 11th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 13th, 1977 || Le Bergère || レ・ベルジェール || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 14th, 1977 || Yumi Nakaatari || 中当ユミ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 15th, 1977 || Kabutomushi || かぶと虫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 16th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 18th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 20th, 1977 || The Lillies || ザ・リリーズ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 21st, 1977 || Ballerina || バレリーナ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 23rd, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 25th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 27th, 1977 || Motohiki Hino Trio || 日野元彦トリオ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 28th, 1977 || Misa Maria &amp;amp; Oasis Boys || 三沙摩利亜とオアシスボーイズ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 31st, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 1st, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 3rd, 1977 || Texas Papa Family Band || テキサスパパ・ファミリーバンド || 1:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 4th, 1977 || Super Four Trombones + Hideto Kitamura Group || スーパー・フォートロンボーン＋北村秀人グループ || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 6th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とデキシーディックス＋１ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 8th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 10th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 12th, 1977 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 13th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 15th, 1977 || Aiko Ito || 伊藤愛子 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 17th, 1977 || Duesenberg || デューセンバーグ || 1:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 18th, 1977 || Sanmonyakusha || 三文役者 || 1:45 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 20th, 1977 || Hideto Kitamura Group || クロスオーバー特集／北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 22nd, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とデキシーディックス＋１ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 23rd, 1977 || George Ohtsuka Quintet || ジョージ大塚クィンテット || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 24th, 1977 || Tomi Kitagawa || 北川とみ || 1:30 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 25th, 1977 || Orange County Brothers || オレンジカウンティ・ブラザース || 1:00 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 27th, 1977 || Tasmanian Devil || タスマニア・デビル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 29th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 1st, 1977 || Gerarti || ジェラルティー || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 2nd, 1977 || Miyoko Miyazawa || 藍美代子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 4th, 1977 || Texas Papa Family Band || テキサスパパ・ファミリー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 6th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 8th, 1977 || The Rookies || ザ・ルーキーズ || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 9th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 10th, 1977 || Albatros || アルバトロス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 11th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 13th, 1977 || Texas Papa Family Band || テキサスパパ・ファミリー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 15th, 1977 || Because || ビーカーズ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 16th, 1977 || Mayo Shono || 庄野真代 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 17th, 1977 || Freelancer || フリーランサー || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 18th, 1977 || Texas Papa Family Band || テキサスパパ・ファミリー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 20th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 22nd, 1977 || Makoto Fujiwara || 藤原誠 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 23rd, 1977 || Mieko Nishijima || 西島三重子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 25th, 1977 || Texas Papa Family Band || テキサスパパ・ファミリー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 27th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 29th, 1977 || Last Show || ラストショー || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 30th, 1977 || Crystal Sky || クリスタル・スカイ || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 1st, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 3rd, 1977 || Tadashi Okamoto || 岡本正 || 1:30 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| November 5th, 1977 || Tomi Kitagawa || 北川とみ || 1:30 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| November 6th, 1977 || Aiko Ito || 伊藤愛子 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 8th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 10th, 1977 || Sasuke Rolling Band || サスケローリングバンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 12th, 1977 || Yasuko Kawashima || 川島康子 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 13th, 1977 || Hurricane || ハリケーン || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 14th, 1977 || Magical Power Band || マジカル・パワー・バンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 15th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 17th, 1977 || Sasuke Rolling Band || サスケローリングバンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 19th, 1977 || Amaterasu || アマテラス || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 20th, 1977 || Isao Suzuki Group || 鈴木勲グループ || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 22nd, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 23rd, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 24th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 26th, 1977 || Magical Power Band || マジカル・パワー・バンド || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 27th, 1977 || Kazumi Watanabe Quartet || 渡辺香津美カルテット || 1:30 / 3:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 28th, 1977 || Sasuke Rolling Band || サスケローリングバンド || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 29th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 1st, 1977 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 4th, 1977 || Mabumi Yamaguchi Quintet || 山口真文５ || 1:00 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 6th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 8th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 10th, 1977 || Sanmonyakusha || 三文役者 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 11th, 1977 || Keiko Maruyama || 丸山圭子 || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 13th, 1977 || Penny Lane || ペニーレーン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 15th, 1977 || Black Jack || ブラックジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 17th, 1977 || HOTOKE BAND || HOTOKE BAND || 1:00 / 2:45 || &lt;br /&gt;
|-&lt;br /&gt;
| December 18th, 1977 || Yuko Sanuki || 讃岐裕子 || 1:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 19th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 20th, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋１ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 21st, 1977 || 紀の国屋BAND || 紀の国屋BAND || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 22nd, 1977 || Yoshihiro Nakagawa &amp;amp; Dixie Dix + 1 || 中川喜弘とディキシーディックス＋１ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 24th, 1977 || Texas Papa Family band || テキサスパパ・ファミリーバンド || 1:30 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 25th, 1977 || Toshiyuki Miyama &amp;amp; New Herd Orchestra || 宮間利之とニューハード・オーケストラ || 2:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 26th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| December 28th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| December 29th, 1977 || Hideto Kitamura Group || 北村秀人グループ || 12:20 / 3:45 || &lt;br /&gt;
|}&lt;br /&gt;
== Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
File:Lod_Pamphlet.jpg|A pamphlet from March 1980, with a photograph of an unknown band performing.&lt;br /&gt;
File:Lo-D_Schedule_1980-10.jpg|Magazine advertisement from October 1980 with the month&#039;s live schedule and a how-to guide.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1669</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1669"/>
		<updated>2026-01-15T13:25:10Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=BOWOW performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hitachi Lo-D Plaza&#039;&#039;&#039; (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
[[File:Lod_advertisement.jpg|thumb|right|250px|A magazine advertisement for Lo-D Plaza with visitor information.]]&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
Alongside live performances, Lo-D Plaza would also host film and video screenings, album listening parties, DJ sessions, performance art, comedy shows, and a weekly amateur band concert. In addition to these activities, a monthly radio program titled &amp;quot;FM Sound In Now&amp;quot; was recorded live from Lo-D Plaza, hosted by music icon Kouichi Sugiyama. This program ran from the mid to late 70s. &lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Concert stages were often limited to a maximum of 45 minutes, to fit the performance to one side of a 90 minute cassette tape without it needing to be flipped.&lt;br /&gt;
&lt;br /&gt;
Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance is played back for fans to then mix the recording to their liking onto cassette tape. In this format, the mixing desk arrangement could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of the two live stages of a performance.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a sign would light up with the phrase &#039;録音中&#039; (meaning &amp;quot;Now Recording&amp;quot; in English).&lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Folk, Blues, Punk Rock and Electronic genres. Unlike most live houses in Japan during this period which typically focused on hosting artists of particular genres, Lo-D Plaza served as a hub for fans to see a wide array of musical acts.&lt;br /&gt;
Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary. In the earlier years of the showroom, his group would often play 3 stages instead of the usual two. &lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
&lt;br /&gt;
A complete list of live performances to have taken place at Hitachi Lo-D Plaza between January of 1976 and May of 1982.&lt;br /&gt;
This list contains only musical performances, not other events that took place at Lo-D Plaza during this time period.&lt;br /&gt;
&lt;br /&gt;
Work in progress&lt;br /&gt;
&lt;br /&gt;
===1976===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
! Date !! Artist Name (English) !! Artist Name (Japanese) !! Stage Times !! Status&lt;br /&gt;
|-&lt;br /&gt;
| January 5th, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシー・ディックス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 6th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 8th, 1976 || Kōko Hirao, Hideto Kitamura Quartet || 平緒考子、北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 10th, 1976 || Oki Toru &amp;amp; Super Jam Session (Eddie Ban, George Yanagi, Ai, Hiroshi Takano, others) || 大木トオル＆スーパージャムセッション（エディ藩、柳ジョージ、アイ、高野博 他） || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 11th, 1976 || Yoshio Aoki / Hideto Kitamura Quartet || 青木義男／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 17th, 1976 || Strawberry Jam || ストロベリージャム || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 19th, 1976 || Noriko Harada &amp;amp; The Space Men || 原田紀子＆ザ・スペースメン || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 22nd, 1976 || Shoko Amano / Hideto Kitamura Quartet || 天野昇子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 24th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 25th, 1976 || Mayumi Kuroki / Hideto Kitamura Quartet || 黒木真由美／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 31st, 1976 || Bell || ベル || - || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Maki Minori || 真木みり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 2nd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 7th, 1976 || Otamajakushi || おたまじゃくし || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hatsumi Ohara || 小原初美 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 11th, 1976 || Miyako || ミヤコ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 14th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Yoko Asou || 麻生よう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 16th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 21st, 1976 || Zero || ゼロ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Anna Kurusu || 来栖あんな || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 23rd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 28th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 29th, 1976 || Yayoi Shiba || しばやよい || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 2nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 4th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 6th, 1976 || Masami Koizumi &amp;amp; Biscuit Gang || 小泉まさみ＆ビスケット・ギャング || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 7th, 1976 || Yuko Eguchi || 江口有子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 8th, 1976 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 9th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 13th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 14th, 1976 || Sayuri Nonaka || 野中小百合 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 15th, 1976 || Milk || ミルク || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 20th, 1976 || Ai Mikage and Los Novios || あい御影とロス・ノビオス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 21st, 1976 || Kazuko Misumi || 三純和子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 23rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 27th, 1976 || Humming Bird || ハミング・バード || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 28th, 1976 || Sherry || シェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 29th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 30th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 3rd, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 4th, 1976 || Arlequin || アルルカン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 5th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 7th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 9th, 1976 || Nana Okada / Toshio Mori || 岡田奈々／牧岩雅夫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Bad Boys || バッド・ボーイズ || 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 11th, 1976 || Yuko Asano || 浅野ゆう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 12th, 1976 || Hime Daruma || 姫ダルマ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 15th, 1976 || Hideto Kitamura Quartet +2 || 北村秀人4+2 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Bad Boys || バッド・ボーイズ || 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 18th, 1976 || Junko Kishi || 岸じゅんこ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 20th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 21st, 1976 || Hosei University New Orange Swing Orchestra || 法政大ニューオレンジスウィンジORCH || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 24th, 1976 || Weeping Harp Senoh with Rollercoaster || ウィーピング・ハープ・セノオ WITH ローラーコースター || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 25th, 1976 || Misae Aoki || 青木美冴 || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 26th, 1976 || Strawberry Jam || ストロベリージャム || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 29th, 1976 || Hideto Kitamura &amp;amp; Super Jazz Rock Band || 北村秀人＆スーパージャズ・ロックBAND || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 1st, 1976 || Sei Kitazumi || 北炭 生 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 2nd, 1976 || Hatsumi Ohara &amp;amp; Hideto Kitamura Quartet || 小原初美 ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 3rd, 1976 || Rouge || ルージュ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 4th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:30 / 2:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 8th, 1976 || ALFEE || アルフィー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 9th, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 14th, 1976 || Yuko Yoshimi || よしみゆうこ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 15th, 1976 || Emiko Yamauchi || 山内えみ子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 16th, 1976 || Chadha &amp;amp; Hideto Kitamura Quartet || チャダ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 22nd, 1976 || Sugar Love &amp;amp; Hideto Kitamura Quartet || シュガーラブ ＆ 北村秀人4 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 23rd, 1976 || Maybellin || メイベリン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 27th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 29th, 1976 || Kumo to Sora || くもと空 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 30th, 1976 || Michiko Ike || 池みちこ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| June 1st, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 2nd, 1976 || Kentaro Shimizu || 清水健太郎 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 5th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 6th, 1976 || Orange County Brothers || オレンジ・カウンティBr || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 7th, 1976 || Masanori Yanagida || やなぎだまさのり || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 10th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 12th, 1976 || Dai Yuuki || 結城大 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 13th, 1976 || Sanuki Yuko &amp;amp; Hideto Kitamura Quartet || 讃岐裕子 ＆ 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 19th, 1976 || The Lillies &amp;amp; Hideto Kitamura Quartet || ザ・リリーズ・北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 20th, 1976 || Misa Maria &amp;amp; Oasis Boys || ミサマリア＆オアシスボーイズ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 21st, 1976 || Suzunosuke Nagumo and Chindochu || 南雲鈴之助珍道中 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 22nd, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 24th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 25th, 1976 || Yuko Yoshimi || よしみゆうこ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 26th, 1976 || Masamitsu Takayama || 田山雅充 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 27th, 1976 || Atsuko Nakazawa || 中沢厚子 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| July 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 3rd, 1976 || Eriza Ryu || 竜エリザ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 4th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 5th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| July 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 10th, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 11th, 1976 || Lemon Pie || レモンパイ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 12th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 14th, 1976 || Senshu University Light Music Group || 専修大学軽音楽グループ || 3:20 / 5:50 || &lt;br /&gt;
|-&lt;br /&gt;
| July 15th, 1976 || Signal || シグナル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 17th, 1976 || Tsutomu Arakawa || 荒川務 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 18th, 1976 || Lucile || ルシール || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 19th, 1976 || AIDO || 愛奴 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 21st, 1976 || Sei Kitazumi || 北炭 生 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 31st, 1976 || Iwao Fukushima &amp;amp; The Midnighters || 福嶋岩雄＆ザ・ミッドナイターズ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 1st, 1976 || Utachi || うたち || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| August 7th, 1976 || Layla || レイラ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 8th, 1976 || Midori Nishiazki || 西崎みどり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 10th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 14th, 1976 || Jin Haneoka || はねおか仁 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 15th, 1976 || Hitomi Meguro || 目黒ひとみ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 21st, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 22nd, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 24th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 29th, 1976 || Tsukada Mikio || 塚田三喜夫 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 31st, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 2nd, 1976 || Shoko Amano + Hideto Kitamura Quartet || 天野昇子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 4th, 1976 || Orange County Brothers || オレンジ・カウンティーブラザーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 5th, 1976 || Misae Aoki + Hideto Kitamura Quartet || 青木美冴＋北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 23rd, 1976 || Kosuke Mine Sextet || 峰厚介6 || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 25th, 1976 || The Lillies || ザ・リリーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 26th, 1976 || Scandal || スキャンダル || 1:45 / 4:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 28th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 30th, 1976 || Chikako Hirao &amp;amp; Hideto Kitamura Quartet || 平緒千賀子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 2nd, 1976 || Mother House || マザー・ハウス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 3rd, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシーディックス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 4th, 1976 || Masahiro Yanagida || やなぎだまさひろ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 5th, 1976 || Maybellin || メインベリン || 12:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 7th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 9th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 10th, 1976 || Ryoichi Fukuzawa + Hideto Kitamura Quintet || 福沢良＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 11th, 1976 || Isao Taira || 龍村雅史 || 1:30 / 3:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 12th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 14th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 16th, 1976 || Bluegrass 51 || ブルーグラス51 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 17th, 1976 || Weeping Harp Senoh Band || ウィーピングハープセノオバンド || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 19th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 21st, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 23rd, 1976 || Betty Smith || ベティ・スミス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 24th, 1976 || Miki Kobayashi + Hideto Kitamura Sextet || 小林美樹＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 25th, 1976 || Penny Lane || ベニーレイン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 26th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 30th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 31st, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 3rd, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 4th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 6th, 1976 || Atelier || アトリエ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 7th, 1976 || Marblehead Messenger || マーブル・ヘッド・メッセンジャー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 11th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 12th, 1976 || Sei Kitazumi || 北炭生 || 12:15 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 13th, 1976 || Hikousen || 飛行船 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 14th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 18th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 20th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 21st, 1976 || Inaka Shibai || 田舎芝居 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 23rd, 1976 || Chanel || シャネル || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 25th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 27th, 1976 || Apples + Hideto Kitamura Sextet || アップルズ＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 30th, 1976 || Masami Sugawara + Hideto Kitamura Quintet || 菅原政美＋北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 4th, 1976 || Tom &amp;amp; Jerry || トム＆ジェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 5th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 7th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 11th, 1976 || Motohiko Hino Quintet || 日野元彦5 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 12th, 1976 || Last Show || ラストショー || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 13th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 14th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 17th, 1976 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 19th, 1976 || Hiromasa Suzuki Trio || 鈴木宏昌3 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 21st, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 23rd, 1976 || The Blessen Four + Hideto Kitamura Quintet || ザ・ブレッスン・フォー，北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 24th, 1976 || Tonari Kinjo || となりきんじょ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 25th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 26th, 1976 || Sei Kitazumi || 北炭生 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 30th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|}&lt;br /&gt;
== Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
File:Lod_Pamphlet.jpg|A pamphlet from March 1980, with a photograph of an unknown band performing.&lt;br /&gt;
File:Lo-D_Schedule_1980-10.jpg|Magazine advertisement from October 1980 with the month&#039;s live schedule and a how-to guide.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=File:Lod_Casiopea_10-28.png&amp;diff=1657</id>
		<title>File:Lod Casiopea 10-28.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=File:Lod_Casiopea_10-28.png&amp;diff=1657"/>
		<updated>2026-01-11T06:33:01Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1655</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1655"/>
		<updated>2026-01-11T05:45:20Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hitachi Lo-D Plaza&#039;&#039;&#039; (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
[[File:Lod_advertisement.jpg|thumb|right|250px|A magazine advertisement for Lo-D Plaza with visitor information.]]&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
Alongside live performances, Lo-D Plaza would also host film and video screenings, album listening parties, DJ sessions, and a weekly amateur band concert.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Concert stages were often limited to a maximum of 45 minutes, to fit the performance to one side of a 90 minute cassette tape without it needing to be flipped.&lt;br /&gt;
&lt;br /&gt;
Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance is played back for fans to then mix the recording to their liking onto cassette tape. In this format, the mixing desk arrangement could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of the two live stages of a performance.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a sign would light up with the phrase &#039;録音中&#039; (meaning &amp;quot;Now Recording&amp;quot; in English).&lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary. In the earlier years of the showroom, his group would often play 3 stages instead of the usual two. &lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
&lt;br /&gt;
A complete list of live performances to have taken place at Hitachi Lo-D Plaza between January of 1976 and May of 1982.&lt;br /&gt;
This list contains only musical performances, not other events that took place at Lo-D Plaza during this time period.&lt;br /&gt;
&lt;br /&gt;
Work in progress&lt;br /&gt;
&lt;br /&gt;
===1976===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
! Date !! Artist Name (English) !! Artist Name (Japanese) !! Stage Times !! Status&lt;br /&gt;
|-&lt;br /&gt;
| January 5th, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシー・ディックス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 6th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 8th, 1976 || Kōko Hirao, Hideto Kitamura Quartet || 平緒考子、北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 10th, 1976 || Oki Toru &amp;amp; Super Jam Session (Eddie Ban, George Yanagi, Ai, Hiroshi Takano, others) || 大木トオル＆スーパージャムセッション（エディ藩、柳ジョージ、アイ、高野博 他） || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 11th, 1976 || Yoshio Aoki / Hideto Kitamura Quartet || 青木義男／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 17th, 1976 || Strawberry Jam || ストロベリージャム || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 19th, 1976 || Noriko Harada &amp;amp; The Space Men || 原田紀子＆ザ・スペースメン || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 22nd, 1976 || Shoko Amano / Hideto Kitamura Quartet || 天野昇子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 24th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 25th, 1976 || Mayumi Kuroki / Hideto Kitamura Quartet || 黒木真由美／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 31st, 1976 || Bell || ベル || - || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Maki Minori || 真木みり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 2nd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 7th, 1976 || Otamajakushi || おたまじゃくし || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hatsumi Ohara || 小原初美 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 11th, 1976 || Miyako || ミヤコ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 14th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Yoko Asou || 麻生よう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 16th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 21st, 1976 || Zero || ゼロ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Anna Kurusu || 来栖あんな || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 23rd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 28th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 29th, 1976 || Yayoi Shiba || しばやよい || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 2nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 4th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 6th, 1976 || Masami Koizumi &amp;amp; Biscuit Gang || 小泉まさみ＆ビスケット・ギャング || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 7th, 1976 || Yuko Eguchi || 江口有子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 8th, 1976 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 9th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 13th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 14th, 1976 || Sayuri Nonaka || 野中小百合 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 15th, 1976 || Milk || ミルク || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 20th, 1976 || Ai Mikage and Los Novios || あい御影とロス・ノビオス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 21st, 1976 || Kazuko Misumi || 三純和子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 23rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 27th, 1976 || Humming Bird || ハミング・バード || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 28th, 1976 || Sherry || シェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 29th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 30th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 3rd, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 4th, 1976 || Arlequin || アルルカン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 5th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 7th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 9th, 1976 || Nana Okada / Toshio Mori || 岡田奈々／牧岩雅夫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Bad Boys || バッド・ボーイズ || 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 11th, 1976 || Yuko Asano || 浅野ゆう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 12th, 1976 || Hime Daruma || 姫ダルマ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 15th, 1976 || Hideto Kitamura Quartet +2 || 北村秀人4+2 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Bad Boys || バッド・ボーイズ || 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 18th, 1976 || Junko Kishi || 岸じゅんこ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 20th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 21st, 1976 || Hosei University New Orange Swing Orchestra || 法政大ニューオレンジスウィンジORCH || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 24th, 1976 || Weeping Harp Senoh with Rollercoaster || ウィーピング・ハープ・セノオ WITH ローラーコースター || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 25th, 1976 || Misae Aoki || 青木美冴 || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 26th, 1976 || Strawberry Jam || ストロベリージャム || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 29th, 1976 || Hideto Kitamura &amp;amp; Super Jazz Rock Band || 北村秀人＆スーパージャズ・ロックBAND || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 1st, 1976 || Sei Kitazumi || 北炭 生 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 2nd, 1976 || Hatsumi Ohara &amp;amp; Hideto Kitamura Quartet || 小原初美 ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 3rd, 1976 || Rouge || ルージュ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 4th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:30 / 2:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 8th, 1976 || ALFEE || アルフィー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 9th, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 14th, 1976 || Yuko Yoshimi || よしみゆうこ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 15th, 1976 || Emiko Yamauchi || 山内えみ子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 16th, 1976 || Chadha &amp;amp; Hideto Kitamura Quartet || チャダ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 22nd, 1976 || Sugar Love &amp;amp; Hideto Kitamura Quartet || シュガーラブ ＆ 北村秀人4 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 23rd, 1976 || Maybellin || メイベリン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 27th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 29th, 1976 || Kumo to Sora || くもと空 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 30th, 1976 || Michiko Ike || 池みちこ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| June 1st, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 2nd, 1976 || Kentaro Shimizu || 清水健太郎 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 5th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 6th, 1976 || Orange County Brothers || オレンジ・カウンティBr || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 7th, 1976 || Masanori Yanagida || やなぎだまさのり || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 10th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 12th, 1976 || Dai Yuuki || 結城大 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 13th, 1976 || Sanuki Yuko &amp;amp; Hideto Kitamura Quartet || 讃岐裕子 ＆ 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 19th, 1976 || The Lillies &amp;amp; Hideto Kitamura Quartet || ザ・リリーズ・北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 20th, 1976 || Misa Maria &amp;amp; Oasis Boys || ミサマリア＆オアシスボーイズ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 21st, 1976 || Suzunosuke Nagumo and Chindochu || 南雲鈴之助珍道中 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 22nd, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 24th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 25th, 1976 || Yuko Yoshimi || よしみゆうこ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 26th, 1976 || Masamitsu Takayama || 田山雅充 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 27th, 1976 || Atsuko Nakazawa || 中沢厚子 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| July 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 3rd, 1976 || Eriza Ryu || 竜エリザ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 4th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 5th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| July 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 10th, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 11th, 1976 || Lemon Pie || レモンパイ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 12th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 14th, 1976 || Senshu University Light Music Group || 専修大学軽音楽グループ || 3:20 / 5:50 || &lt;br /&gt;
|-&lt;br /&gt;
| July 15th, 1976 || Signal || シグナル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 17th, 1976 || Tsutomu Arakawa || 荒川務 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 18th, 1976 || Lucile || ルシール || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 19th, 1976 || AIDO || 愛奴 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 21st, 1976 || Sei Kitazumi || 北炭 生 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 31st, 1976 || Iwao Fukushima &amp;amp; The Midnighters || 福嶋岩雄＆ザ・ミッドナイターズ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 1st, 1976 || Utachi || うたち || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| August 7th, 1976 || Layla || レイラ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 8th, 1976 || Midori Nishiazki || 西崎みどり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 10th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 14th, 1976 || Jin Haneoka || はねおか仁 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 15th, 1976 || Hitomi Meguro || 目黒ひとみ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 21st, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 22nd, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 24th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 29th, 1976 || Tsukada Mikio || 塚田三喜夫 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 31st, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 2nd, 1976 || Shoko Amano + Hideto Kitamura Quartet || 天野昇子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 4th, 1976 || Orange County Brothers || オレンジ・カウンティーブラザーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 5th, 1976 || Misae Aoki + Hideto Kitamura Quartet || 青木美冴＋北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 23rd, 1976 || Kosuke Mine Sextet || 峰厚介6 || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 25th, 1976 || The Lillies || ザ・リリーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 26th, 1976 || Scandal || スキャンダル || 1:45 / 4:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 28th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 30th, 1976 || Chikako Hirao &amp;amp; Hideto Kitamura Quartet || 平緒千賀子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 2nd, 1976 || Mother House || マザー・ハウス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 3rd, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシーディックス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 4th, 1976 || Masahiro Yanagida || やなぎだまさひろ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 5th, 1976 || Maybellin || メインベリン || 12:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 7th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 9th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 10th, 1976 || Ryoichi Fukuzawa + Hideto Kitamura Quintet || 福沢良＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 11th, 1976 || Isao Taira || 龍村雅史 || 1:30 / 3:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 12th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 14th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 16th, 1976 || Bluegrass 51 || ブルーグラス51 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 17th, 1976 || Weeping Harp Senoh Band || ウィーピングハープセノオバンド || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 19th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 21st, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 23rd, 1976 || Betty Smith || ベティ・スミス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 24th, 1976 || Miki Kobayashi + Hideto Kitamura Sextet || 小林美樹＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 25th, 1976 || Penny Lane || ベニーレイン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 26th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 30th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 31st, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 3rd, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 4th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 6th, 1976 || Atelier || アトリエ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 7th, 1976 || Marblehead Messenger || マーブル・ヘッド・メッセンジャー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 11th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 12th, 1976 || Sei Kitazumi || 北炭生 || 12:15 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 13th, 1976 || Hikousen || 飛行船 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 14th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 18th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 20th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 21st, 1976 || Inaka Shibai || 田舎芝居 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 23rd, 1976 || Chanel || シャネル || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 25th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 27th, 1976 || Apples + Hideto Kitamura Sextet || アップルズ＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 30th, 1976 || Masami Sugawara + Hideto Kitamura Quintet || 菅原政美＋北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 4th, 1976 || Tom &amp;amp; Jerry || トム＆ジェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 5th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 7th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 11th, 1976 || Motohiko Hino Quintet || 日野元彦5 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 12th, 1976 || Last Show || ラストショー || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 13th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 14th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 17th, 1976 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 19th, 1976 || Hiromasa Suzuki Trio || 鈴木宏昌3 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 21st, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 23rd, 1976 || The Blessen Four + Hideto Kitamura Quintet || ザ・ブレッスン・フォー，北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 24th, 1976 || Tonari Kinjo || となりきんじょ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 25th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 26th, 1976 || Sei Kitazumi || 北炭生 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 30th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
File:Lod_Pamphlet.jpg|A pamphlet from March 1980, with a photograph of an unknown band performing.&lt;br /&gt;
File:Lo-D_Schedule_1980-10.jpg|Magazine advertisement from October 1980 with the month&#039;s live schedule and a how-to guide.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=File:Lo-D_Schedule_1980-10.jpg&amp;diff=1654</id>
		<title>File:Lo-D Schedule 1980-10.jpg</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=File:Lo-D_Schedule_1980-10.jpg&amp;diff=1654"/>
		<updated>2026-01-11T05:38:04Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=File:Lod_Pamphlet.jpg&amp;diff=1653</id>
		<title>File:Lod Pamphlet.jpg</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=File:Lod_Pamphlet.jpg&amp;diff=1653"/>
		<updated>2026-01-11T05:37:01Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1652</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1652"/>
		<updated>2026-01-11T05:26:31Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hitachi Lo-D Plaza&#039;&#039;&#039; (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
Alongside live performances, Lo-D Plaza would also host film and video screenings, album listening parties, DJ sessions, and a weekly amateur band concert.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Concert stages were often limited to a maximum of 45 minutes, to fit the performance to one side of a 90 minute cassette tape without it needing to be flipped.&lt;br /&gt;
&lt;br /&gt;
Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance is played back for fans to then mix the recording to their liking onto cassette tape. In this format, the mixing desk arrangement could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of the two live stages of a performance.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a sign would light up with the phrase &#039;録音中&#039; (meaning &amp;quot;Now Recording&amp;quot; in English).&lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary. In the earlier years of the showroom, his group would often play 3 stages instead of the usual two. &lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
&lt;br /&gt;
A complete list of live performances to have taken place at Hitachi Lo-D Plaza between January of 1976 and May of 1982.&lt;br /&gt;
This list contains only musical performances, not other events that took place at Lo-D Plaza during this time period.&lt;br /&gt;
&lt;br /&gt;
Work in progress&lt;br /&gt;
&lt;br /&gt;
===1976===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
! Date !! Artist Name (English) !! Artist Name (Japanese) !! Stage Times !! Status&lt;br /&gt;
|-&lt;br /&gt;
| January 5th, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシー・ディックス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 6th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 8th, 1976 || Kōko Hirao, Hideto Kitamura Quartet || 平緒考子、北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 10th, 1976 || Oki Toru &amp;amp; Super Jam Session (Eddie Ban, George Yanagi, Ai, Hiroshi Takano, others) || 大木トオル＆スーパージャムセッション（エディ藩、柳ジョージ、アイ、高野博 他） || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 11th, 1976 || Yoshio Aoki / Hideto Kitamura Quartet || 青木義男／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 17th, 1976 || Strawberry Jam || ストロベリージャム || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 19th, 1976 || Noriko Harada &amp;amp; The Space Men || 原田紀子＆ザ・スペースメン || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 22nd, 1976 || Shoko Amano / Hideto Kitamura Quartet || 天野昇子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 24th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 25th, 1976 || Mayumi Kuroki / Hideto Kitamura Quartet || 黒木真由美／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 31st, 1976 || Bell || ベル || - || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Maki Minori || 真木みり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 2nd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 7th, 1976 || Otamajakushi || おたまじゃくし || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hatsumi Ohara || 小原初美 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 11th, 1976 || Miyako || ミヤコ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 14th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Yoko Asou || 麻生よう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 16th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 21st, 1976 || Zero || ゼロ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Anna Kurusu || 来栖あんな || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 23rd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 28th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 29th, 1976 || Yayoi Shiba || しばやよい || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 2nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 4th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 6th, 1976 || Masami Koizumi &amp;amp; Biscuit Gang || 小泉まさみ＆ビスケット・ギャング || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 7th, 1976 || Yuko Eguchi || 江口有子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 8th, 1976 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 9th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 13th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 14th, 1976 || Sayuri Nonaka || 野中小百合 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 15th, 1976 || Milk || ミルク || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 20th, 1976 || Ai Mikage and Los Novios || あい御影とロス・ノビオス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 21st, 1976 || Kazuko Misumi || 三純和子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 23rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 27th, 1976 || Humming Bird || ハミング・バード || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 28th, 1976 || Sherry || シェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 29th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 30th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 3rd, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 4th, 1976 || Arlequin || アルルカン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 5th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 7th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 9th, 1976 || Nana Okada / Toshio Mori || 岡田奈々／牧岩雅夫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Bad Boys || バッド・ボーイズ || 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 11th, 1976 || Yuko Asano || 浅野ゆう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 12th, 1976 || Hime Daruma || 姫ダルマ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 15th, 1976 || Hideto Kitamura Quartet +2 || 北村秀人4+2 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Bad Boys || バッド・ボーイズ || 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 18th, 1976 || Junko Kishi || 岸じゅんこ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 20th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 21st, 1976 || Hosei University New Orange Swing Orchestra || 法政大ニューオレンジスウィンジORCH || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 24th, 1976 || Weeping Harp Senoh with Rollercoaster || ウィーピング・ハープ・セノオ WITH ローラーコースター || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 25th, 1976 || Misae Aoki || 青木美冴 || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 26th, 1976 || Strawberry Jam || ストロベリージャム || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 29th, 1976 || Hideto Kitamura &amp;amp; Super Jazz Rock Band || 北村秀人＆スーパージャズ・ロックBAND || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 1st, 1976 || Sei Kitazumi || 北炭 生 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 2nd, 1976 || Hatsumi Ohara &amp;amp; Hideto Kitamura Quartet || 小原初美 ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 3rd, 1976 || Rouge || ルージュ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 4th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:30 / 2:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 8th, 1976 || ALFEE || アルフィー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 9th, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 14th, 1976 || Yuko Yoshimi || よしみゆうこ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 15th, 1976 || Emiko Yamauchi || 山内えみ子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 16th, 1976 || Chadha &amp;amp; Hideto Kitamura Quartet || チャダ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 22nd, 1976 || Sugar Love &amp;amp; Hideto Kitamura Quartet || シュガーラブ ＆ 北村秀人4 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 23rd, 1976 || Maybellin || メイベリン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 27th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 29th, 1976 || Kumo to Sora || くもと空 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 30th, 1976 || Michiko Ike || 池みちこ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| June 1st, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 2nd, 1976 || Kentaro Shimizu || 清水健太郎 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 5th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 6th, 1976 || Orange County Brothers || オレンジ・カウンティBr || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 7th, 1976 || Masanori Yanagida || やなぎだまさのり || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 10th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 12th, 1976 || Dai Yuuki || 結城大 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 13th, 1976 || Sanuki Yuko &amp;amp; Hideto Kitamura Quartet || 讃岐裕子 ＆ 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 19th, 1976 || The Lillies &amp;amp; Hideto Kitamura Quartet || ザ・リリーズ・北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 20th, 1976 || Misa Maria &amp;amp; Oasis Boys || ミサマリア＆オアシスボーイズ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 21st, 1976 || Suzunosuke Nagumo and Chindochu || 南雲鈴之助珍道中 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 22nd, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 24th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 25th, 1976 || Yuko Yoshimi || よしみゆうこ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 26th, 1976 || Masamitsu Takayama || 田山雅充 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 27th, 1976 || Atsuko Nakazawa || 中沢厚子 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| July 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 3rd, 1976 || Eriza Ryu || 竜エリザ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 4th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 5th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| July 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 10th, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 11th, 1976 || Lemon Pie || レモンパイ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 12th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 14th, 1976 || Senshu University Light Music Group || 専修大学軽音楽グループ || 3:20 / 5:50 || &lt;br /&gt;
|-&lt;br /&gt;
| July 15th, 1976 || Signal || シグナル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 17th, 1976 || Tsutomu Arakawa || 荒川務 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 18th, 1976 || Lucile || ルシール || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 19th, 1976 || AIDO || 愛奴 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 21st, 1976 || Sei Kitazumi || 北炭 生 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 31st, 1976 || Iwao Fukushima &amp;amp; The Midnighters || 福嶋岩雄＆ザ・ミッドナイターズ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 1st, 1976 || Utachi || うたち || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| August 7th, 1976 || Layla || レイラ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 8th, 1976 || Midori Nishiazki || 西崎みどり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 10th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 14th, 1976 || Jin Haneoka || はねおか仁 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 15th, 1976 || Hitomi Meguro || 目黒ひとみ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 21st, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 22nd, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 24th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 29th, 1976 || Tsukada Mikio || 塚田三喜夫 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 31st, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 2nd, 1976 || Shoko Amano + Hideto Kitamura Quartet || 天野昇子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 4th, 1976 || Orange County Brothers || オレンジ・カウンティーブラザーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 5th, 1976 || Misae Aoki + Hideto Kitamura Quartet || 青木美冴＋北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 23rd, 1976 || Kosuke Mine Sextet || 峰厚介6 || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 25th, 1976 || The Lillies || ザ・リリーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 26th, 1976 || Scandal || スキャンダル || 1:45 / 4:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 28th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 30th, 1976 || Chikako Hirao &amp;amp; Hideto Kitamura Quartet || 平緒千賀子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 2nd, 1976 || Mother House || マザー・ハウス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 3rd, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシーディックス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 4th, 1976 || Masahiro Yanagida || やなぎだまさひろ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 5th, 1976 || Maybellin || メインベリン || 12:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 7th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 9th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 10th, 1976 || Ryoichi Fukuzawa + Hideto Kitamura Quintet || 福沢良＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 11th, 1976 || Isao Taira || 龍村雅史 || 1:30 / 3:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 12th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 14th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 16th, 1976 || Bluegrass 51 || ブルーグラス51 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 17th, 1976 || Weeping Harp Senoh Band || ウィーピングハープセノオバンド || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 19th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 21st, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 23rd, 1976 || Betty Smith || ベティ・スミス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 24th, 1976 || Miki Kobayashi + Hideto Kitamura Sextet || 小林美樹＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 25th, 1976 || Penny Lane || ベニーレイン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 26th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 30th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 31st, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 3rd, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 4th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 6th, 1976 || Atelier || アトリエ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 7th, 1976 || Marblehead Messenger || マーブル・ヘッド・メッセンジャー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 11th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 12th, 1976 || Sei Kitazumi || 北炭生 || 12:15 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 13th, 1976 || Hikousen || 飛行船 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 14th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 18th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 20th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 21st, 1976 || Inaka Shibai || 田舎芝居 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 23rd, 1976 || Chanel || シャネル || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 25th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 27th, 1976 || Apples + Hideto Kitamura Sextet || アップルズ＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 30th, 1976 || Masami Sugawara + Hideto Kitamura Quintet || 菅原政美＋北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 4th, 1976 || Tom &amp;amp; Jerry || トム＆ジェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 5th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 7th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 11th, 1976 || Motohiko Hino Quintet || 日野元彦5 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 12th, 1976 || Last Show || ラストショー || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 13th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 14th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 17th, 1976 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 19th, 1976 || Hiromasa Suzuki Trio || 鈴木宏昌3 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 21st, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 23rd, 1976 || The Blessen Four + Hideto Kitamura Quintet || ザ・ブレッスン・フォー，北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 24th, 1976 || Tonari Kinjo || となりきんじょ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 25th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 26th, 1976 || Sei Kitazumi || 北炭生 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 30th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1651</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1651"/>
		<updated>2026-01-11T05:18:31Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hitachi Lo-D Plaza&#039;&#039;&#039; (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
Alongside live performances, Lo-D Plaza would also host film and video screenings, album listening parties, DJ sessions, and a weekly amateur band concert.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Concert stages were often limited to a maximum of 45 minutes, to fit the performance to one side of a 90 minute cassette tape without it needing to be flipped.&lt;br /&gt;
&lt;br /&gt;
Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance is played back for fans to then mix the recording to their liking onto cassette tape. In this format, the mixing desk arrangement could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of the two live stages of a performance.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a light will come on at each desk saying ‘Now Recording’. &lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary. In the earlier years of the showroom, his group would often play 3 stages instead of the usual two. &lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
&lt;br /&gt;
A complete list of live performances to have taken place at Hitachi Lo-D Plaza between January of 1976 and May of 1982.&lt;br /&gt;
This list contains only musical performances, not other events that took place at Lo-D Plaza during this time period.&lt;br /&gt;
&lt;br /&gt;
Work in progress&lt;br /&gt;
&lt;br /&gt;
===1976===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
! Date !! Artist Name (English) !! Artist Name (Japanese) !! Stage Times !! Status&lt;br /&gt;
|-&lt;br /&gt;
| January 5th, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシー・ディックス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 6th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 8th, 1976 || Kōko Hirao, Hideto Kitamura Quartet || 平緒考子、北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 10th, 1976 || Oki Toru &amp;amp; Super Jam Session (Eddie Ban, George Yanagi, Ai, Hiroshi Takano, others) || 大木トオル＆スーパージャムセッション（エディ藩、柳ジョージ、アイ、高野博 他） || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 11th, 1976 || Yoshio Aoki / Hideto Kitamura Quartet || 青木義男／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 17th, 1976 || Strawberry Jam || ストロベリージャム || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 19th, 1976 || Noriko Harada &amp;amp; The Space Men || 原田紀子＆ザ・スペースメン || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 22nd, 1976 || Shoko Amano / Hideto Kitamura Quartet || 天野昇子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 24th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 25th, 1976 || Mayumi Kuroki / Hideto Kitamura Quartet || 黒木真由美／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 31st, 1976 || Bell || ベル || - || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Maki Minori || 真木みり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 2nd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 7th, 1976 || Otamajakushi || おたまじゃくし || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hatsumi Ohara || 小原初美 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 11th, 1976 || Miyako || ミヤコ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 14th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Yoko Asou || 麻生よう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 16th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 21st, 1976 || Zero || ゼロ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Anna Kurusu || 来栖あんな || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 23rd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 28th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 29th, 1976 || Yayoi Shiba || しばやよい || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 2nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 4th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 6th, 1976 || Masami Koizumi &amp;amp; Biscuit Gang || 小泉まさみ＆ビスケット・ギャング || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 7th, 1976 || Yuko Eguchi || 江口有子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 8th, 1976 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 9th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 13th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 14th, 1976 || Sayuri Nonaka || 野中小百合 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 15th, 1976 || Milk || ミルク || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 20th, 1976 || Ai Mikage and Los Novios || あい御影とロス・ノビオス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 21st, 1976 || Kazuko Misumi || 三純和子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 23rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 27th, 1976 || Humming Bird || ハミング・バード || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 28th, 1976 || Sherry || シェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 29th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 30th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 3rd, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 4th, 1976 || Arlequin || アルルカン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 5th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 7th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 9th, 1976 || Nana Okada / Toshio Mori || 岡田奈々／牧岩雅夫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Bad Boys || バッド・ボーイズ || 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 11th, 1976 || Yuko Asano || 浅野ゆう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 12th, 1976 || Hime Daruma || 姫ダルマ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 15th, 1976 || Hideto Kitamura Quartet +2 || 北村秀人4+2 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Bad Boys || バッド・ボーイズ || 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 18th, 1976 || Junko Kishi || 岸じゅんこ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 20th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 21st, 1976 || Hosei University New Orange Swing Orchestra || 法政大ニューオレンジスウィンジORCH || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 24th, 1976 || Weeping Harp Senoh with Rollercoaster || ウィーピング・ハープ・セノオ WITH ローラーコースター || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 25th, 1976 || Misae Aoki || 青木美冴 || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 26th, 1976 || Strawberry Jam || ストロベリージャム || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 29th, 1976 || Hideto Kitamura &amp;amp; Super Jazz Rock Band || 北村秀人＆スーパージャズ・ロックBAND || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 1st, 1976 || Sei Kitazumi || 北炭 生 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 2nd, 1976 || Hatsumi Ohara &amp;amp; Hideto Kitamura Quartet || 小原初美 ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 3rd, 1976 || Rouge || ルージュ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 4th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:30 / 2:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 8th, 1976 || ALFEE || アルフィー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 9th, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 14th, 1976 || Yuko Yoshimi || よしみゆうこ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 15th, 1976 || Emiko Yamauchi || 山内えみ子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 16th, 1976 || Chadha &amp;amp; Hideto Kitamura Quartet || チャダ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 22nd, 1976 || Sugar Love &amp;amp; Hideto Kitamura Quartet || シュガーラブ ＆ 北村秀人4 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 23rd, 1976 || Maybellin || メイベリン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 27th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 29th, 1976 || Kumo to Sora || くもと空 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 30th, 1976 || Michiko Ike || 池みちこ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| June 1st, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 2nd, 1976 || Kentaro Shimizu || 清水健太郎 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 5th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 6th, 1976 || Orange County Brothers || オレンジ・カウンティBr || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 7th, 1976 || Masanori Yanagida || やなぎだまさのり || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 10th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 12th, 1976 || Dai Yuuki || 結城大 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 13th, 1976 || Sanuki Yuko &amp;amp; Hideto Kitamura Quartet || 讃岐裕子 ＆ 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 19th, 1976 || The Lillies &amp;amp; Hideto Kitamura Quartet || ザ・リリーズ・北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 20th, 1976 || Misa Maria &amp;amp; Oasis Boys || ミサマリア＆オアシスボーイズ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 21st, 1976 || Suzunosuke Nagumo and Chindochu || 南雲鈴之助珍道中 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 22nd, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 24th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 25th, 1976 || Yuko Yoshimi || よしみゆうこ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 26th, 1976 || Masamitsu Takayama || 田山雅充 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 27th, 1976 || Atsuko Nakazawa || 中沢厚子 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| July 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 3rd, 1976 || Eriza Ryu || 竜エリザ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 4th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 5th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| July 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 10th, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 11th, 1976 || Lemon Pie || レモンパイ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 12th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 14th, 1976 || Senshu University Light Music Group || 専修大学軽音楽グループ || 3:20 / 5:50 || &lt;br /&gt;
|-&lt;br /&gt;
| July 15th, 1976 || Signal || シグナル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 17th, 1976 || Tsutomu Arakawa || 荒川務 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 18th, 1976 || Lucile || ルシール || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 19th, 1976 || AIDO || 愛奴 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 21st, 1976 || Sei Kitazumi || 北炭 生 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 31st, 1976 || Iwao Fukushima &amp;amp; The Midnighters || 福嶋岩雄＆ザ・ミッドナイターズ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 1st, 1976 || Utachi || うたち || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| August 7th, 1976 || Layla || レイラ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 8th, 1976 || Midori Nishiazki || 西崎みどり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 10th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 14th, 1976 || Jin Haneoka || はねおか仁 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 15th, 1976 || Hitomi Meguro || 目黒ひとみ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 21st, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 22nd, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 24th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 29th, 1976 || Tsukada Mikio || 塚田三喜夫 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 31st, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 2nd, 1976 || Shoko Amano + Hideto Kitamura Quartet || 天野昇子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 4th, 1976 || Orange County Brothers || オレンジ・カウンティーブラザーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 5th, 1976 || Misae Aoki + Hideto Kitamura Quartet || 青木美冴＋北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 23rd, 1976 || Kosuke Mine Sextet || 峰厚介6 || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 25th, 1976 || The Lillies || ザ・リリーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 26th, 1976 || Scandal || スキャンダル || 1:45 / 4:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 28th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 30th, 1976 || Chikako Hirao &amp;amp; Hideto Kitamura Quartet || 平緒千賀子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 2nd, 1976 || Mother House || マザー・ハウス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 3rd, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシーディックス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 4th, 1976 || Masahiro Yanagida || やなぎだまさひろ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 5th, 1976 || Maybellin || メインベリン || 12:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 7th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 9th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 10th, 1976 || Ryoichi Fukuzawa + Hideto Kitamura Quintet || 福沢良＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 11th, 1976 || Isao Taira || 龍村雅史 || 1:30 / 3:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 12th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 14th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 16th, 1976 || Bluegrass 51 || ブルーグラス51 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 17th, 1976 || Weeping Harp Senoh Band || ウィーピングハープセノオバンド || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 19th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 21st, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 23rd, 1976 || Betty Smith || ベティ・スミス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 24th, 1976 || Miki Kobayashi + Hideto Kitamura Sextet || 小林美樹＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 25th, 1976 || Penny Lane || ベニーレイン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 26th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 30th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 31st, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 3rd, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 4th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 6th, 1976 || Atelier || アトリエ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 7th, 1976 || Marblehead Messenger || マーブル・ヘッド・メッセンジャー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 11th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 12th, 1976 || Sei Kitazumi || 北炭生 || 12:15 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 13th, 1976 || Hikousen || 飛行船 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 14th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 18th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 20th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 21st, 1976 || Inaka Shibai || 田舎芝居 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 23rd, 1976 || Chanel || シャネル || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 25th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 27th, 1976 || Apples + Hideto Kitamura Sextet || アップルズ＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 30th, 1976 || Masami Sugawara + Hideto Kitamura Quintet || 菅原政美＋北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 4th, 1976 || Tom &amp;amp; Jerry || トム＆ジェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 5th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 7th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 11th, 1976 || Motohiko Hino Quintet || 日野元彦5 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 12th, 1976 || Last Show || ラストショー || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 13th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 14th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 17th, 1976 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 19th, 1976 || Hiromasa Suzuki Trio || 鈴木宏昌3 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 21st, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 23rd, 1976 || The Blessen Four + Hideto Kitamura Quintet || ザ・ブレッスン・フォー，北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 24th, 1976 || Tonari Kinjo || となりきんじょ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 25th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 26th, 1976 || Sei Kitazumi || 北炭生 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 30th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1649</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1649"/>
		<updated>2026-01-11T05:03:34Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hitachi Lo-D Plaza&#039;&#039;&#039; (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
Alongside live performances, Lo-D Plaza would also host film and video screenings, album listening parties, DJ sessions, and a weekly amateur band concert.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Concert stages were often limited to a maximum of 45 minutes, to fit the performance to one side of a 90 minute cassette tape without it needing to be flipped.&lt;br /&gt;
&lt;br /&gt;
Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance is played back for fans to then mix the recording to their liking onto cassette tape. In this format, the mixing desk arrangement could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of the two live stages of a performance.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a light will come on at each desk saying ‘Now Recording’. &lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary. In the earlier years of the showroom, his group would often play 3 stages instead of the usual two. &lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
&lt;br /&gt;
A complete list of live performances to have taken place at Hitachi Lo-D Plaza between January of 1976 and May of 1982.&lt;br /&gt;
This list contains only musical performances, not other events that took place at Lo-D Plaza during this time period.&lt;br /&gt;
&lt;br /&gt;
Work in progress&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot;&lt;br /&gt;
! Date !! Artist Name (English) !! Artist Name (Japanese) !! Stage Times !! Status&lt;br /&gt;
|-&lt;br /&gt;
| January 5th, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシー・ディックス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 6th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 8th, 1976 || Kōko Hirao, Hideto Kitamura Quartet || 平緒考子、北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 10th, 1976 || Oki Toru &amp;amp; Super Jam Session (Eddie Ban, George Yanagi, Ai, Hiroshi Takano, others) || 大木トオル＆スーパージャムセッション（エディ藩、柳ジョージ、アイ、高野博 他） || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 11th, 1976 || Yoshio Aoki / Hideto Kitamura Quartet || 青木義男／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 17th, 1976 || Strawberry Jam || ストロベリージャム || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 18th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 19th, 1976 || Noriko Harada &amp;amp; The Space Men || 原田紀子＆ザ・スペースメン || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 22nd, 1976 || Shoko Amano / Hideto Kitamura Quartet || 天野昇子／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 24th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 25th, 1976 || Mayumi Kuroki / Hideto Kitamura Quartet || 黒木真由美／北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| January 31st, 1976 || Bell || ベル || - || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Maki Minori || 真木みり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 2nd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 7th, 1976 || Otamajakushi || おたまじゃくし || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hatsumi Ohara || 小原初美 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 11th, 1976 || Miyako || ミヤコ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 14th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Yoko Asou || 麻生よう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 16th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 21st, 1976 || Zero || ゼロ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Anna Kurusu || 来栖あんな || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 5:00 || &lt;br /&gt;
|-&lt;br /&gt;
| February 23rd, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 2:15 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| February 28th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| February 29th, 1976 || Yayoi Shiba || しばやよい || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 2nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 4th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 6th, 1976 || Masami Koizumi &amp;amp; Biscuit Gang || 小泉まさみ＆ビスケット・ギャング || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 7th, 1976 || Yuko Eguchi || 江口有子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 8th, 1976 || Lupin III || ルパンIII || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 9th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 13th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 14th, 1976 || Sayuri Nonaka || 野中小百合 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 15th, 1976 || Milk || ミルク || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 4:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 20th, 1976 || Ai Mikage and Los Novios || あい御影とロス・ノビオス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 21st, 1976 || Kazuko Misumi || 三純和子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| March 23rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| March 27th, 1976 || Humming Bird || ハミング・バード || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 28th, 1976 || Sherry || シェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 29th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| March 30th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 3rd, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 4th, 1976 || Arlequin || アルルカン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 5th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 7th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 9th, 1976 || Nana Okada / Toshio Mori || 岡田奈々／牧岩雅夫 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 10th, 1976 || Bad Boys || バッド・ボーイズ || 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 11th, 1976 || Yuko Asano || 浅野ゆう子 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 12th, 1976 || Hime Daruma || 姫ダルマ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 13th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 15th, 1976 || Hideto Kitamura Quartet +2 || 北村秀人4+2 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Hijack || ハイジャック || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 17th, 1976 || Bad Boys || バッド・ボーイズ || 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 18th, 1976 || Junko Kishi || 岸じゅんこ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| April 20th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 21st, 1976 || Hosei University New Orange Swing Orchestra || 法政大ニューオレンジスウィンジORCH || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 24th, 1976 || Weeping Harp Senoh with Rollercoaster || ウィーピング・ハープ・セノオ WITH ローラーコースター || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 25th, 1976 || Misae Aoki || 青木美冴 || 1:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 26th, 1976 || Strawberry Jam || ストロベリージャム || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| April 27th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| April 29th, 1976 || Hideto Kitamura &amp;amp; Super Jazz Rock Band || 北村秀人＆スーパージャズ・ロックBAND || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 1st, 1976 || Sei Kitazumi || 北炭 生 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 2nd, 1976 || Hatsumi Ohara &amp;amp; Hideto Kitamura Quartet || 小原初美 ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 3rd, 1976 || Rouge || ルージュ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 4th, 1976 || Sanuki Yuko || 讃岐裕子 || 12:30 / 2:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 8th, 1976 || ALFEE || アルフィー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 9th, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 11th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 14th, 1976 || Yuko Yoshimi || よしみゆうこ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 15th, 1976 || Emiko Yamauchi || 山内えみ子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 16th, 1976 || Chadha &amp;amp; Hideto Kitamura Quartet || チャダ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 18th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 22nd, 1976 || Sugar Love &amp;amp; Hideto Kitamura Quartet || シュガーラブ ＆ 北村秀人4 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 23rd, 1976 || Maybellin || メイベリン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| May 25th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 27th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| May 29th, 1976 || Kumo to Sora || くもと空 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| May 30th, 1976 || Michiko Ike || 池みちこ ＆ 北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| June 1st, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 2nd, 1976 || Kentaro Shimizu || 清水健太郎 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 5th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 6th, 1976 || Orange County Brothers || オレンジ・カウンティBr || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 7th, 1976 || Masanori Yanagida || やなぎだまさのり || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 10th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 12th, 1976 || Dai Yuuki || 結城大 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 13th, 1976 || Sanuki Yuko &amp;amp; Hideto Kitamura Quartet || 讃岐裕子 ＆ 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 15th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 19th, 1976 || The Lillies &amp;amp; Hideto Kitamura Quartet || ザ・リリーズ・北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 20th, 1976 || Misa Maria &amp;amp; Oasis Boys || ミサマリア＆オアシスボーイズ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 21st, 1976 || Suzunosuke Nagumo and Chindochu || 南雲鈴之助珍道中 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 22nd, 1976 || The Chirolyn 5 || 座・チロリン5 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 24th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 25th, 1976 || Yuko Yoshimi || よしみゆうこ || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 26th, 1976 || Masamitsu Takayama || 田山雅充 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 27th, 1976 || Atsuko Nakazawa || 中沢厚子 || - || &lt;br /&gt;
|-&lt;br /&gt;
| June 29th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || - || &lt;br /&gt;
|-&lt;br /&gt;
| July 1st, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 3rd, 1976 || Eriza Ryu || 竜エリザ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 4th, 1976 || Kyoko Shimizu / Hideto Kitamura Quartet || 清水京子／北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 5th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| July 6th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 8th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 10th, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 11th, 1976 || Lemon Pie || レモンパイ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| July 12th, 1976 || Jun-Jun || ジュンジュン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 13th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 14th, 1976 || Senshu University Light Music Group || 専修大学軽音楽グループ || 3:20 / 5:50 || &lt;br /&gt;
|-&lt;br /&gt;
| July 15th, 1976 || Signal || シグナル || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 16th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 17th, 1976 || Tsutomu Arakawa || 荒川務 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 18th, 1976 || Lucile || ルシール || - || &lt;br /&gt;
|-&lt;br /&gt;
| July 19th, 1976 || AIDO || 愛奴 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| July 20th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 21st, 1976 || Sei Kitazumi || 北炭 生 || - || &lt;br /&gt;
|-&lt;br /&gt;
| July 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| July 31st, 1976 || Iwao Fukushima &amp;amp; The Midnighters || 福嶋岩雄＆ザ・ミッドナイターズ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 1st, 1976 || Utachi || うたち || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 3rd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 5th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 || &lt;br /&gt;
|-&lt;br /&gt;
| August 7th, 1976 || Layla || レイラ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 8th, 1976 || Midori Nishiazki || 西崎みどり || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 10th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 12th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 14th, 1976 || Jin Haneoka || はねおか仁 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 15th, 1976 || Hitomi Meguro || 目黒ひとみ || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 17th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 19th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 21st, 1976 || Sanuki Yuko || 讃岐裕子 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 22nd, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 24th, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| August 26th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| August 29th, 1976 || Tsukada Mikio || 塚田三喜夫 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| August 31st, 1976 || The Chirolyn 5 || 座・チロリン5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 2nd, 1976 || Shoko Amano + Hideto Kitamura Quartet || 天野昇子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| September 4th, 1976 || Orange County Brothers || オレンジ・カウンティーブラザーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 5th, 1976 || Misae Aoki + Hideto Kitamura Quartet || 青木美冴＋北村秀人4 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 22nd, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:00 || &lt;br /&gt;
|-&lt;br /&gt;
| September 23rd, 1976 || Kosuke Mine Sextet || 峰厚介6 || 1:45 / 3:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 25th, 1976 || The Lillies || ザ・リリーズ || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 26th, 1976 || Scandal || スキャンダル || 1:45 / 4:45 || &lt;br /&gt;
|-&lt;br /&gt;
| September 28th, 1976 || Hideto Kitamura Quartet || 北村秀人4 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| September 30th, 1976 || Chikako Hirao &amp;amp; Hideto Kitamura Quartet || 平緒千賀子＋北村秀人4 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 2nd, 1976 || Mother House || マザー・ハウス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 3rd, 1976 || Yoshihiro Nakagawa &amp;amp; Dixie Dix || 中川喜弘＆デキシーディックス || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 4th, 1976 || Masahiro Yanagida || やなぎだまさひろ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 5th, 1976 || Maybellin || メインベリン || 12:30 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 7th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 9th, 1976 || Time || タイム || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 10th, 1976 || Ryoichi Fukuzawa + Hideto Kitamura Quintet || 福沢良＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 11th, 1976 || Isao Taira || 龍村雅史 || 1:30 / 3:00 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 12th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 14th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 16th, 1976 || Bluegrass 51 || ブルーグラス51 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 17th, 1976 || Weeping Harp Senoh Band || ウィーピングハープセノオバンド || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 19th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 21st, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 23rd, 1976 || Betty Smith || ベティ・スミス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 24th, 1976 || Miki Kobayashi + Hideto Kitamura Sextet || 小林美樹＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| October 25th, 1976 || Penny Lane || ベニーレイン || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 26th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| October 30th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| October 31st, 1976 || Haruophone || ハルヲフォン || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 3rd, 1976 || Shigeki Watanabe &amp;amp; MMP || 渡辺茂樹MMP || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 4th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 6th, 1976 || Atelier || アトリエ || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 7th, 1976 || Marblehead Messenger || マーブル・ヘッド・メッセンジャー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 11th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 12th, 1976 || Sei Kitazumi || 北炭生 || 12:15 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 13th, 1976 || Hikousen || 飛行船 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 14th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人6 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 18th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 20th, 1976 || Keiko &amp;amp; Andy Lewis || けい子＆エンディ・ルイス || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 21st, 1976 || Inaka Shibai || 田舎芝居 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 23rd, 1976 || Chanel || シャネル || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 25th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| November 27th, 1976 || Apples + Hideto Kitamura Sextet || アップルズ＋北村秀人6 || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| November 28th, 1976 || Lupin III || ルパンIII || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| November 30th, 1976 || Masami Sugawara + Hideto Kitamura Quintet || 菅原政美＋北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 2nd, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 4th, 1976 || Tom &amp;amp; Jerry || トム＆ジェリー || 1:30 / 4:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 5th, 1976 || Sanuki Yuko + Hideto Kitamura Sextet || 讃岐裕子＋北村秀人5 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 7th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 9th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 11th, 1976 || Motohiko Hino Quintet || 日野元彦5 || 2:00 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 12th, 1976 || Last Show || ラストショー || 1:45 / 4:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 13th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 14th, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 16th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 17th, 1976 || Black Jack || ブラック・ジャック || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 19th, 1976 || Hiromasa Suzuki Trio || 鈴木宏昌3 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 21st, 1976 || Munetaka Inoue &amp;amp; Sharp Five || 井上宗孝とシャープファイブ || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|-&lt;br /&gt;
| December 23rd, 1976 || The Blessen Four + Hideto Kitamura Quintet || ザ・ブレッスン・フォー，北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 24th, 1976 || Tonari Kinjo || となりきんじょ || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 25th, 1976 || Heart Of Saturday Night || ハート・オブ・サタデー・ナイト || 1:45 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 26th, 1976 || Sei Kitazumi || 北炭生 || 1:30 / 4:00 || &lt;br /&gt;
|-&lt;br /&gt;
| December 28th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 || &lt;br /&gt;
|-&lt;br /&gt;
| December 30th, 1976 || Hideto Kitamura Quintet || 北村秀人5 || 12:20 / 3:30 / 5:15 || &lt;br /&gt;
|}&lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1648</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1648"/>
		<updated>2026-01-11T02:53:15Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hitachi Lo-D Plaza&#039;&#039;&#039; (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
Alongside live performances, Lo-D Plaza would also host film and video screenings, album listening parties, DJ sessions, and a weekly amateur band concert.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Concert stages were often limited to a maximum of 45 minutes, to fit the performance to one side of a 90 minute cassette tape without it needing to be flipped.&lt;br /&gt;
&lt;br /&gt;
Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance is played back for fans to then mix the recording to their liking onto cassette tape. In this format, the mixing desk arrangement could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of the two live stages of a performance.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a light will come on at each desk saying ‘Now Recording’. &lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary. In the earlier years of the showroom, his group would often play 3 stages instead of the usual two. &lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
&lt;br /&gt;
A complete list of live performances to have taken place at Hitachi Lo-D Plaza between January of 1976 and May of 1982.&lt;br /&gt;
This list contains only musical performances, not other events that took place at Lo-D Plaza during this time period.&lt;br /&gt;
&lt;br /&gt;
Work in progress&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1647</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1647"/>
		<updated>2026-01-10T01:56:15Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hitachi Lo-D Plaza&#039;&#039;&#039; (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
Alongside live performances, Lo-D Plaza would also host film and video screenings, album listening parties, DJ sessions, and a weekly amateur band concert.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. &lt;br /&gt;
&lt;br /&gt;
Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance is played back for fans to then mix the recording to their liking onto cassette tape. In this format, the mixing desk arrangement could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of the two live stages of a performance.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a light will come on at each desk saying ‘Now Recording’. &lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary. In the earlier years of the showroom, his group would often play 3 stages instead of the usual two.&lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
&lt;br /&gt;
A complete list of live performances to have taken place at Hitachi Lo-D Plaza between 1976 and May of 1982.&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1646</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1646"/>
		<updated>2026-01-10T01:11:08Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance would be played back so fans can then mix the recording to their liking onto cassette tape. In this format, the mixing desk could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of two live concert stages.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a light will come on at each desk saying ‘Now Recording’. &lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary.&lt;br /&gt;
&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1645</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1645"/>
		<updated>2026-01-10T01:10:05Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance would be played back so fans can then mix the recording to their liking onto cassette tape. In this format, the mixing desk could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of two live concert stages.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a light will come on at each desk saying ‘Now Recording’. &lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary.&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|center|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1644</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1644"/>
		<updated>2026-01-10T01:08:44Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on January 16th, 1980&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| years_active            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 150&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance would be played back so fans can then mix the recording to their liking onto cassette tape. In this format, the mixing desk could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of two live concert stages.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a light will come on at each desk saying ‘Now Recording’. &lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|250px|Hideto Kitamura Group performing at Lo-D Plaza.]]&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura Group&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on June 6th, 1981&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Module_talk:Check_for_deprecated_parameters&amp;diff=1643</id>
		<title>Module talk:Check for deprecated parameters</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Module_talk:Check_for_deprecated_parameters&amp;diff=1643"/>
		<updated>2026-01-10T00:55:59Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{oldtfdfull|date= 2019 December 30 |result=no consensus |disc=Module:Check for deprecated parameters}}&lt;br /&gt;
{{Talk header}}&lt;br /&gt;
{{WikiProject banner shell|&lt;br /&gt;
{{WikiProject Templates|module_for_template_maintenance=y}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Review request ==&lt;br /&gt;
&lt;br /&gt;
{{ping|hike395|Jonesey95|Frietjes}} as some of the best template editors I know, I&#039;d love to get your feedback on this module. I&#039;ve been doing a lot of work cleaning up [[:Category:Deprecated parameters|Deprecated parameters]] and one of the ongoing frustrations has been figuring out which parameter is deprecated. So I took the lead from {{u|Frietjes}}&#039; awesome [[Module:Check for unknown parameters]]. What this does is take a list of parameters including their old value and what they should be replaced with. If the module is implemented on a template, when that template is transcluded with deprecated parameters it will put the page in a given category. Additionally, when the page is previewed it will display &#039;&#039;{{red|&#039;&#039;&#039;Warning&#039;&#039;&#039;: Page using &amp;lt;template name&amp;gt; with deprecated parameter &amp;quot;old_param&amp;quot;. replace with &amp;quot;new_param&amp;quot; (this message is shown only in preview).}}&#039;&#039; I have a very rudimentary testcase setup at [[User:Zackmann08/deprecated page]] so that you can see what it does. To avoid redlinked categories, I&#039;m passing in &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[:Category:Pages using user:Zackmann08/deprecated template with deprecated parameters|_VALUE_{{PAGENAME}}]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt; so it will actually render a link. Anyway, no rush at all, but would love any feedback you can provide! --&#039;&#039;&#039;[[User:Zackmann08|&amp;lt;span style=&amp;quot;color:#00ced1&amp;quot;&amp;gt;Zack&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;color:#007F94&amp;quot;&amp;gt;mann&amp;lt;/span&amp;gt;]]&#039;&#039;&#039; (&amp;lt;sup&amp;gt;[[User_talk:Zackmann08|Talk to me]]&amp;lt;/sup&amp;gt;/&amp;lt;sub&amp;gt;[[Special:Contributions/Zackmann08|&amp;lt;span style=&amp;quot;color:orange;&amp;quot;&amp;gt;What I been doing&amp;lt;/span&amp;gt;]]&amp;lt;/sub&amp;gt;) 20:07, 30 November 2018 (UTC)&lt;br /&gt;
:&#039;&#039;&#039;Update&#039;&#039;&#039;: testing with {{tl|Infobox building}} right now... --&#039;&#039;&#039;[[User:Zackmann08|&amp;lt;span style=&amp;quot;color:#00ced1&amp;quot;&amp;gt;Zack&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;color:#007F94&amp;quot;&amp;gt;mann&amp;lt;/span&amp;gt;]]&#039;&#039;&#039; (&amp;lt;sup&amp;gt;[[User_talk:Zackmann08|Talk to me]]&amp;lt;/sup&amp;gt;/&amp;lt;sub&amp;gt;[[Special:Contributions/Zackmann08|&amp;lt;span style=&amp;quot;color:orange;&amp;quot;&amp;gt;What I been doing&amp;lt;/span&amp;gt;]]&amp;lt;/sub&amp;gt;) 21:22, 1 December 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Preview warning and hatnotes moving to templatestyles ==&lt;br /&gt;
&lt;br /&gt;
Page watchers may be interested in {{slink|MediaWiki talk:Common.css|Preview warning and hatnotes moving to TemplateStyles}} [[User:Izno|Izno]] ([[User talk:Izno|talk]]) 00:22, 29 April 2021 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Syntax ==&lt;br /&gt;
&lt;br /&gt;
What if there is no new_param which is replacing old_param, i.e. the parameter is no longer supported? &amp;amp;mdash;&amp;amp;nbsp;Martin &amp;lt;small&amp;gt;([[User:MSGJ|MSGJ]]&amp;amp;nbsp;·&amp;amp;nbsp;[[User talk:MSGJ|talk]])&amp;lt;/small&amp;gt; 17:43, 5 December 2023 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Another review ==&lt;br /&gt;
&lt;br /&gt;
{{ping|hike395|Jonesey95|Frietjes}} so almost 7 years later... Another review request. In the [[Module:Check_for_deprecated_parameters/sandbox|sandbox]] I have mocked up a hopeful improvement which takes a CSV set of param(s) to simply be removed. I.E. there is no replacement param, the param just needs to go. &lt;br /&gt;
&lt;br /&gt;
Would be called like so:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
{{#invoke:Check for deprecated parameters/sandbox|check&lt;br /&gt;
| category = [[Category:Deprecated params]]&lt;br /&gt;
| _remove = removeme, remove2, remove3, remove 4, remove me 5&lt;br /&gt;
| old_param1 = new_param1 &lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
And would display a preview message saying &#039;&#039;{{red|&#039;&#039;&#039;Preview warning&#039;&#039;&#039;: Page using TEMPLATE_NAME with deprecated parameter &amp;quot;removeme&amp;quot;. It should be removed.}}&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
I &#039;&#039;think&#039;&#039; it is good to go, but would definitely like a second or third set of eyes on it. &lt;br /&gt;
&lt;br /&gt;
{{compare pages|Module:Check for deprecated parameters|Module:Check for deprecated parameters/sandbox|Here is the comparison}}. I&#039;m not nuts about having a 2nd if statement that is largely duplicate code, but feel like it isn&#039;t really worth it to abstract it out into a function. Will if you think I should though. &lt;br /&gt;
&lt;br /&gt;
{{U|MSGJ}} this one is for you! &#039;&#039;&#039;[[User:Zackmann08|&amp;lt;span style=&amp;quot;color:#00ced1&amp;quot;&amp;gt;Zack&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;color:#007F94&amp;quot;&amp;gt;mann&amp;lt;/span&amp;gt;]]&#039;&#039;&#039; (&amp;lt;sup&amp;gt;[[User_talk:Zackmann08|Talk to me]]&amp;lt;/sup&amp;gt;/&amp;lt;sub&amp;gt;[[Special:Contributions/Zackmann08|&amp;lt;span style=&amp;quot;color:orange;&amp;quot;&amp;gt;What I been doing&amp;lt;/span&amp;gt;]]&amp;lt;/sub&amp;gt;) 09:26, 14 October 2025 (UTC)&lt;br /&gt;
: I would suggest making the delimiter the &amp;quot;=&amp;quot; sign since it is valid to have a comma in a parameter name. [[User:Frietjes|Frietjes]] ([[User talk:Frietjes|talk]]) 00:10, 15 October 2025 (UTC)&lt;br /&gt;
::{{ping|Frietjes}} {{facepalm}} You can put a comma in a parameter name?! WHY would you do that... I drew my ispiration for [[Module:template wrapper]] which uses CSVs. In any case, I&#039;m worried about how that will look to the editor since &amp;quot;{{=}}&amp;quot; is traditionally used to assign a value to a parameter. IMHO it is harder to read and more confusing. What do you think about using a semicolon instead? I cannot fathom someone using a semi colon in a param name... - &#039;&#039;&#039;[[User:Zackmann08|&amp;lt;span style=&amp;quot;color:#00ced1&amp;quot;&amp;gt;Zack&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;color:#007F94&amp;quot;&amp;gt;mann&amp;lt;/span&amp;gt;]]&#039;&#039;&#039; (&amp;lt;sup&amp;gt;[[User_talk:Zackmann08|Talk to me]]&amp;lt;/sup&amp;gt;/&amp;lt;sub&amp;gt;[[Special:Contributions/Zackmann08|&amp;lt;span style=&amp;quot;color:orange;&amp;quot;&amp;gt;What I been doing&amp;lt;/span&amp;gt;]]&amp;lt;/sub&amp;gt;) 03:32, 15 October 2025 (UTC)&lt;br /&gt;
:::{{ping|Frietjes}} I&#039;ve updated it to use {{code|;}} as the delineator per my previous comments. Also cleaned up extraneous comments that I missed last night. Let me know if that looks good. &#039;&#039;&#039;[[User:Zackmann08|&amp;lt;span style=&amp;quot;color:#00ced1&amp;quot;&amp;gt;Zack&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;color:#007F94&amp;quot;&amp;gt;mann&amp;lt;/span&amp;gt;]]&#039;&#039;&#039; (&amp;lt;sup&amp;gt;[[User_talk:Zackmann08|Talk to me]]&amp;lt;/sup&amp;gt;/&amp;lt;sub&amp;gt;[[Special:Contributions/Zackmann08|&amp;lt;span style=&amp;quot;color:orange;&amp;quot;&amp;gt;What I been doing&amp;lt;/span&amp;gt;]]&amp;lt;/sub&amp;gt;) 05:52, 15 October 2025 (UTC)&lt;br /&gt;
:::: it is valid to have a semicolon in a parameter name as well, which is probably why [[Module:TemplatePar]] uses = instead. [[User:Frietjes|Frietjes]] ([[User talk:Frietjes|talk]]) 21:08, 20 October 2025 (UTC)&lt;br /&gt;
:::::I respect the hell out of your opinion, but I decided to push forward with the use of semi-colon in favor of readability. [[Module:Check for clobbered parameters]] uses this so I think it should work. I just really don&#039;t see a use case where someone has a semi-colon in their param name. Plus the worst case scenario is that that parameter can&#039;t be properly listed for deprecation with this template. &#039;&#039;&#039;[[User:Zackmann08|&amp;lt;span style=&amp;quot;color:#00ced1&amp;quot;&amp;gt;Zack&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;color:#007F94&amp;quot;&amp;gt;mann&amp;lt;/span&amp;gt;]]&#039;&#039;&#039; (&amp;lt;sup&amp;gt;[[User_talk:Zackmann08|Talk to me]]&amp;lt;/sup&amp;gt;/&amp;lt;sub&amp;gt;[[Special:Contributions/Zackmann08|&amp;lt;span style=&amp;quot;color:orange;&amp;quot;&amp;gt;What I been doing&amp;lt;/span&amp;gt;]]&amp;lt;/sub&amp;gt;) 07:29, 22 October 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Unusual quotation mark placement ==&lt;br /&gt;
&lt;br /&gt;
Editing and previewing [[Special:Permalink/1329046066]] displays the following message: {{tq|Preview warning: Page using Template:Infobox criminal with deprecated parameter &amp;quot;&amp;quot;nationality&amp;quot;. It should be removed.&amp;quot;}} The outer pair of quotation marks seems undesirable. [[User:1234qwer1234qwer4|1234qwer]][[User talk:1234qwer1234qwer4|1234qwer]][[Special:Contribs/1234qwer1234qwer4|4]] 03:46, 26 December 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
:{{fixed}} [[User:1234qwer1234qwer4]] Was actually an issue with [[Special:Diff/1329449570|implementation]] over at {{tl|Infobox person}}. Good catch. Thank you! &#039;&#039;&#039;[[User:Zackmann08|&amp;lt;span style=&amp;quot;color:#00d5ff&amp;quot;&amp;gt;Zack&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;color:#007F94&amp;quot;&amp;gt;mann&amp;lt;/span&amp;gt;]]&#039;&#039;&#039; (&amp;lt;sup&amp;gt;[[User_talk:Zackmann08|Talk to me]]&amp;lt;/sup&amp;gt;/&amp;lt;sub&amp;gt;[[Special:Contributions/Zackmann08|&amp;lt;span style=&amp;quot;color:orange&amp;quot;&amp;gt;What I been doing&amp;lt;/span&amp;gt;]]&amp;lt;/sub&amp;gt;) 04:38, 26 December 2025 (UTC)&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Module:Check_for_deprecated_parameters/doc&amp;diff=1641</id>
		<title>Module:Check for deprecated parameters/doc</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Module:Check_for_deprecated_parameters/doc&amp;diff=1641"/>
		<updated>2026-01-10T00:55:59Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Module rating |general}}&lt;br /&gt;
{{high-use}}&lt;br /&gt;
{{Lua|Module:If preview}}&lt;br /&gt;
&#039;&#039;&#039;Module:Check for deprecated parameters&#039;&#039;&#039; may be appended to a template to check for uses of deprecated parameters. It will place the page in a specific category, and display a preview message, when it finds deprecated parameter uses.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Note:&#039;&#039;&#039; due to the nature of deprecations, this module will often have no templates implementing it. &lt;br /&gt;
&lt;br /&gt;
For testing, see the [[Module talk:Check for deprecated parameters/testcases|output of the test cases]]. You should view that both normally and in preview mode to fully test the module.&lt;br /&gt;
&lt;br /&gt;
== Usage ==&lt;br /&gt;
&amp;lt;syntaxhighlight lang=&amp;quot;wikitext&amp;quot;&amp;gt;&lt;br /&gt;
{{#invoke:Check for deprecated parameters|check&lt;br /&gt;
| _category = {{main other|[[Category:Pages using TEMPLATENAME with deprecated parameters|_VALUE_]]}}&lt;br /&gt;
| _remove = RemoveParam1; RemoveParam2&lt;br /&gt;
| old_param1 = new_param1 &lt;br /&gt;
| old_param2 = new_param2&lt;br /&gt;
| ....&lt;br /&gt;
| old_paramN = new_paramN&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;/syntaxhighlight&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Parameters ==&lt;br /&gt;
* {{para|_category}} - what happens when an unknown parameter is used. Typically use either a tracking category to place pages that use deprecated parameters, or an error.&lt;br /&gt;
* {{para|_remove}} - a {{code|;}} separated list of parameters that should simply be removed from the template, not replaced with another. For example: {{para|_remove|Param1; Param2; Param3}}&lt;br /&gt;
* {{para|ignoreblank}} – by default, the module makes no distinction between a defined-but-blank parameter and a non-blank parameter. That is, both unlisted {{Para|foo|x}} and {{Para|foo}} are reported. To only track non-blank parameters use {{para|ignoreblank|1}}. If you clean your arguments with [[Module:Arguments]] and call this module afterwards, you need not use this parameter as that module ignores blank arguments by default.&lt;br /&gt;
* {{para|preview}} – set a custom [[template:preview warning|preview warning]] message. Note the default is &#039;&#039;{{red|Page using LINKED_TEMPLATE_NAME with deprecated parameter _VALUE_}}&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
* [[:Category:Deprecated parameters]]&lt;br /&gt;
* [[:Module:Params]] – for complex operations involving parameters&lt;br /&gt;
* [[:Module:Check for unknown parameters]]&lt;br /&gt;
* [[:Module:Check for conflicting parameters]] – module that checks for conflicting parameters&lt;br /&gt;
&amp;lt;includeonly&amp;gt;{{sandbox other||&lt;br /&gt;
&amp;lt;!-- Categories go here and interwikis go in Wikidata. --&amp;gt;&lt;br /&gt;
[[Category:Modules that add a tracking category]]&lt;br /&gt;
[[Category:Template metamodules]]&lt;br /&gt;
}}&amp;lt;/includeonly&amp;gt;&lt;br /&gt;
&amp;lt;noinclude&amp;gt;&lt;br /&gt;
[[Category:Module documentation pages]]&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Module:Transclusion_count/data/C&amp;diff=1639</id>
		<title>Module:Transclusion count/data/C</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Module:Transclusion_count/data/C&amp;diff=1639"/>
		<updated>2026-01-10T00:55:58Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;return {&lt;br /&gt;
[&amp;quot;C&amp;quot;] = 761000,&lt;br /&gt;
[&amp;quot;C-Class&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;C-SPAN&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;C-cmn&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;C-pl&amp;quot;] = 51000,&lt;br /&gt;
[&amp;quot;C.&amp;quot;] = 275000,&lt;br /&gt;
[&amp;quot;CAN&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;CANelec&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;CANelec/gain&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;CANelec/hold&amp;quot;] = 6400,&lt;br /&gt;
[&amp;quot;CANelec/source&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;CANelec/top&amp;quot;] = 8100,&lt;br /&gt;
[&amp;quot;CANelec/total&amp;quot;] = 8900,&lt;br /&gt;
[&amp;quot;CAS&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;CBB_Yearly_Record_End&amp;quot;] = 3400,&lt;br /&gt;
[&amp;quot;CBB_Yearly_Record_Entry&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;CBB_Yearly_Record_Start&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;CBB_Yearly_Record_Subhead&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;CBB_Yearly_Record_Subtotal&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;CBB_roster/Footer&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;CBB_roster/Header&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;CBB_roster/Player&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;CBB_schedule_end&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;CBB_schedule_entry&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;CBB_schedule_start&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;CBB_standings_end&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;CBB_standings_entry&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;CBB_standings_start&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;CBB_yearly_record_end&amp;quot;] = 4600,&lt;br /&gt;
[&amp;quot;CBB_yearly_record_end/legend&amp;quot;] = 4000,&lt;br /&gt;
[&amp;quot;CBB_yearly_record_entry&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;CBB_yearly_record_start&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;CBB_yearly_record_subhead&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;CBB_yearly_record_subtotal&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;CBSB_Standings_End&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;CBSB_Standings_Entry&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;CBSB_Standings_Start&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;CBSB_link&amp;quot;] = 4000,&lt;br /&gt;
[&amp;quot;CBSB_standings_end&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;CBSB_standings_entry&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;CBSB_standings_start&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;CC0&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;CC_BY-SA_2.5&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;CC_BY-SA_2.5,_2.0,_1.0&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;CC_BY-SA_3.0&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;CC_BY-SA_3.0_migrated&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;CC_BY-SA_4.0&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;CC_BY_2.5&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;CC_BY_3.0&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;CFB_Standings_End&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;CFB_Standings_Entry&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;CFB_Standings_Start&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;CFB_Yearly_Record_End&amp;quot;] = 7800,&lt;br /&gt;
[&amp;quot;CFB_Yearly_Record_End/legend&amp;quot;] = 2900,&lt;br /&gt;
[&amp;quot;CFB_Yearly_Record_Entry&amp;quot;] = 7800,&lt;br /&gt;
[&amp;quot;CFB_Yearly_Record_Start&amp;quot;] = 7800,&lt;br /&gt;
[&amp;quot;CFB_Yearly_Record_Subhead&amp;quot;] = 7800,&lt;br /&gt;
[&amp;quot;CFB_Yearly_Record_Subtotal&amp;quot;] = 7700,&lt;br /&gt;
[&amp;quot;CFB_schedule&amp;quot;] = 28000,&lt;br /&gt;
[&amp;quot;CFB_schedule_entry&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;CFB_standings_end&amp;quot;] = 38000,&lt;br /&gt;
[&amp;quot;CFB_standings_entry&amp;quot;] = 39000,&lt;br /&gt;
[&amp;quot;CFB_standings_start&amp;quot;] = 39000,&lt;br /&gt;
[&amp;quot;CFL_Year&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;CGF_year&amp;quot;] = 3400,&lt;br /&gt;
[&amp;quot;CGNDB_URL&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;CHE&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;CHI&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;CHL&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;CHN&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;CN&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;CO2&amp;quot;] = 3400,&lt;br /&gt;
[&amp;quot;COI&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;COIUL&amp;quot;] = 131000,&lt;br /&gt;
[&amp;quot;COI_editnotice&amp;quot;] = 7500,&lt;br /&gt;
[&amp;quot;COL&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;COLON&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;CRI&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;CRO&amp;quot;] = 6500,&lt;br /&gt;
[&amp;quot;CS1_config&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;CSK&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;CSS_image_crop&amp;quot;] = 8000,&lt;br /&gt;
[&amp;quot;CUB&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;CURRENTDATE&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;CURRENTMINUTE&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;CYP&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;CZE&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Calendar&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Calendar/styles.css&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;California/color&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Call_sign_disambiguation&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Campaignbox&amp;quot;] = 25000,&lt;br /&gt;
[&amp;quot;CanProvName&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;CanadaByProvinceCatNav&amp;quot;] = 9300,&lt;br /&gt;
[&amp;quot;CanadaProvinceThe&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Canada_NTS_Map_Sheet&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Canada_by_province_category_navigation&amp;quot;] = 9700,&lt;br /&gt;
[&amp;quot;Canadian_English&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Canadian_Parliament_links&amp;quot;] = 5100,&lt;br /&gt;
[&amp;quot;Canadian_election_result&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Canadian_election_result/gain&amp;quot;] = 3400,&lt;br /&gt;
[&amp;quot;Canadian_election_result/hold&amp;quot;] = 6600,&lt;br /&gt;
[&amp;quot;Canadian_election_result/source&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Canadian_election_result/top&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Canadian_election_result/total&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Canadian_party_colour&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Canadian_party_colour/colour&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Canadian_party_colour/colour/default&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Canadian_party_colour/name&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;Canadian_party_colour/name/default&amp;quot;] = 8200,&lt;br /&gt;
[&amp;quot;Canadian_province_name&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;Canned_search&amp;quot;] = 7900,&lt;br /&gt;
[&amp;quot;Cascite&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Caselaw_source&amp;quot;] = 4700,&lt;br /&gt;
[&amp;quot;Cassini-Ehess&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Cast_listing&amp;quot;] = 26000,&lt;br /&gt;
[&amp;quot;Castlist&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Cat&amp;quot;] = 437000,&lt;br /&gt;
[&amp;quot;CatAutoTOC&amp;quot;] = 471000,&lt;br /&gt;
[&amp;quot;CatRel&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;CatTrack&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;Cat_class&amp;quot;] = 6600,&lt;br /&gt;
[&amp;quot;Cat_main&amp;quot;] = 172000,&lt;br /&gt;
[&amp;quot;Cat_more&amp;quot;] = 103000,&lt;br /&gt;
[&amp;quot;Cat_more_if_exists&amp;quot;] = 33000,&lt;br /&gt;
[&amp;quot;Cat_see_also&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;Catalog_lookup_link&amp;quot;] = 56000,&lt;br /&gt;
[&amp;quot;Catalog_of_Fishes&amp;quot;] = 8700,&lt;br /&gt;
[&amp;quot;Catalogue_of_Life&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Category&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Category-Class&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Category-inline&amp;quot;] = 9600,&lt;br /&gt;
[&amp;quot;Category_TOC&amp;quot;] = 80000,&lt;br /&gt;
[&amp;quot;Category_TOC/tracking&amp;quot;] = 80000,&lt;br /&gt;
[&amp;quot;Category_U.S._State_elections_by_year&amp;quot;] = 7500,&lt;br /&gt;
[&amp;quot;Category_U.S._State_elections_by_year/core&amp;quot;] = 7400,&lt;br /&gt;
[&amp;quot;Category_class&amp;quot;] = 26000,&lt;br /&gt;
[&amp;quot;Category_described_in_year&amp;quot;] = 6300,&lt;br /&gt;
[&amp;quot;Category_diffuse&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Category_disambiguation&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Category_explanation&amp;quot;] = 402000,&lt;br /&gt;
[&amp;quot;Category_handler&amp;quot;] = 2690000,&lt;br /&gt;
[&amp;quot;Category_if_exists&amp;quot;] = 81000,&lt;br /&gt;
[&amp;quot;Category_ifexist&amp;quot;] = 4800,&lt;br /&gt;
[&amp;quot;Category_importance&amp;quot;] = 9000,&lt;br /&gt;
[&amp;quot;Category_link&amp;quot;] = 642000,&lt;br /&gt;
[&amp;quot;Category_link/core&amp;quot;] = 642000,&lt;br /&gt;
[&amp;quot;Category_link_if_exists&amp;quot;] = 74000,&lt;br /&gt;
[&amp;quot;Category_link_with_count&amp;quot;] = 8300,&lt;br /&gt;
[&amp;quot;Category_link_without_namespace&amp;quot;] = 762000,&lt;br /&gt;
[&amp;quot;Category_links&amp;quot;] = 9700,&lt;br /&gt;
[&amp;quot;Category_main_article&amp;quot;] = 235000,&lt;br /&gt;
[&amp;quot;Category_more&amp;quot;] = 120000,&lt;br /&gt;
[&amp;quot;Category_more_if_exists&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Category_ordered_by_date&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Category_other&amp;quot;] = 1020000,&lt;br /&gt;
[&amp;quot;Category_pair&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Category_redirect&amp;quot;] = 171000,&lt;br /&gt;
[&amp;quot;Category_redirect/core&amp;quot;] = 171000,&lt;br /&gt;
[&amp;quot;Category_see_also&amp;quot;] = 52000,&lt;br /&gt;
[&amp;quot;Category_see_also/Category_pair_check&amp;quot;] = 52000,&lt;br /&gt;
[&amp;quot;Category_see_also_if_exists&amp;quot;] = 83000,&lt;br /&gt;
[&amp;quot;Category_see_also_if_exists_2&amp;quot;] = 101000,&lt;br /&gt;
[&amp;quot;Category_series_navigation&amp;quot;] = 570000,&lt;br /&gt;
[&amp;quot;Category_title&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Catexp&amp;quot;] = 5900,&lt;br /&gt;
[&amp;quot;CathEncy&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Catholic&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;Catholic_Encyclopedia&amp;quot;] = 5100,&lt;br /&gt;
[&amp;quot;Catmain&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Catmore&amp;quot;] = 9900,&lt;br /&gt;
[&amp;quot;Catseealso&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Cbb_link&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Cbignore&amp;quot;] = 127000,&lt;br /&gt;
[&amp;quot;Cbsb_link&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Cc-by-2.5&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Cc-by-3.0&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Cc-by-sa-2.5&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Cc-by-sa-2.5,2.0,1.0&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Cc-by-sa-3.0&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;Cc-by-sa-3.0-migrated&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;Cc-by-sa-4.0&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Cc-zero&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;CensusAU&amp;quot;] = 9100,&lt;br /&gt;
[&amp;quot;Census_2016_AUS&amp;quot;] = 5800,&lt;br /&gt;
[&amp;quot;Census_2021_AUS&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Cent&amp;quot;] = 6600,&lt;br /&gt;
[&amp;quot;Center&amp;quot;] = 285000,&lt;br /&gt;
[&amp;quot;Centralized_discussion&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Centralized_discussion/core&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Centralized_discussion/styles.css&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Centre&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;Century&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Century_name_from_decade&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Century_name_from_decade_or_year&amp;quot;] = 126000,&lt;br /&gt;
[&amp;quot;Century_name_from_title_decade&amp;quot;] = 7400,&lt;br /&gt;
[&amp;quot;Century_name_from_title_year&amp;quot;] = 8200,&lt;br /&gt;
[&amp;quot;Certification_Cite_Ref&amp;quot;] = 37000,&lt;br /&gt;
[&amp;quot;Certification_Table_Bottom&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry&amp;quot;] = 37000,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Foot&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Foot/helper&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/MexicanAward&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Region&amp;quot;] = 37000,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/AustrianPeriod&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/BelgianPeriod&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/DanishPeriod&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/DanishPeriodHelper1&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/DanishPeriodHelper2&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/FrenchPeriod&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/FrenchPeriodAlbum&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/GermanPeriod&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/ItalianHelper&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/MexicanSales&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/NewZealandPeriod&amp;quot;] = 6700,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/SpanishSinglesPeriod&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Certification_Table_Entry/Sales/SwedishPeriod&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Certification_Table_Separator&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Certification_Table_Top&amp;quot;] = 37000,&lt;br /&gt;
[&amp;quot;Cfb_link&amp;quot;] = 26000,&lt;br /&gt;
[&amp;quot;Chart_bottom&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Chart_top&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Check_completeness_of_transclusions&amp;quot;] = 53000,&lt;br /&gt;
[&amp;quot;Check_talk&amp;quot;] = 61000,&lt;br /&gt;
[&amp;quot;Check_talk_wp&amp;quot;] = 1440000,&lt;br /&gt;
[&amp;quot;Check_winner_by_scores&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;CheckedSockpuppet&amp;quot;] = 7200,&lt;br /&gt;
[&amp;quot;Checked_sockpuppet&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Checkedsockpuppet&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Checkip&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Checkuser&amp;quot;] = 87000,&lt;br /&gt;
[&amp;quot;Checkuserblock-account&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Chem&amp;quot;] = 6100,&lt;br /&gt;
[&amp;quot;Chem/atom&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Chem/link&amp;quot;] = 6100,&lt;br /&gt;
[&amp;quot;Chem2&amp;quot;] = 9300,&lt;br /&gt;
[&amp;quot;Chem_molar_mass&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Chem_molar_mass/format&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Chembox&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox/styles.css&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_3DMet&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_AllOtherNames&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Chembox_AllOtherNames/format&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Chembox_Appearance&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Chembox_BoilingPt&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Chembox_CASNo&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_CASNo/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_CalcTemperatures&amp;quot;] = 7300,&lt;br /&gt;
[&amp;quot;Chembox_ChEBI&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_ChEBI/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_ChEMBL&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_ChEMBL/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_ChemSpiderID&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_ChemSpiderID/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_CompTox&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_CompTox/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_Datapage_check&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_Density&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Chembox_DrugBank&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_DrugBank/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_ECHA&amp;quot;] = 8100,&lt;br /&gt;
[&amp;quot;Chembox_ECNumber&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_ECNumber/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_Elements&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_Elements/molecular_formula&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;Chembox_FlashPt&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Chembox_Footer&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_Footer/tracking&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_GHS_(set)&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Chembox_Hazards&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Chembox_IUPHAR_ligand&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_IUPHAR_ligand/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_Identifiers&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_InChI&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Chembox_InChI/format&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Chembox_Indexlist&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_Jmol&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_Jmol/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_KEGG&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_KEGG/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_MeltingPt&amp;quot;] = 6400,&lt;br /&gt;
[&amp;quot;Chembox_Properties&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_PubChem&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_PubChem/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_RTECS&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_RTECS/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_Related&amp;quot;] = 4000,&lt;br /&gt;
[&amp;quot;Chembox_SMILES&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Chembox_SMILES/format&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Chembox_SolubilityInWater&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Chembox_Structure&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Chembox_UNII&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_UNII/format&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_headerbar&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_image&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Chembox_image_cell&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Chembox_image_sbs&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Chembox_parametercheck&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Chembox_setDatarow&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Chembox_setHeader&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Chembox_templatePar/formatPreviewMessage&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Chembox_verification&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Chemspidercite&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Chessgames_player&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;Chinese&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Circa&amp;quot;] = 381000,&lt;br /&gt;
[&amp;quot;Circular_reference&amp;quot;] = 4000,&lt;br /&gt;
[&amp;quot;Citation&amp;quot;] = 402000,&lt;br /&gt;
[&amp;quot;Citation/make_link&amp;quot;] = 7400,&lt;br /&gt;
[&amp;quot;Citation/styles.css&amp;quot;] = 52000,&lt;br /&gt;
[&amp;quot;Citation_needed&amp;quot;] = 624000,&lt;br /&gt;
[&amp;quot;Citation_needed_span&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Citation_style&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Cite_AV_media&amp;quot;] = 71000,&lt;br /&gt;
[&amp;quot;Cite_AV_media_notes&amp;quot;] = 32000,&lt;br /&gt;
[&amp;quot;Cite_Appletons&#039;&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Cite_Australian_Dictionary_of_Biography&amp;quot;] = 4900,&lt;br /&gt;
[&amp;quot;Cite_Box_Office_Mojo&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Cite_Catholic_Encyclopedia&amp;quot;] = 8500,&lt;br /&gt;
[&amp;quot;Cite_Colledge2006&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Cite_DCB&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Cite_DGRBM&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Cite_DNB&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;Cite_EB1911&amp;quot;] = 26000,&lt;br /&gt;
[&amp;quot;Cite_FTP&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Cite_GBIF&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Cite_GNIS&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Cite_Gaia_DR3&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Cite_Google_Maps&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Cite_Hansard&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Cite_IUCN&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Cite_Instagram&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Cite_Jewish_Encyclopedia&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Cite_Metacritic&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Cite_NIE&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Cite_NSW_Parliament&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Cite_NSW_SHR&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Cite_ODNB&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Cite_OED&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Cite_POWO&amp;quot;] = 5100,&lt;br /&gt;
[&amp;quot;Cite_Q&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;Cite_QHR&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Cite_QPN&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Cite_Rotten_Tomatoes&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Cite_Rowlett&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Cite_Russian_law&amp;quot;] = 7800,&lt;br /&gt;
[&amp;quot;Cite_Ryan&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Cite_Sports-Reference&amp;quot;] = 55000,&lt;br /&gt;
[&amp;quot;Cite_USGov&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Cite_WoRMS&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Cite_act&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;Cite_arXiv&amp;quot;] = 6400,&lt;br /&gt;
[&amp;quot;Cite_bcgnis&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Cite_book&amp;quot;] = 1840000,&lt;br /&gt;
[&amp;quot;Cite_certification&amp;quot;] = 42000,&lt;br /&gt;
[&amp;quot;Cite_certification/Title&amp;quot;] = 38000,&lt;br /&gt;
[&amp;quot;Cite_certification/URL&amp;quot;] = 42000,&lt;br /&gt;
[&amp;quot;Cite_certification/United_Kingdom_helper&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Cite_certification/archivedate&amp;quot;] = 7400,&lt;br /&gt;
[&amp;quot;Cite_certification/archiveurl&amp;quot;] = 7400,&lt;br /&gt;
[&amp;quot;Cite_cgndb&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Cite_comic&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Cite_conference&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Cite_court&amp;quot;] = 6400,&lt;br /&gt;
[&amp;quot;Cite_dictionary&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Cite_encyclopedia&amp;quot;] = 229000,&lt;br /&gt;
[&amp;quot;Cite_episode&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;Cite_gnis&amp;quot;] = 29000,&lt;br /&gt;
[&amp;quot;Cite_instagram&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Cite_interview&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Cite_iucn&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Cite_journal&amp;quot;] = 1120000,&lt;br /&gt;
[&amp;quot;Cite_legislation_UK&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Cite_magazine&amp;quot;] = 364000,&lt;br /&gt;
[&amp;quot;Cite_map&amp;quot;] = 55000,&lt;br /&gt;
[&amp;quot;Cite_news&amp;quot;] = 1840000,&lt;br /&gt;
[&amp;quot;Cite_newspaper_The_Times&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Cite_patent&amp;quot;] = 6800,&lt;br /&gt;
[&amp;quot;Cite_patent/authors&amp;quot;] = 5700,&lt;br /&gt;
[&amp;quot;Cite_patent/core&amp;quot;] = 7200,&lt;br /&gt;
[&amp;quot;Cite_peakbagger&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Cite_podcast&amp;quot;] = 5700,&lt;br /&gt;
[&amp;quot;Cite_press_release&amp;quot;] = 81000,&lt;br /&gt;
[&amp;quot;Cite_report&amp;quot;] = 70000,&lt;br /&gt;
[&amp;quot;Cite_rowlett&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Cite_ship_register&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Cite_simbad&amp;quot;] = 5400,&lt;br /&gt;
[&amp;quot;Cite_sports-reference&amp;quot;] = 59000,&lt;br /&gt;
[&amp;quot;Cite_taxon&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Cite_tech_report&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Cite_thesis&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Cite_tweet&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Cite_video&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Cite_video_game&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Cite_web&amp;quot;] = 5250000,&lt;br /&gt;
[&amp;quot;Cite_wikisource&amp;quot;] = 6700,&lt;br /&gt;
[&amp;quot;Cite_wikisource/make_link&amp;quot;] = 64000,&lt;br /&gt;
[&amp;quot;Citeweb&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Civil_navigation&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Cjersey&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Cl&amp;quot;] = 203000,&lt;br /&gt;
[&amp;quot;Clade&amp;quot;] = 9600,&lt;br /&gt;
[&amp;quot;Clade/styles.css&amp;quot;] = 9700,&lt;br /&gt;
[&amp;quot;Clarification_needed&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Clarify&amp;quot;] = 44000,&lt;br /&gt;
[&amp;quot;Class&amp;quot;] = 40000,&lt;br /&gt;
[&amp;quot;Class/colour&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;Class/icon&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Class_mask&amp;quot;] = 446000,&lt;br /&gt;
[&amp;quot;Class_mask/b&amp;quot;] = 43000,&lt;br /&gt;
[&amp;quot;Classicon&amp;quot;] = 5100,&lt;br /&gt;
[&amp;quot;Clc&amp;quot;] = 6900,&lt;br /&gt;
[&amp;quot;Cleanup&amp;quot;] = 8900,&lt;br /&gt;
[&amp;quot;Cleanup_bare_URLs&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Cleanup_reorganize&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Cleanup_rewrite&amp;quot;] = 6700,&lt;br /&gt;
[&amp;quot;Cleanup_road_junction_list&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Clear&amp;quot;] = 3480000,&lt;br /&gt;
[&amp;quot;Clear-left&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Clear_left&amp;quot;] = 29000,&lt;br /&gt;
[&amp;quot;Clear_right&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Clerk_Request&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Clerk_note&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Clerknote&amp;quot;] = 8300,&lt;br /&gt;
[&amp;quot;Clickable_button&amp;quot;] = 1130000,&lt;br /&gt;
[&amp;quot;Clickable_button_2&amp;quot;] = 233000,&lt;br /&gt;
[&amp;quot;Closed_access&amp;quot;] = 5400,&lt;br /&gt;
[&amp;quot;Closed_peer_review_page&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Closed_rfc_bottom&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Closed_rfc_top&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Clr&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Club_players_category&amp;quot;] = 9400,&lt;br /&gt;
[&amp;quot;Clubplayerscat&amp;quot;] = 9400,&lt;br /&gt;
[&amp;quot;Cmbox&amp;quot;] = 558000,&lt;br /&gt;
[&amp;quot;Cn&amp;quot;] = 118000,&lt;br /&gt;
[&amp;quot;Cnote2&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Cnote2_Begin&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Cnote2_End&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Coat_of_arms&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Cob&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Code&amp;quot;] = 74000,&lt;br /&gt;
[&amp;quot;Cof_family&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Cof_genus&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Col-1-of-2&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Col-2&amp;quot;] = 183000,&lt;br /&gt;
[&amp;quot;Col-2-of-2&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Col-3&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Col-4&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;Col-begin&amp;quot;] = 227000,&lt;br /&gt;
[&amp;quot;Col-begin/styles.css&amp;quot;] = 227000,&lt;br /&gt;
[&amp;quot;Col-break&amp;quot;] = 225000,&lt;br /&gt;
[&amp;quot;Col-end&amp;quot;] = 227000,&lt;br /&gt;
[&amp;quot;Col-float&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Col-float-break&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Col-float-end&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Col-float/styles.css&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Col-start&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Col_div&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Colbegin&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;Colend&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Collapse&amp;quot;] = 8300,&lt;br /&gt;
[&amp;quot;Collapse_bottom&amp;quot;] = 54000,&lt;br /&gt;
[&amp;quot;Collapse_top&amp;quot;] = 54000,&lt;br /&gt;
[&amp;quot;Collapse_top/styles.css&amp;quot;] = 54000,&lt;br /&gt;
[&amp;quot;Collapsebottom&amp;quot;] = 4000,&lt;br /&gt;
[&amp;quot;Collapsed_infobox_section_begin&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;Collapsed_infobox_section_end&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;Collapsetop&amp;quot;] = 4000,&lt;br /&gt;
[&amp;quot;Collapsible_list&amp;quot;] = 65000,&lt;br /&gt;
[&amp;quot;Collapsible_option&amp;quot;] = 146000,&lt;br /&gt;
[&amp;quot;College&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;CollegePrimaryHeader&amp;quot;] = 8000,&lt;br /&gt;
[&amp;quot;CollegePrimaryStyle&amp;quot;] = 109000,&lt;br /&gt;
[&amp;quot;CollegeSecondaryStyle&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;College_Athlete_Recruit_End&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;College_Athlete_Recruit_Entry&amp;quot;] = 2900,&lt;br /&gt;
[&amp;quot;College_Athlete_Recruit_Start&amp;quot;] = 2900,&lt;br /&gt;
[&amp;quot;College_athlete_recruit_end&amp;quot;] = 4800,&lt;br /&gt;
[&amp;quot;College_athlete_recruit_entry&amp;quot;] = 5000,&lt;br /&gt;
[&amp;quot;College_athlete_recruit_start&amp;quot;] = 5000,&lt;br /&gt;
[&amp;quot;College_color_list&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;College_sports_team_link&amp;quot;] = 30000,&lt;br /&gt;
[&amp;quot;Colon&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;Color&amp;quot;] = 521000,&lt;br /&gt;
[&amp;quot;Color/styles.css&amp;quot;] = 521000,&lt;br /&gt;
[&amp;quot;Color_box&amp;quot;] = 84000,&lt;br /&gt;
[&amp;quot;Colorbox&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Colorbull&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Colored_link&amp;quot;] = 100000,&lt;br /&gt;
[&amp;quot;Coloredlink&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Colors&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Colour&amp;quot;] = 5700,&lt;br /&gt;
[&amp;quot;Colour_box&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Coloured_link&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Column&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Column/styles.css&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Columns-end&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;Columns-list&amp;quot;] = 118000,&lt;br /&gt;
[&amp;quot;Columns-start&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;Comic_Book_DB&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Comicbookdb&amp;quot;] = 3400,&lt;br /&gt;
[&amp;quot;Comics-replaceability&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Comics_infobox_sec/creator_nat&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Comics_infobox_sec/formcat&amp;quot;] = 3400,&lt;br /&gt;
[&amp;quot;Comics_infobox_sec/genre&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Comics_infobox_sec/genrecat&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;Comics_infobox_sec/styles.css&amp;quot;] = 8300,&lt;br /&gt;
[&amp;quot;Comma_separated_entries&amp;quot;] = 518000,&lt;br /&gt;
[&amp;quot;Comment&amp;quot;] = 6800,&lt;br /&gt;
[&amp;quot;Committed_identity&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Committed_identity/styles.css&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Commons&amp;quot;] = 71000,&lt;br /&gt;
[&amp;quot;Commons-inline&amp;quot;] = 24000,&lt;br /&gt;
[&amp;quot;Commons_cat&amp;quot;] = 47000,&lt;br /&gt;
[&amp;quot;Commons_category&amp;quot;] = 892000,&lt;br /&gt;
[&amp;quot;Commons_category-inline&amp;quot;] = 173000,&lt;br /&gt;
[&amp;quot;Commons_category_inline&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Commonscat&amp;quot;] = 61000,&lt;br /&gt;
[&amp;quot;Commonscat-inline&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Commonscat_inline&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Commonscatinline&amp;quot;] = 8100,&lt;br /&gt;
[&amp;quot;Compact_TOC&amp;quot;] = 7300,&lt;br /&gt;
[&amp;quot;Compact_ToC&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Compose_molecular_formula&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Composition_bar&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Confirmed&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;Confused&amp;quot;] = 3400,&lt;br /&gt;
[&amp;quot;Confusing&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;CongBio&amp;quot;] = 9600,&lt;br /&gt;
[&amp;quot;CongLinks&amp;quot;] = 4800,&lt;br /&gt;
[&amp;quot;Connected_contributor&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;Connected_contributor_(paid)&amp;quot;] = 9200,&lt;br /&gt;
[&amp;quot;Constellation_navbox&amp;quot;] = 9400,&lt;br /&gt;
[&amp;quot;Container&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Container_cat&amp;quot;] = 8900,&lt;br /&gt;
[&amp;quot;Container_category&amp;quot;] = 79000,&lt;br /&gt;
[&amp;quot;Containercat&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Contains_special_characters&amp;quot;] = 4900,&lt;br /&gt;
[&amp;quot;Contains_special_characters/core&amp;quot;] = 4900,&lt;br /&gt;
[&amp;quot;Contains_special_characters/styles.css&amp;quot;] = 4900,&lt;br /&gt;
[&amp;quot;Content_category&amp;quot;] = 7900,&lt;br /&gt;
[&amp;quot;Contentious_topics/Additional_restrictions.json&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Contentious_topics/Arab-Israeli_editnotice&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Contentious_topics/Arab-Israeli_talk_notice&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Contentious_topics/Category_database.json&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Contentious_topics/Restrictions_definition.json&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Contentious_topics/Standard_set.json&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Contentious_topics/list&amp;quot;] = 25000,&lt;br /&gt;
[&amp;quot;Contentious_topics/page_restriction_editnotice_base&amp;quot;] = 5900,&lt;br /&gt;
[&amp;quot;Contentious_topics/talk_notice&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Context&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Continent2continental&amp;quot;] = 45000,&lt;br /&gt;
[&amp;quot;Continent_adjective_to_noun&amp;quot;] = 9200,&lt;br /&gt;
[&amp;quot;Continental2continent&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Controversial&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Convert&amp;quot;] = 1400000,&lt;br /&gt;
[&amp;quot;Convert_abbreviated&amp;quot;] = 149000,&lt;br /&gt;
[&amp;quot;Convinfobox&amp;quot;] = 285000,&lt;br /&gt;
[&amp;quot;Coord&amp;quot;] = 1390000,&lt;br /&gt;
[&amp;quot;Coord_missing&amp;quot;] = 79000,&lt;br /&gt;
[&amp;quot;Coord_missing/CheckCat&amp;quot;] = 78000,&lt;br /&gt;
[&amp;quot;Coords&amp;quot;] = 6900,&lt;br /&gt;
[&amp;quot;Copied&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Copy_edit&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Copy_to_Wikimedia_Commons&amp;quot;] = 84000,&lt;br /&gt;
[&amp;quot;Copy_to_Wikimedia_Commons_in&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;Cospar&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Cot&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Count&amp;quot;] = 943000,&lt;br /&gt;
[&amp;quot;Country2continent&amp;quot;] = 84000,&lt;br /&gt;
[&amp;quot;Country2continental&amp;quot;] = 30000,&lt;br /&gt;
[&amp;quot;Country2nationality&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;CountryPrefixThe&amp;quot;] = 83000,&lt;br /&gt;
[&amp;quot;Country_abbreviation&amp;quot;] = 95000,&lt;br /&gt;
[&amp;quot;Country_alias&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;Country_at_games_navbox&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Country_at_games_navbox/below&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Country_data&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_AFG&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Country_data_ALB&amp;quot;] = 7100,&lt;br /&gt;
[&amp;quot;Country_data_ALG&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Country_data_AND&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Country_data_ANG&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Country_data_ARG&amp;quot;] = 51000,&lt;br /&gt;
[&amp;quot;Country_data_ARM&amp;quot;] = 8100,&lt;br /&gt;
[&amp;quot;Country_data_AUS&amp;quot;] = 86000,&lt;br /&gt;
[&amp;quot;Country_data_AUT&amp;quot;] = 51000,&lt;br /&gt;
[&amp;quot;Country_data_AZE&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_Afghanistan&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_Alabama&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Country_data_Alaska&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Country_data_Albania&amp;quot;] = 35000,&lt;br /&gt;
[&amp;quot;Country_data_Alberta&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_Algeria&amp;quot;] = 47000,&lt;br /&gt;
[&amp;quot;Country_data_American_Samoa&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Country_data_Andorra&amp;quot;] = 9500,&lt;br /&gt;
[&amp;quot;Country_data_Angola&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Country_data_Anguilla&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Country_data_Antigua_and_Barbuda&amp;quot;] = 6700,&lt;br /&gt;
[&amp;quot;Country_data_Apulia&amp;quot;] = 7900,&lt;br /&gt;
[&amp;quot;Country_data_Argentina&amp;quot;] = 150000,&lt;br /&gt;
[&amp;quot;Country_data_Arizona&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Country_data_Arkansas&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Country_data_Armenia&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Country_data_Aruba&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Country_data_Australia&amp;quot;] = 274000,&lt;br /&gt;
[&amp;quot;Country_data_Austria&amp;quot;] = 146000,&lt;br /&gt;
[&amp;quot;Country_data_Austria-Hungary&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Country_data_Azerbaijan&amp;quot;] = 51000,&lt;br /&gt;
[&amp;quot;Country_data_BAH&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Country_data_BAN&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Country_data_BAR&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Country_data_BDI&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Country_data_BEL&amp;quot;] = 58000,&lt;br /&gt;
[&amp;quot;Country_data_BER&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Country_data_BHR&amp;quot;] = 5700,&lt;br /&gt;
[&amp;quot;Country_data_BIH&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Country_data_BLR&amp;quot;] = 26000,&lt;br /&gt;
[&amp;quot;Country_data_BOL&amp;quot;] = 6400,&lt;br /&gt;
[&amp;quot;Country_data_BOT&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_BRA&amp;quot;] = 62000,&lt;br /&gt;
[&amp;quot;Country_data_BUL&amp;quot;] = 30000,&lt;br /&gt;
[&amp;quot;Country_data_Bahamas&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_Bahrain&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_Bangladesh&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Country_data_Barbados&amp;quot;] = 8900,&lt;br /&gt;
[&amp;quot;Country_data_Belarus&amp;quot;] = 90000,&lt;br /&gt;
[&amp;quot;Country_data_Belgium&amp;quot;] = 157000,&lt;br /&gt;
[&amp;quot;Country_data_Belize&amp;quot;] = 5400,&lt;br /&gt;
[&amp;quot;Country_data_Benin&amp;quot;] = 8200,&lt;br /&gt;
[&amp;quot;Country_data_Bermuda&amp;quot;] = 6600,&lt;br /&gt;
[&amp;quot;Country_data_Bhutan&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Country_data_Bolivia&amp;quot;] = 24000,&lt;br /&gt;
[&amp;quot;Country_data_Bosnia_and_Herzegovina&amp;quot;] = 53000,&lt;br /&gt;
[&amp;quot;Country_data_Botswana&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Country_data_Brazil&amp;quot;] = 169000,&lt;br /&gt;
[&amp;quot;Country_data_British_Columbia&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Country_data_British_Empire&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Country_data_British_Raj&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Country_data_British_Virgin_Islands&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_Brunei&amp;quot;] = 7200,&lt;br /&gt;
[&amp;quot;Country_data_Bulgaria&amp;quot;] = 100000,&lt;br /&gt;
[&amp;quot;Country_data_Burkina_Faso&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_Burma&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Country_data_Burundi&amp;quot;] = 7100,&lt;br /&gt;
[&amp;quot;Country_data_CAM&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Country_data_CAN&amp;quot;] = 66000,&lt;br /&gt;
[&amp;quot;Country_data_CGO&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Country_data_CHE&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Country_data_CHI&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;Country_data_CHL&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Country_data_CHN&amp;quot;] = 47000,&lt;br /&gt;
[&amp;quot;Country_data_CIV&amp;quot;] = 8300,&lt;br /&gt;
[&amp;quot;Country_data_CMR&amp;quot;] = 8600,&lt;br /&gt;
[&amp;quot;Country_data_COD&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Country_data_COL&amp;quot;] = 27000,&lt;br /&gt;
[&amp;quot;Country_data_CPV&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_CRC&amp;quot;] = 6900,&lt;br /&gt;
[&amp;quot;Country_data_CRO&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Country_data_CUB&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Country_data_CYP&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Country_data_CZE&amp;quot;] = 52000,&lt;br /&gt;
[&amp;quot;Country_data_California&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Country_data_Cambodia&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Country_data_Cameroon&amp;quot;] = 31000,&lt;br /&gt;
[&amp;quot;Country_data_Canada&amp;quot;] = 262000,&lt;br /&gt;
[&amp;quot;Country_data_Cape_Verde&amp;quot;] = 7100,&lt;br /&gt;
[&amp;quot;Country_data_Castile_and_León&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Country_data_Catalonia&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Country_data_Cayman_Islands&amp;quot;] = 4700,&lt;br /&gt;
[&amp;quot;Country_data_Central_African_Republic&amp;quot;] = 5400,&lt;br /&gt;
[&amp;quot;Country_data_Chad&amp;quot;] = 5800,&lt;br /&gt;
[&amp;quot;Country_data_Chile&amp;quot;] = 89000,&lt;br /&gt;
[&amp;quot;Country_data_China&amp;quot;] = 151000,&lt;br /&gt;
[&amp;quot;Country_data_Chinese_Taipei&amp;quot;] = 38000,&lt;br /&gt;
[&amp;quot;Country_data_Colombia&amp;quot;] = 95000,&lt;br /&gt;
[&amp;quot;Country_data_Colorado&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Country_data_Commonwealth_of_Independent_States&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Country_data_Comoros&amp;quot;] = 4900,&lt;br /&gt;
[&amp;quot;Country_data_Confederate_States_of_America&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_Connecticut&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Country_data_Cook_Islands&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Country_data_Costa_Rica&amp;quot;] = 33000,&lt;br /&gt;
[&amp;quot;Country_data_Croatia&amp;quot;] = 104000,&lt;br /&gt;
[&amp;quot;Country_data_Cuba&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Country_data_Curaçao&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Country_data_Cyprus&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Country_data_Czech_Republic&amp;quot;] = 152000,&lt;br /&gt;
[&amp;quot;Country_data_Czechoslovakia&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Country_data_DEN&amp;quot;] = 39000,&lt;br /&gt;
[&amp;quot;Country_data_DEU&amp;quot;] = 9900,&lt;br /&gt;
[&amp;quot;Country_data_DNK&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Country_data_DOM&amp;quot;] = 8100,&lt;br /&gt;
[&amp;quot;Country_data_Delaware&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Country_data_Democratic_Republic_of_the_Congo&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Country_data_Denmark&amp;quot;] = 119000,&lt;br /&gt;
[&amp;quot;Country_data_Djibouti&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Country_data_Dominica&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Country_data_Dominican_Republic&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Country_data_ECU&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Country_data_EGY&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Country_data_ENG&amp;quot;] = 51000,&lt;br /&gt;
[&amp;quot;Country_data_ESA&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Country_data_ESP&amp;quot;] = 82000,&lt;br /&gt;
[&amp;quot;Country_data_EST&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Country_data_ETH&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Country_data_EU&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Country_data_East_Germany&amp;quot;] = 28000,&lt;br /&gt;
[&amp;quot;Country_data_Ecuador&amp;quot;] = 48000,&lt;br /&gt;
[&amp;quot;Country_data_Egypt&amp;quot;] = 65000,&lt;br /&gt;
[&amp;quot;Country_data_El_Salvador&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Country_data_Empire_of_Japan&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Country_data_England&amp;quot;] = 162000,&lt;br /&gt;
[&amp;quot;Country_data_Equatorial_Guinea&amp;quot;] = 5700,&lt;br /&gt;
[&amp;quot;Country_data_Eritrea&amp;quot;] = 5700,&lt;br /&gt;
[&amp;quot;Country_data_Estonia&amp;quot;] = 68000,&lt;br /&gt;
[&amp;quot;Country_data_Eswatini&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Country_data_Ethiopia&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Country_data_Europe&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Country_data_European_Union&amp;quot;] = 8000,&lt;br /&gt;
[&amp;quot;Country_data_FIJ&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Country_data_FIN&amp;quot;] = 39000,&lt;br /&gt;
[&amp;quot;Country_data_FRA&amp;quot;] = 111000,&lt;br /&gt;
[&amp;quot;Country_data_FRG&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;Country_data_FRO&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Country_data_FR_Yugoslavia&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Country_data_Faroe_Islands&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Country_data_Federated_States_of_Micronesia&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_Fiji&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_Finland&amp;quot;] = 113000,&lt;br /&gt;
[&amp;quot;Country_data_Florida&amp;quot;] = 6100,&lt;br /&gt;
[&amp;quot;Country_data_France&amp;quot;] = 334000,&lt;br /&gt;
[&amp;quot;Country_data_French_Guiana&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_French_Polynesia&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Country_data_GAB&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Country_data_GAM&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_GBR&amp;quot;] = 65000,&lt;br /&gt;
[&amp;quot;Country_data_GDR&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_GEO&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Country_data_GER&amp;quot;] = 93000,&lt;br /&gt;
[&amp;quot;Country_data_GHA&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Country_data_GIB&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Country_data_GRE&amp;quot;] = 29000,&lt;br /&gt;
[&amp;quot;Country_data_GUA&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Country_data_GUI&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Country_data_GUY&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Country_data_Gabon&amp;quot;] = 8400,&lt;br /&gt;
[&amp;quot;Country_data_Gambia&amp;quot;] = 7800,&lt;br /&gt;
[&amp;quot;Country_data_Georgia&amp;quot;] = 8800,&lt;br /&gt;
[&amp;quot;Country_data_Georgia_(U.S._state)&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_Georgia_(country)&amp;quot;] = 54000,&lt;br /&gt;
[&amp;quot;Country_data_German_Empire&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Country_data_Germany&amp;quot;] = 291000,&lt;br /&gt;
[&amp;quot;Country_data_Ghana&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Country_data_Gibraltar&amp;quot;] = 5400,&lt;br /&gt;
[&amp;quot;Country_data_Great_Britain&amp;quot;] = 126000,&lt;br /&gt;
[&amp;quot;Country_data_Greece&amp;quot;] = 104000,&lt;br /&gt;
[&amp;quot;Country_data_Greenland&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_Grenada&amp;quot;] = 5900,&lt;br /&gt;
[&amp;quot;Country_data_Guadeloupe&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_Guam&amp;quot;] = 4900,&lt;br /&gt;
[&amp;quot;Country_data_Guatemala&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_Guernsey&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_Guinea&amp;quot;] = 9500,&lt;br /&gt;
[&amp;quot;Country_data_Guinea-Bissau&amp;quot;] = 5700,&lt;br /&gt;
[&amp;quot;Country_data_Guyana&amp;quot;] = 7900,&lt;br /&gt;
[&amp;quot;Country_data_HAI&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Country_data_HKG&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Country_data_HON&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Country_data_HUN&amp;quot;] = 43000,&lt;br /&gt;
[&amp;quot;Country_data_Haiti&amp;quot;] = 9900,&lt;br /&gt;
[&amp;quot;Country_data_Hawaii&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_Honduras&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_Hong_Kong&amp;quot;] = 51000,&lt;br /&gt;
[&amp;quot;Country_data_Hungary&amp;quot;] = 114000,&lt;br /&gt;
[&amp;quot;Country_data_IDN&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Country_data_INA&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Country_data_IND&amp;quot;] = 33000,&lt;br /&gt;
[&amp;quot;Country_data_IRE&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Country_data_IRI&amp;quot;] = 6600,&lt;br /&gt;
[&amp;quot;Country_data_IRL&amp;quot;] = 24000,&lt;br /&gt;
[&amp;quot;Country_data_IRN&amp;quot;] = 7200,&lt;br /&gt;
[&amp;quot;Country_data_IRQ&amp;quot;] = 4600,&lt;br /&gt;
[&amp;quot;Country_data_ISL&amp;quot;] = 9100,&lt;br /&gt;
[&amp;quot;Country_data_ISR&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Country_data_ITA&amp;quot;] = 98000,&lt;br /&gt;
[&amp;quot;Country_data_Iceland&amp;quot;] = 47000,&lt;br /&gt;
[&amp;quot;Country_data_Idaho&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Country_data_Illinois&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Country_data_India&amp;quot;] = 261000,&lt;br /&gt;
[&amp;quot;Country_data_Indiana&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_Indonesia&amp;quot;] = 71000,&lt;br /&gt;
[&amp;quot;Country_data_Iowa&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Country_data_Iran&amp;quot;] = 163000,&lt;br /&gt;
[&amp;quot;Country_data_Iraq&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Country_data_Ireland&amp;quot;] = 66000,&lt;br /&gt;
[&amp;quot;Country_data_Isle_of_Man&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Country_data_Israel&amp;quot;] = 93000,&lt;br /&gt;
[&amp;quot;Country_data_Italy&amp;quot;] = 287000,&lt;br /&gt;
[&amp;quot;Country_data_Ivory_Coast&amp;quot;] = 33000,&lt;br /&gt;
[&amp;quot;Country_data_JAM&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_JOR&amp;quot;] = 4600,&lt;br /&gt;
[&amp;quot;Country_data_JP&amp;quot;] = 8500,&lt;br /&gt;
[&amp;quot;Country_data_JPN&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Country_data_Jamaica&amp;quot;] = 45000,&lt;br /&gt;
[&amp;quot;Country_data_Japan&amp;quot;] = 264000,&lt;br /&gt;
[&amp;quot;Country_data_Jersey&amp;quot;] = 2900,&lt;br /&gt;
[&amp;quot;Country_data_Jordan&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_KAZ&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Country_data_KEN&amp;quot;] = 9800,&lt;br /&gt;
[&amp;quot;Country_data_KGZ&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Country_data_KOR&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Country_data_KOS&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_KSA&amp;quot;] = 7400,&lt;br /&gt;
[&amp;quot;Country_data_KUW&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Country_data_Kazakhstan&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Country_data_Kenya&amp;quot;] = 35000,&lt;br /&gt;
[&amp;quot;Country_data_Kingdom_of_France&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Country_data_Kingdom_of_Great_Britain&amp;quot;] = 4600,&lt;br /&gt;
[&amp;quot;Country_data_Kingdom_of_Italy&amp;quot;] = 4800,&lt;br /&gt;
[&amp;quot;Country_data_Kiribati&amp;quot;] = 2900,&lt;br /&gt;
[&amp;quot;Country_data_Kosovo&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Country_data_Kuwait&amp;quot;] = 21000,&lt;br /&gt;
[&amp;quot;Country_data_Kyrgyzstan&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_LAO&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Country_data_LAT&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;Country_data_LBN&amp;quot;] = 2900,&lt;br /&gt;
[&amp;quot;Country_data_LIB&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Country_data_LIE&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_LIT&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_LTU&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Country_data_LUX&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Country_data_LVA&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_Laos&amp;quot;] = 8200,&lt;br /&gt;
[&amp;quot;Country_data_Latvia&amp;quot;] = 55000,&lt;br /&gt;
[&amp;quot;Country_data_Lebanon&amp;quot;] = 24000,&lt;br /&gt;
[&amp;quot;Country_data_Lesotho&amp;quot;] = 5800,&lt;br /&gt;
[&amp;quot;Country_data_Liberia&amp;quot;] = 8200,&lt;br /&gt;
[&amp;quot;Country_data_Libya&amp;quot;] = 9400,&lt;br /&gt;
[&amp;quot;Country_data_Liechtenstein&amp;quot;] = 9100,&lt;br /&gt;
[&amp;quot;Country_data_Lithuania&amp;quot;] = 54000,&lt;br /&gt;
[&amp;quot;Country_data_Louisiana&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_Luxembourg&amp;quot;] = 48000,&lt;br /&gt;
[&amp;quot;Country_data_MAC&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Country_data_MAD&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Country_data_MAR&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Country_data_MAS&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Country_data_MDA&amp;quot;] = 8700,&lt;br /&gt;
[&amp;quot;Country_data_MEX&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Country_data_MGL&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Country_data_MKD&amp;quot;] = 8400,&lt;br /&gt;
[&amp;quot;Country_data_MLI&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Country_data_MLT&amp;quot;] = 6300,&lt;br /&gt;
[&amp;quot;Country_data_MNE&amp;quot;] = 8400,&lt;br /&gt;
[&amp;quot;Country_data_MON&amp;quot;] = 4500,&lt;br /&gt;
[&amp;quot;Country_data_MOZ&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Country_data_MRI&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Country_data_MYA&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Country_data_MYS&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Country_data_Macau&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Country_data_Macedonia&amp;quot;] = 4700,&lt;br /&gt;
[&amp;quot;Country_data_Madagascar&amp;quot;] = 9900,&lt;br /&gt;
[&amp;quot;Country_data_Malawi&amp;quot;] = 6300,&lt;br /&gt;
[&amp;quot;Country_data_Malaysia&amp;quot;] = 71000,&lt;br /&gt;
[&amp;quot;Country_data_Maldives&amp;quot;] = 6900,&lt;br /&gt;
[&amp;quot;Country_data_Mali&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_Malta&amp;quot;] = 32000,&lt;br /&gt;
[&amp;quot;Country_data_Manitoba&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Country_data_Marshall_Islands&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_Martinique&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_Maryland&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Country_data_Massachusetts&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Country_data_Mauritania&amp;quot;] = 6200,&lt;br /&gt;
[&amp;quot;Country_data_Mauritius&amp;quot;] = 8800,&lt;br /&gt;
[&amp;quot;Country_data_Mexico&amp;quot;] = 113000,&lt;br /&gt;
[&amp;quot;Country_data_Michigan&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;Country_data_Minnesota&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_Missouri&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Country_data_Moldova&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Country_data_Monaco&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Country_data_Mongolia&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_Montana&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_Montenegro&amp;quot;] = 33000,&lt;br /&gt;
[&amp;quot;Country_data_Montserrat&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Country_data_Morocco&amp;quot;] = 50000,&lt;br /&gt;
[&amp;quot;Country_data_Mozambique&amp;quot;] = 8200,&lt;br /&gt;
[&amp;quot;Country_data_Myanmar&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Country_data_NAM&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;Country_data_NED&amp;quot;] = 70000,&lt;br /&gt;
[&amp;quot;Country_data_NEP&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Country_data_NGA&amp;quot;] = 8200,&lt;br /&gt;
[&amp;quot;Country_data_NGR&amp;quot;] = 9100,&lt;br /&gt;
[&amp;quot;Country_data_NIR&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Country_data_NLD&amp;quot;] = 7100,&lt;br /&gt;
[&amp;quot;Country_data_NOR&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Country_data_NZ&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_NZL&amp;quot;] = 37000,&lt;br /&gt;
[&amp;quot;Country_data_Namibia&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_Nauru&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Country_data_Nazi_Germany&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Country_data_Nepal&amp;quot;] = 32000,&lt;br /&gt;
[&amp;quot;Country_data_Netherlands&amp;quot;] = 262000,&lt;br /&gt;
[&amp;quot;Country_data_Netherlands_Antilles&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Country_data_Nevada&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Country_data_New_Brunswick&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Country_data_New_Caledonia&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_New_Jersey&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Country_data_New_South_Wales&amp;quot;] = 6400,&lt;br /&gt;
[&amp;quot;Country_data_New_York&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Country_data_New_York_(state)&amp;quot;] = 6600,&lt;br /&gt;
[&amp;quot;Country_data_New_Zealand&amp;quot;] = 118000,&lt;br /&gt;
[&amp;quot;Country_data_Newfoundland_and_Labrador&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Country_data_Nicaragua&amp;quot;] = 9300,&lt;br /&gt;
[&amp;quot;Country_data_Niger&amp;quot;] = 6500,&lt;br /&gt;
[&amp;quot;Country_data_Nigeria&amp;quot;] = 65000,&lt;br /&gt;
[&amp;quot;Country_data_North_Carolina&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Country_data_North_Korea&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Country_data_North_Macedonia&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Country_data_Northern_Ireland&amp;quot;] = 27000,&lt;br /&gt;
[&amp;quot;Country_data_Northern_Mariana_Islands&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_Norway&amp;quot;] = 116000,&lt;br /&gt;
[&amp;quot;Country_data_Nova_Scotia&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Country_data_OMA&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_Ohio&amp;quot;] = 5000,&lt;br /&gt;
[&amp;quot;Country_data_Oklahoma&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Country_data_Oman&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Country_data_Ontario&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_Ottoman_Empire&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_PAK&amp;quot;] = 8800,&lt;br /&gt;
[&amp;quot;Country_data_PAN&amp;quot;] = 5800,&lt;br /&gt;
[&amp;quot;Country_data_PAR&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_PER&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Country_data_PHI&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Country_data_PNG&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_POL&amp;quot;] = 59000,&lt;br /&gt;
[&amp;quot;Country_data_POR&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Country_data_PRK&amp;quot;] = 4900,&lt;br /&gt;
[&amp;quot;Country_data_PRT&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Country_data_PUR&amp;quot;] = 7800,&lt;br /&gt;
[&amp;quot;Country_data_Pakistan&amp;quot;] = 51000,&lt;br /&gt;
[&amp;quot;Country_data_Palau&amp;quot;] = 2900,&lt;br /&gt;
[&amp;quot;Country_data_Palestine&amp;quot;] = 7600,&lt;br /&gt;
[&amp;quot;Country_data_Panama&amp;quot;] = 30000,&lt;br /&gt;
[&amp;quot;Country_data_Papua_New_Guinea&amp;quot;] = 8700,&lt;br /&gt;
[&amp;quot;Country_data_Paraguay&amp;quot;] = 45000,&lt;br /&gt;
[&amp;quot;Country_data_Pennsylvania&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Country_data_Peru&amp;quot;] = 64000,&lt;br /&gt;
[&amp;quot;Country_data_Philippines&amp;quot;] = 68000,&lt;br /&gt;
[&amp;quot;Country_data_Poland&amp;quot;] = 243000,&lt;br /&gt;
[&amp;quot;Country_data_Portugal&amp;quot;] = 115000,&lt;br /&gt;
[&amp;quot;Country_data_Prussia&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Country_data_Puerto_Rico&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;Country_data_QAT&amp;quot;] = 9200,&lt;br /&gt;
[&amp;quot;Country_data_Qatar&amp;quot;] = 32000,&lt;br /&gt;
[&amp;quot;Country_data_Quebec&amp;quot;] = 4000,&lt;br /&gt;
[&amp;quot;Country_data_Queensland&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_ROM&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Country_data_ROU&amp;quot;] = 30000,&lt;br /&gt;
[&amp;quot;Country_data_RSA&amp;quot;] = 35000,&lt;br /&gt;
[&amp;quot;Country_data_RUS&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Country_data_RWA&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Country_data_Republic_of_China&amp;quot;] = 6200,&lt;br /&gt;
[&amp;quot;Country_data_Republic_of_Ireland&amp;quot;] = 54000,&lt;br /&gt;
[&amp;quot;Country_data_Republic_of_the_Congo&amp;quot;] = 8300,&lt;br /&gt;
[&amp;quot;Country_data_Romania&amp;quot;] = 113000,&lt;br /&gt;
[&amp;quot;Country_data_Russia&amp;quot;] = 256000,&lt;br /&gt;
[&amp;quot;Country_data_Russian_Empire&amp;quot;] = 5600,&lt;br /&gt;
[&amp;quot;Country_data_Rwanda&amp;quot;] = 8600,&lt;br /&gt;
[&amp;quot;Country_data_SAM&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;Country_data_SCG&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_SCO&amp;quot;] = 28000,&lt;br /&gt;
[&amp;quot;Country_data_SEN&amp;quot;] = 8200,&lt;br /&gt;
[&amp;quot;Country_data_SER&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Country_data_SGP&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Country_data_SIN&amp;quot;] = 7200,&lt;br /&gt;
[&amp;quot;Country_data_SLO&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_SLV&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_SMR&amp;quot;] = 3500,&lt;br /&gt;
[&amp;quot;Country_data_SPA&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Country_data_SRB&amp;quot;] = 30000,&lt;br /&gt;
[&amp;quot;Country_data_SRI&amp;quot;] = 5100,&lt;br /&gt;
[&amp;quot;Country_data_SUI&amp;quot;] = 49000,&lt;br /&gt;
[&amp;quot;Country_data_SUR&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_SVK&amp;quot;] = 31000,&lt;br /&gt;
[&amp;quot;Country_data_SVN&amp;quot;] = 7200,&lt;br /&gt;
[&amp;quot;Country_data_SWE&amp;quot;] = 63000,&lt;br /&gt;
[&amp;quot;Country_data_SWI&amp;quot;] = 5000,&lt;br /&gt;
[&amp;quot;Country_data_SYR&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;Country_data_Saint_Kitts_and_Nevis&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Country_data_Saint_Lucia&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Country_data_Saint_Vincent_and_the_Grenadines&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Country_data_Samoa&amp;quot;] = 8300,&lt;br /&gt;
[&amp;quot;Country_data_San_Marino&amp;quot;] = 9900,&lt;br /&gt;
[&amp;quot;Country_data_Saskatchewan&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;Country_data_Saudi_Arabia&amp;quot;] = 37000,&lt;br /&gt;
[&amp;quot;Country_data_Scotland&amp;quot;] = 100000,&lt;br /&gt;
[&amp;quot;Country_data_Senegal&amp;quot;] = 31000,&lt;br /&gt;
[&amp;quot;Country_data_Serbia&amp;quot;] = 103000,&lt;br /&gt;
[&amp;quot;Country_data_Serbia_and_Montenegro&amp;quot;] = 5400,&lt;br /&gt;
[&amp;quot;Country_data_Seychelles&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Country_data_Sierra_Leone&amp;quot;] = 7900,&lt;br /&gt;
[&amp;quot;Country_data_Singapore&amp;quot;] = 50000,&lt;br /&gt;
[&amp;quot;Country_data_Slovakia&amp;quot;] = 95000,&lt;br /&gt;
[&amp;quot;Country_data_Slovenia&amp;quot;] = 90000,&lt;br /&gt;
[&amp;quot;Country_data_Solomon_Islands&amp;quot;] = 5000,&lt;br /&gt;
[&amp;quot;Country_data_Somalia&amp;quot;] = 6600,&lt;br /&gt;
[&amp;quot;Country_data_South_Africa&amp;quot;] = 120000,&lt;br /&gt;
[&amp;quot;Country_data_South_Australia&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_South_Carolina&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Country_data_South_Korea&amp;quot;] = 115000,&lt;br /&gt;
[&amp;quot;Country_data_South_Sudan&amp;quot;] = 4700,&lt;br /&gt;
[&amp;quot;Country_data_Soviet_Union&amp;quot;] = 76000,&lt;br /&gt;
[&amp;quot;Country_data_Spain&amp;quot;] = 277000,&lt;br /&gt;
[&amp;quot;Country_data_Sri_Lanka&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Country_data_Sudan&amp;quot;] = 8800,&lt;br /&gt;
[&amp;quot;Country_data_Suriname&amp;quot;] = 6900,&lt;br /&gt;
[&amp;quot;Country_data_Sweden&amp;quot;] = 166000,&lt;br /&gt;
[&amp;quot;Country_data_Switzerland&amp;quot;] = 150000,&lt;br /&gt;
[&amp;quot;Country_data_Syria&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_São_Tomé_and_Príncipe&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_TAN&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Country_data_TCH&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Country_data_THA&amp;quot;] = 24000,&lt;br /&gt;
[&amp;quot;Country_data_TJK&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Country_data_TKM&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_TOG&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Country_data_TPE&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Country_data_TRI&amp;quot;] = 4900,&lt;br /&gt;
[&amp;quot;Country_data_TTO&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Country_data_TUN&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Country_data_TUR&amp;quot;] = 32000,&lt;br /&gt;
[&amp;quot;Country_data_TWN&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Country_data_Taiwan&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Country_data_Tajikistan&amp;quot;] = 9900,&lt;br /&gt;
[&amp;quot;Country_data_Tanzania&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Country_data_Tennessee&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Country_data_Texas&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Country_data_Thailand&amp;quot;] = 95000,&lt;br /&gt;
[&amp;quot;Country_data_Timor-Leste&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Country_data_Togo&amp;quot;] = 7800,&lt;br /&gt;
[&amp;quot;Country_data_Tonga&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Country_data_Trinidad_and_Tobago&amp;quot;] = 24000,&lt;br /&gt;
[&amp;quot;Country_data_Tunisia&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Country_data_Turkey&amp;quot;] = 141000,&lt;br /&gt;
[&amp;quot;Country_data_Turkmenistan&amp;quot;] = 8600,&lt;br /&gt;
[&amp;quot;Country_data_Turks_and_Caicos_Islands&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_Tuvalu&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_U.S.&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Country_data_U.S._Virgin_Islands&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Country_data_UAE&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_UGA&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Country_data_UK&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Country_data_UKGBI&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Country_data_UKR&amp;quot;] = 43000,&lt;br /&gt;
[&amp;quot;Country_data_URS&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Country_data_URU&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Country_data_US&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Country_data_USA&amp;quot;] = 147000,&lt;br /&gt;
[&amp;quot;Country_data_USSR&amp;quot;] = 5400,&lt;br /&gt;
[&amp;quot;Country_data_UZB&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Country_data_Uganda&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Country_data_Ukraine&amp;quot;] = 118000,&lt;br /&gt;
[&amp;quot;Country_data_United_Arab_Emirates&amp;quot;] = 38000,&lt;br /&gt;
[&amp;quot;Country_data_United_Kingdom&amp;quot;] = 160000,&lt;br /&gt;
[&amp;quot;Country_data_United_Kingdom_of_Great_Britain_and_Ireland&amp;quot;] = 4700,&lt;br /&gt;
[&amp;quot;Country_data_United_Nations&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;Country_data_United_States&amp;quot;] = 432000,&lt;br /&gt;
[&amp;quot;Country_data_United_States_of_America&amp;quot;] = 4700,&lt;br /&gt;
[&amp;quot;Country_data_Uruguay&amp;quot;] = 52000,&lt;br /&gt;
[&amp;quot;Country_data_Uzbekistan&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Country_data_VEN&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;Country_data_VIE&amp;quot;] = 7100,&lt;br /&gt;
[&amp;quot;Country_data_Vanuatu&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Country_data_Vatican_City&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Country_data_Venezuela&amp;quot;] = 65000,&lt;br /&gt;
[&amp;quot;Country_data_Victoria&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Country_data_Vietnam&amp;quot;] = 47000,&lt;br /&gt;
[&amp;quot;Country_data_Virginia&amp;quot;] = 2900,&lt;br /&gt;
[&amp;quot;Country_data_WAL&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Country_data_Wales&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Country_data_Washington&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Country_data_Washington,_D.C.&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Country_data_Washington_(state)&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;Country_data_West_Germany&amp;quot;] = 52000,&lt;br /&gt;
[&amp;quot;Country_data_West_Indies&amp;quot;] = 2900,&lt;br /&gt;
[&amp;quot;Country_data_Wisconsin&amp;quot;] = 5400,&lt;br /&gt;
[&amp;quot;Country_data_Wyoming&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Country_data_YUG&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_Yemen&amp;quot;] = 8300,&lt;br /&gt;
[&amp;quot;Country_data_Yugoslavia&amp;quot;] = 33000,&lt;br /&gt;
[&amp;quot;Country_data_ZAF&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Country_data_ZAM&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Country_data_ZIM&amp;quot;] = 8900,&lt;br /&gt;
[&amp;quot;Country_data_Zambia&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Country_data_Zimbabwe&amp;quot;] = 32000,&lt;br /&gt;
[&amp;quot;Country_flagbio&amp;quot;] = 38000,&lt;br /&gt;
[&amp;quot;Country_in_the_Eurovision_Song_Contest&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Country_name&amp;quot;] = 56000,&lt;br /&gt;
[&amp;quot;Country_prefix_the&amp;quot;] = 176000,&lt;br /&gt;
[&amp;quot;Country_showdata&amp;quot;] = 6700,&lt;br /&gt;
[&amp;quot;Country_topics&amp;quot;] = 25000,&lt;br /&gt;
[&amp;quot;County&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;County_(judet)_of_Romania&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Course_assignment&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Course_details&amp;quot;] = 8200,&lt;br /&gt;
[&amp;quot;Course_instructor&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Cquote&amp;quot;] = 37000,&lt;br /&gt;
[&amp;quot;Cr&amp;quot;] = 5000,&lt;br /&gt;
[&amp;quot;Cr-rt&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Create_taxonomy/link&amp;quot;] = 142000,&lt;br /&gt;
[&amp;quot;Creative_Commons_text_attribution_notice&amp;quot;] = 5800,&lt;br /&gt;
[&amp;quot;Cref2&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Cricinfo&amp;quot;] = 24000,&lt;br /&gt;
[&amp;quot;Cricket_squad2_player&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Cricketarchive&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Croatian_Census_2021&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Cross&amp;quot;] = 3800,&lt;br /&gt;
[&amp;quot;Crossreference&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Crossreference/styles.css&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Cs1_config&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Cslist&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Cslist/styles.css&amp;quot;] = 3300,&lt;br /&gt;
[&amp;quot;Csv&amp;quot;] = 58000,&lt;br /&gt;
[&amp;quot;Currency&amp;quot;] = 4900,&lt;br /&gt;
[&amp;quot;Current_events&amp;quot;] = 9200,&lt;br /&gt;
[&amp;quot;Current_events/styles.css&amp;quot;] = 9200,&lt;br /&gt;
[&amp;quot;Currentdate&amp;quot;] = 24000,&lt;br /&gt;
[&amp;quot;Cvt&amp;quot;] = 149000,&lt;br /&gt;
[&amp;quot;Cycling_Archives&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Cycling_data_LTD&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Cycling_data_MOV_men&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Cycling_data_SOQ&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Cycling_data_TVL&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Cycling_data_UAD_men&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Cycling_team_link&amp;quot;] = 13000,&lt;br /&gt;
[&amp;quot;Module:CFB_schedule&amp;quot;] = 28000,&lt;br /&gt;
[&amp;quot;Module:CS1_identifiers&amp;quot;] = 504000,&lt;br /&gt;
[&amp;quot;Module:CallAssert&amp;quot;] = 119000,&lt;br /&gt;
[&amp;quot;Module:Canada_NTS&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Module:Canada_NTS/data&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Module:Canada_by_province_category_navigation&amp;quot;] = 9700,&lt;br /&gt;
[&amp;quot;Module:Catalog_lookup_link&amp;quot;] = 57000,&lt;br /&gt;
[&amp;quot;Module:Category_described_in_year&amp;quot;] = 6300,&lt;br /&gt;
[&amp;quot;Module:Category_described_in_year/config&amp;quot;] = 6300,&lt;br /&gt;
[&amp;quot;Module:Category_disambiguation&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Module:Category_handler&amp;quot;] = 4900000,&lt;br /&gt;
[&amp;quot;Module:Category_handler/blacklist&amp;quot;] = 4900000,&lt;br /&gt;
[&amp;quot;Module:Category_handler/config&amp;quot;] = 4900000,&lt;br /&gt;
[&amp;quot;Module:Category_handler/data&amp;quot;] = 4900000,&lt;br /&gt;
[&amp;quot;Module:Category_handler/shared&amp;quot;] = 4900000,&lt;br /&gt;
[&amp;quot;Module:Category_main_article&amp;quot;] = 235000,&lt;br /&gt;
[&amp;quot;Module:Category_more_if_exists&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Module:Category_pair&amp;quot;] = 6900,&lt;br /&gt;
[&amp;quot;Module:Category_see_also&amp;quot;] = 52000,&lt;br /&gt;
[&amp;quot;Module:Category_series_navigation&amp;quot;] = 570000,&lt;br /&gt;
[&amp;quot;Module:Category_series_navigation/styles.css&amp;quot;] = 570000,&lt;br /&gt;
[&amp;quot;Module:Celestial_object_quadrangle&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Module:Chart&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Module:Chart/Default_colors&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Module:Check_DYK_hook&amp;quot;] = 124000,&lt;br /&gt;
[&amp;quot;Module:Check_blp_parameter&amp;quot;] = 2840000,&lt;br /&gt;
[&amp;quot;Module:Check_for_clobbered_parameters&amp;quot;] = 769000,&lt;br /&gt;
[&amp;quot;Module:Check_for_conflicting_parameters&amp;quot;] = 2260000,&lt;br /&gt;
[&amp;quot;Module:Check_for_deprecated_parameters&amp;quot;] = 684000,&lt;br /&gt;
[&amp;quot;Module:Check_for_unknown_parameters&amp;quot;] = 22800000,&lt;br /&gt;
[&amp;quot;Module:Check_height&amp;quot;] = 150000,&lt;br /&gt;
[&amp;quot;Module:Check_isxn&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Module:Check_winner_by_scores&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Module:Checkuser&amp;quot;] = 87000,&lt;br /&gt;
[&amp;quot;Module:Chem2&amp;quot;] = 9300,&lt;br /&gt;
[&amp;quot;Module:Chem2/styles.css&amp;quot;] = 9300,&lt;br /&gt;
[&amp;quot;Module:Citation/CS1&amp;quot;] = 6360000,&lt;br /&gt;
[&amp;quot;Module:Citation/CS1/COinS&amp;quot;] = 6360000,&lt;br /&gt;
[&amp;quot;Module:Citation/CS1/Configuration&amp;quot;] = 6480000,&lt;br /&gt;
[&amp;quot;Module:Citation/CS1/Date_validation&amp;quot;] = 6360000,&lt;br /&gt;
[&amp;quot;Module:Citation/CS1/Identifiers&amp;quot;] = 6480000,&lt;br /&gt;
[&amp;quot;Module:Citation/CS1/Suggestions&amp;quot;] = 26000,&lt;br /&gt;
[&amp;quot;Module:Citation/CS1/Utilities&amp;quot;] = 6480000,&lt;br /&gt;
[&amp;quot;Module:Citation/CS1/Whitelist&amp;quot;] = 6360000,&lt;br /&gt;
[&amp;quot;Module:Citation/CS1/styles.css&amp;quot;] = 6480000,&lt;br /&gt;
[&amp;quot;Module:Citation_mode&amp;quot;] = 36000,&lt;br /&gt;
[&amp;quot;Module:Cite&amp;quot;] = 50000,&lt;br /&gt;
[&amp;quot;Module:Cite/config&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Module:Cite_IUCN&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Module:Cite_Q&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;Module:Cite_Q/config&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;Module:Cite_taxon&amp;quot;] = 43000,&lt;br /&gt;
[&amp;quot;Module:Cite_tweet&amp;quot;] = 46000,&lt;br /&gt;
[&amp;quot;Module:Clade&amp;quot;] = 9700,&lt;br /&gt;
[&amp;quot;Module:Class&amp;quot;] = 62000,&lt;br /&gt;
[&amp;quot;Module:Class/definition.json&amp;quot;] = 62000,&lt;br /&gt;
[&amp;quot;Module:Class/styles.css&amp;quot;] = 40000,&lt;br /&gt;
[&amp;quot;Module:Class_mask&amp;quot;] = 446000,&lt;br /&gt;
[&amp;quot;Module:Clickable_button&amp;quot;] = 1130000,&lt;br /&gt;
[&amp;quot;Module:Collapsible_list&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Module:College_color&amp;quot;] = 135000,&lt;br /&gt;
[&amp;quot;Module:College_color/data&amp;quot;] = 135000,&lt;br /&gt;
[&amp;quot;Module:Color_contrast&amp;quot;] = 555000,&lt;br /&gt;
[&amp;quot;Module:Color_contrast/colors&amp;quot;] = 558000,&lt;br /&gt;
[&amp;quot;Module:Commons_link&amp;quot;] = 298000,&lt;br /&gt;
[&amp;quot;Module:Complex_date&amp;quot;] = 45000,&lt;br /&gt;
[&amp;quot;Module:Conservation_status&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Module:Contentious_topics/talk_notice&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Module:Convert&amp;quot;] = 1480000,&lt;br /&gt;
[&amp;quot;Module:Convert/data&amp;quot;] = 1480000,&lt;br /&gt;
[&amp;quot;Module:Convert/helper&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Module:Convert/text&amp;quot;] = 1480000,&lt;br /&gt;
[&amp;quot;Module:Convert/wikidata&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Module:Convert/wikidata/data&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Module:ConvertIB&amp;quot;] = 772000,&lt;br /&gt;
[&amp;quot;Module:ConvertIB/data&amp;quot;] = 251000,&lt;br /&gt;
[&amp;quot;Module:ConvertNumeric&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;Module:Convert_character_width&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Module:Convert_character_width/data&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Module:Coordinates&amp;quot;] = 1390000,&lt;br /&gt;
[&amp;quot;Module:Coordinates/styles.css&amp;quot;] = 1390000,&lt;br /&gt;
[&amp;quot;Module:Copied&amp;quot;] = 41000,&lt;br /&gt;
[&amp;quot;Module:Country2nationality&amp;quot;] = 133000,&lt;br /&gt;
[&amp;quot;Module:CountryAdjectiveDemonym&amp;quot;] = 96000,&lt;br /&gt;
[&amp;quot;Module:CountryAdjectiveDemonym/Adjectives&amp;quot;] = 96000,&lt;br /&gt;
[&amp;quot;Module:CountryAdjectiveDemonym/Demonyms&amp;quot;] = 96000,&lt;br /&gt;
[&amp;quot;Module:CountryAdjectiveDemonym/The&amp;quot;] = 96000,&lt;br /&gt;
[&amp;quot;Module:CountryData&amp;quot;] = 460000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheA&amp;quot;] = 168000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheB&amp;quot;] = 83000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheC&amp;quot;] = 59000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheD&amp;quot;] = 56000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheE&amp;quot;] = 38000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheF&amp;quot;] = 27000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheG&amp;quot;] = 28000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheH&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheI&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheJ&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;Module:CountryData/cacheK&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Module:CountryData/summary&amp;quot;] = 460000,&lt;br /&gt;
[&amp;quot;Module:Country_adjective&amp;quot;] = 4600,&lt;br /&gt;
[&amp;quot;Module:Country_alias&amp;quot;] = 60000,&lt;br /&gt;
[&amp;quot;Module:Country_alias/data&amp;quot;] = 61000,&lt;br /&gt;
[&amp;quot;Module:Cslist&amp;quot;] = 3400,&lt;br /&gt;
[&amp;quot;Module:Currency&amp;quot;] = 5000,&lt;br /&gt;
[&amp;quot;Module:Currency/Presentation&amp;quot;] = 5000,&lt;br /&gt;
}&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Red&amp;diff=1637</id>
		<title>Template:Red</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Red&amp;diff=1637"/>
		<updated>2026-01-10T00:55:58Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;noinclude&amp;gt;{{Ombox|type=content|text=This template should &#039;&#039;&#039;NOT&#039;&#039;&#039; be used for generic error messages and warnings, because it does not have any semantic meaning embedded. Please use {{tl|error-small}} for errors, and {{tl|destructive}} for everything else.}}&amp;lt;/noinclude&amp;gt;&amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;{{{1}}}&amp;lt;/span&amp;gt;&amp;lt;noinclude&amp;gt;&lt;br /&gt;
&amp;lt;!-- Add categories to the /doc subpage, not here! --&amp;gt;&lt;br /&gt;
{{Documentation}}&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Module:Check_for_deprecated_parameters&amp;diff=1635</id>
		<title>Module:Check for deprecated parameters</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Module:Check_for_deprecated_parameters&amp;diff=1635"/>
		<updated>2026-01-10T00:55:58Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;-- This module may be used to compare the arguments passed to the parent&lt;br /&gt;
-- with a list of arguments, returning a specified result if an argument is&lt;br /&gt;
-- on the list&lt;br /&gt;
local p = {}&lt;br /&gt;
&lt;br /&gt;
local function isnotempty(s)&lt;br /&gt;
	return s and mw.text.trim(s) ~= &#039;&#039;&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
local function scanValues(values,results,args,replaceTable)&lt;br /&gt;
    for k, v in pairs(values) do&lt;br /&gt;
		local c = args.category:gsub(&#039;_VALUE_&#039;, v)&lt;br /&gt;
		table.insert(results, c)&lt;br /&gt;
		if v == &#039;&#039; then&lt;br /&gt;
			-- Fix odd bug for | = which gets stripped to the empty string&lt;br /&gt;
			-- and breaks category links&lt;br /&gt;
			v = &#039; &#039;&lt;br /&gt;
		end&lt;br /&gt;
        local replaceString = &#039;&amp;quot;&#039;..v..&#039;&amp;quot;. &#039;&lt;br /&gt;
        local replaceValue = replaceTable and replaceTable[v]&lt;br /&gt;
        replaceString = replaceString..(replaceValue and &#039;Replace with &amp;quot;&#039;..replaceValue..&#039;&amp;quot;.&#039; or &#039;It should be removed.&#039;)&lt;br /&gt;
		local p = args.preview:gsub(&#039;_VALUE_&#039;,replaceString)&lt;br /&gt;
		table.insert(results, p )&lt;br /&gt;
	end&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
function p.check (frame)&lt;br /&gt;
	-- create the table of deprecated values and their matching new value&lt;br /&gt;
	return p._check(frame.args, frame:getParent().args, frame:getParent():getTitle())&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
local moduleParams = {ignoreblank=true, preview=true, _category=true, _remove=true}&lt;br /&gt;
&lt;br /&gt;
function p._check(args, pargs, caller)&lt;br /&gt;
	local dep_values = {}&lt;br /&gt;
	for k, v in pairs(args) do&lt;br /&gt;
        if not moduleParams[k] then&lt;br /&gt;
			dep_values[k] = v&lt;br /&gt;
		end&lt;br /&gt;
	end&lt;br /&gt;
&lt;br /&gt;
	-- Parse params to remove&lt;br /&gt;
	local removes = {}&lt;br /&gt;
	if args[&#039;_remove&#039;] then&lt;br /&gt;
		for r in args[&#039;_remove&#039;]:gmatch(&amp;quot;([^;]+)&amp;quot;) do&lt;br /&gt;
            removes[mw.text.trim(r)] = 1&lt;br /&gt;
		end&lt;br /&gt;
	end&lt;br /&gt;
	&lt;br /&gt;
	-- loop over the parent args and see if any are deprecated&lt;br /&gt;
	local values = {}&lt;br /&gt;
	local remove_values = {}&lt;br /&gt;
	local ignoreblank = isnotempty(args[&#039;ignoreblank&#039;])&lt;br /&gt;
	for k, v in pairs(pargs) do&lt;br /&gt;
        if not ignoreblank or isnotempty(v) then&lt;br /&gt;
			if dep_values[k] then&lt;br /&gt;
				table.insert(values, k)&lt;br /&gt;
			elseif removes[k] then&lt;br /&gt;
				table.insert(remove_values, k)&lt;br /&gt;
			end&lt;br /&gt;
		end&lt;br /&gt;
	end&lt;br /&gt;
&lt;br /&gt;
    -- find out about calling context&lt;br /&gt;
    local title = mw.title.getCurrentTitle()&lt;br /&gt;
&lt;br /&gt;
    -- create local defaulted arguments&lt;br /&gt;
    local category = args[&amp;quot;_category&amp;quot;] or title.namespace == 0 and &amp;quot;[[Category:Pages with deprecated parameters]]&amp;quot; or &amp;quot;&amp;quot;&lt;br /&gt;
	local preview = args[&#039;preview&#039;] or &#039;Page using [[&#039;..caller..&#039;]] with deprecated parameter _VALUE_&#039;&lt;br /&gt;
	if isnotempty(preview) then&lt;br /&gt;
		preview = require(&#039;Module:If preview&#039;)._warning({preview})&lt;br /&gt;
	end&lt;br /&gt;
    local localArgs = {category=category,preview=preview}&lt;br /&gt;
	&lt;br /&gt;
    -- scan through values and remove_values and create output results&lt;br /&gt;
	local results = {}&lt;br /&gt;
    scanValues(values,results,localArgs,dep_values)&lt;br /&gt;
    scanValues(remove_values,results,localArgs)&lt;br /&gt;
	return table.concat(results)&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
return p&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1633</id>
		<title>Hitachi Lo-D Plaza</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Hitachi_Lo-D_Plaza&amp;diff=1633"/>
		<updated>2026-01-10T00:54:14Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox venue&lt;br /&gt;
| name                   = Hitachi Lo-D Plaza&lt;br /&gt;
| native_name            = 日立ローディープラザ&lt;br /&gt;
| native_name_lang       = Japanese&lt;br /&gt;
| logo_image             = [[File:LoD_Logo.png|200px]]&lt;br /&gt;
| logo_size              = 150px&lt;br /&gt;
| image                  = &amp;lt;br&amp;gt;[[File:bowow_lod.jpg|250px|frameless|center|alt=Bowow performing at Lo-D Plaza on 1980/01/16|Bowow performing at Lo-D Plaza on 1980/01/16]]&lt;br /&gt;
| image_size             = &lt;br /&gt;
| image_alt              = &lt;br /&gt;
| caption                = BOWOW performing at Lo-D Plaza on 1980/01/16&lt;br /&gt;
| address                = Ginza INZ 1F, 2-2 Ginza-Nishi, Chuo-ku, Tokyo 104&lt;br /&gt;
| coordinates            = {{Coord|35.6746237|139.7641008|type:landmark|display=inline,title}}&lt;br /&gt;
| type                   = Live House&lt;br /&gt;
| seating_type           = Mixing Desk &amp;amp; Standing&lt;br /&gt;
| yearsactive            = 1975-1982&lt;br /&gt;
| embedded               = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza (日立ローディープラザ) was an audio showroom and [[wikipedia:Live_house|live house]] located on the first floor of the Yuraku Food Centre (有楽フードセンター), now called Ginza INZ (銀座インズ), in Yurakucho, Tokyo. The showroom operated between 1975 and May of 1982, whereafter it would cease operations as a live venue. The name ‘Lo-D Plaza’ is derived from [[wikipedia:Hitachi|Hitachi]]’s at-the-time line of high-end audio products branded as ‘Lo-D’, an abbreviated version of the phrase “Low Distortion”. &lt;br /&gt;
{{multiple image&lt;br /&gt;
 | align     = left&lt;br /&gt;
 | direction = horizontal&lt;br /&gt;
 | width     = 200&lt;br /&gt;
 | image1    = Ginza_inz.JPG&lt;br /&gt;
 | caption1  = The outside of Ginza INZ, formerly Yuraku Food Centre.&lt;br /&gt;
 | image2    = Yuraku_food_centre.jpg&lt;br /&gt;
 | caption2  = The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
[[File: Yuraku_food_centre.jpg|thumb|right|150px|The outside of Yuraku Food Centre, where Hitachi Lo-D Plaza was originally located.]]&lt;br /&gt;
[[File:Ginza_inz.JPG|thumb|right|150px|The outside of Ginza INZ, formerly Yuraku Food Centre.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The mid-seventies in Japan saw a trend of most major audio manufacturers (incl. [[wikipedia:Victor_Entertainment|Victor]], [[wikipedia:Sansui_Electric|Sansui]], [[wikipedia:Sony|Sony]], [[wikipedia:Technics_(brand)|Technics]], [[wikipedia:Toshiba|Toshiba]] and Hitachi) establishing their own individual showrooms at locations across Tokyo to showcase their newest additions and advancements to their lineup of audio products, offering product testing and various listening experiences to members of the public. As part of the experience, most showrooms would additionally host live performances of popular local artists as a means to showcase the ability of their audio equipment, and further drive customers to the venues in a form of mutual advertisement. All concerts and events that took place at Hitachi Lo-D Plaza were completely free of charge, as was the case for most of these audio manufacturer showrooms.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
Unlike the other audio showrooms, Hitachi&#039;s Lo-D Plaza had employed a special gimmick in that it actually allowed attendees to operate their own personal 16 channel [[wikipedia:Mixing_console|mixing desk]] during live performances, recording the concert directly through the soundboard to cassette tape. Prior to recording, all cassette tapes were applied a [[wikipedia:Japanese_Society_for_Rights_of_Authors,_Composers_and_Publishers|JASRAC]] sticker seal (Japan&#039;s musical copyright agency) for certification, after which it could then be brought home by the attendee. By extent, all recordings made at Hitachi Lo-D Plaza can be considered official live recordings. Fans were free to bring along their own cassette tapes for recording, or were able to purchase Lo-D branded cassettes at the venue. All other equipment used in the recording process is Lo-D brand Hi-Fi. A custom Lo-D Plaza [[wikipedia:J-Card|J-Card]] was given out to record the details of the live recording on the cassette. &lt;br /&gt;
&lt;br /&gt;
Hitachi Lo-D Plaza operated in a two-stage format in order to allow a greater number of fans to experience the personal 16 channel mixing session. Each 16 channel live concert would have 10 separate mixing desks available for recording, granting a possibility of 20 separate fans to record across the two stages. It is extremely rare for one attendee to have been chosen to record both stages of a concert. Alongside the 16 channel mixing sessions, Lo-D Plaza also offered a ‘16ch→2ch Mixdown Session’, where a 16 channel master tape from a past live performance would be played back so fans can then mix the recording to their liking onto cassette tape. In this format, the mixing desk could accommodate up to 20 fans for one session. These Mixdown Sessions would often take place during the intermission of two live concert stages.&lt;br /&gt;
&lt;br /&gt;
Upon release of the schedule for upcoming shows at Lo-D Plaza, fans were able to mail in a postcard up to one week in advance of the concert, expressing their interest in their preferred date(s) and stage(s) for recording.If the number of applications exceeded the total number of available desks, fans were selected at random via a lottery system to attend, as was most often the case. If chosen, fans are allocated a number between 1-10, signifying which desk they are to sit at. Each fan is presented with a custom 16 track mixer that records directly to a Lo-D branded cassette deck, often being interchanged as new models release. Each channel of the mixer is wired to a separate microphone on the stage, so fans can change the volume, left-right balance, reverb and equalization for each instrument mic at their own will. The microphones are clearly labelled 1 to 16 on the stage for ease of access. When it is time for the performance to start, a light will come on at each desk saying ‘Now Recording’. &lt;br /&gt;
&lt;br /&gt;
== Notable Artists ==&lt;br /&gt;
Hitachi Lo-D Plaza played host to a great majority of popular Japanese bands and artists throughout the 70s and early 80s, featuring artists from Jazz, Fusion, Pop, Rock, Punk Rock and Electronic genres. Popular Jazz Fusion artists to have performed at Lo-D Plaza include [[Casiopea]], [[Prism]], [[T-Square]], [[Space Circus]], Crosswind, Kazumi Watanabe, Katsutoshi Morizono, and many others.&lt;br /&gt;
[[File:Hideto_Kitamura_lod.jpg|thumb|150px|Hideto Kitamura&#039;s Band performing at Lo-D Plaza.]]&lt;br /&gt;
Lo-D Plaza also hosted resident performer Hideto Kitamura (saxophone), who would often play several times a month with his band in multiple different styles of genre (mostly Jazz and Fusion/Crossover), sometimes accompanying solo artists as the backup band when necessary.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== List of Live Performances ==&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible sortable mw-collapsed&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
== Image Gallery ==&lt;br /&gt;
&amp;lt;gallery widths=&amp;quot;140&amp;quot;&amp;gt;&lt;br /&gt;
File:FR_lod.png|Ryojiro Furusawa Quintet performing at Lo-D Plaza in 1981.&lt;br /&gt;
File:Lillies_lod.jpg|The Lillies performing at Lo-D Plaza in the 1970s with Hideto Kitamura&#039;s band.&lt;br /&gt;
File:crosswind_lod_2.PNG|Crosswind performing at Lo-D Plaza on 1981/06/06&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Editnotice_EXPECTUNUSEDTEMPLATE&amp;diff=1632</id>
		<title>Template:Editnotice EXPECTUNUSEDTEMPLATE</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Editnotice_EXPECTUNUSEDTEMPLATE&amp;diff=1632"/>
		<updated>2026-01-10T00:51:38Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#ifeq:Template:Editnotices|{{FULLROOTPAGENAME}}|__EXPECTUNUSEDTEMPLATE__}}&amp;lt;noinclude&amp;gt;{{documentation}}&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Param_value/styles.css&amp;diff=1630</id>
		<title>Template:Param value/styles.css</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Param_value/styles.css&amp;diff=1630"/>
		<updated>2026-01-10T00:51:38Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;/* {{pp-template}} */&lt;br /&gt;
.tpl-pval__code {&lt;br /&gt;
	border: thin solid var(--border-color-base, #a2a9b1);&lt;br /&gt;
	background-color: var(--color-inverted, #fff);&lt;br /&gt;
	color: inherit;&lt;br /&gt;
	white-space: nowrap;&lt;br /&gt;
}&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Module:Shortcut/styles.css&amp;diff=1628</id>
		<title>Module:Shortcut/styles.css</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Module:Shortcut/styles.css&amp;diff=1628"/>
		<updated>2026-01-10T00:51:38Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;/* {{pp-template}} */&lt;br /&gt;
.module-shortcutboxplain {&lt;br /&gt;
	float: right;&lt;br /&gt;
	margin: 0 0 0 1em;&lt;br /&gt;
	border: 1px solid var(--border-color-base, #a2a9b1);&lt;br /&gt;
	background-color: var(--background-color-base, #fff);&lt;br /&gt;
	padding: 0.3em 0.6em 0.2em 0.6em;&lt;br /&gt;
	text-align: center;&lt;br /&gt;
	font-size: 85%;&lt;br /&gt;
}&lt;br /&gt;
&lt;br /&gt;
.module-shortcutboxleft {&lt;br /&gt;
	float: left;&lt;br /&gt;
	margin: 0 1em 0 0;&lt;br /&gt;
}&lt;br /&gt;
&lt;br /&gt;
.module-shortcutlist {&lt;br /&gt;
	display: inline-block;&lt;br /&gt;
	border-bottom: 1px solid var(--border-color-base, #a2a9b1);&lt;br /&gt;
	margin-bottom: 0.2em;&lt;br /&gt;
}&lt;br /&gt;
&lt;br /&gt;
.module-shortcutboxplain ul {&lt;br /&gt;
	font-weight: bold;&lt;br /&gt;
}&lt;br /&gt;
&lt;br /&gt;
.module-shortcutanchordiv {&lt;br /&gt;
	position: relative;&lt;br /&gt;
	top: -3em;&lt;br /&gt;
}&lt;br /&gt;
&lt;br /&gt;
li .module-shortcutanchordiv {&lt;br /&gt;
	float: right; /* IE/Edge in list items */&lt;br /&gt;
}&lt;br /&gt;
&lt;br /&gt;
.mbox-imageright .module-shortcutboxplain {&lt;br /&gt;
	padding: 0.4em 1em;&lt;br /&gt;
	line-height: 1.3;&lt;br /&gt;
	margin: 0;&lt;br /&gt;
	float: initial;&lt;br /&gt;
}&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Multiple_image/doc&amp;diff=1626</id>
		<title>Template:Multiple image/doc</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Multiple_image/doc&amp;diff=1626"/>
		<updated>2026-01-10T00:51:38Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Documentation subpage}}&lt;br /&gt;
&amp;lt;!-- PLEASE ADD CATEGORIES WHERE INDICATED AT THE BOTTOM OF THIS PAGE --&amp;gt;&lt;br /&gt;
{{High-use|demo={{ROOTPAGENAME}}}}&lt;br /&gt;
{{tsh|mim}}&lt;br /&gt;
{{Warning|1=Before making a gallery, please read over the &#039;&#039;&#039;[[WP:IG|image use policy for galleries]]&#039;&#039;&#039;. Generally, a gallery &#039;&#039;&#039;should not be added&#039;&#039;&#039; so long as there is space for images to be effectively presented adjacent to text.&lt;br /&gt;
}}&lt;br /&gt;
{{Lua|Module:Multiple image|Module:Check for unknown parameters}}&lt;br /&gt;
{{Uses TemplateStyles|Template:Multiple image/styles.css}}&lt;br /&gt;
&lt;br /&gt;
This template creates a box containing between two and ten images, arranged either vertically or horizontally and with captions for the entire box or per image.&lt;br /&gt;
&lt;br /&gt;
With the appropriate choice of parameters, the template can automatically resize images to a given total width with each image having the same height.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Be aware&#039;&#039;&#039; that this template does &#039;&#039;not&#039;&#039; respect users&#039; default image size preferences. [[Wikipedia:Image use policy]] states that {{tq|&#039;&#039;&#039;except with very good reason, do not use&#039;&#039;&#039; &amp;lt;code&amp;gt;px&amp;lt;/code&amp;gt; [...] &#039;&#039;&#039;which forces a fixed image width.&#039;&#039;&#039;}} [[MOS:IMGSIZE]] states that a fixed width in pixels may only be specified, {{tq|where absolutely necessary.}}{{efn|The &amp;lt;nowiki&amp;gt;|upright=&amp;lt;/nowiki&amp;gt; parameter can only be used to relatively-size an image when using the &amp;lt;nowiki&amp;gt;|thumb=&amp;lt;/nowiki&amp;gt; parameter, and this template needs to format images without thumbs, so it has no easy way to access the Wikimedia relative-sizing machinery.}}&lt;br /&gt;
&lt;br /&gt;
If image size parameters are omitted, this template sets all images at 200px wide, regardless of whether the reader has set a preference for some other default image width. This causes multiple images to look out of scale to the other images in an article.&lt;br /&gt;
&lt;br /&gt;
==Syntax and parameters==&lt;br /&gt;
Provide {{para|height[n]}} and {{para|total_width}} parameters to obtain automatic resizing.&lt;br /&gt;
Note the different meanings of the {{para|width[n]}} parameters with vs. without automatic resizing.&lt;br /&gt;
Please also note the option to set a {{para|total_width}} parameter at the beginning of the {{tlf|multiple image}} template.&lt;br /&gt;
;Automatic resizing of all images to the same height and to a given total width&lt;br /&gt;
:&amp;lt;syntaxhighlight lang=&amp;quot;wikitext&amp;quot;&amp;gt;&lt;br /&gt;
{{Multiple image|total_width = 600&lt;br /&gt;
&amp;lt;!-- Layout parameters --&amp;gt;&lt;br /&gt;
| align             = &amp;lt;!-- right (default), left, center, none --&amp;gt; &lt;br /&gt;
| direction         = &amp;lt;!-- horizontal (default), vertical --&amp;gt;&lt;br /&gt;
| background color  = &amp;lt;!-- box background as a &#039;hex triplet&#039; web color prefixed by # e.g. #33CC00 --&amp;gt;&lt;br /&gt;
| width             = &amp;lt;!-- displayed width of each image in pixels (an integer, omit &amp;quot;px&amp;quot; suffix); overrides &amp;quot;width[n]&amp;quot;s below --&amp;gt;&lt;br /&gt;
| caption_align     = &amp;lt;!-- left (default), center, right --&amp;gt; &lt;br /&gt;
| image_style       = &amp;lt;!-- border:1; (default) --&amp;gt;&lt;br /&gt;
| image_gap         = &amp;lt;!-- 1 (default)--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Header --&amp;gt;&lt;br /&gt;
| header_background = &amp;lt;!-- header background as a &#039;hex triplet&#039; web color prefixed by # e.g. #33CC00 --&amp;gt;&lt;br /&gt;
| header_align      = &amp;lt;!-- center (default), left, right --&amp;gt;&lt;br /&gt;
| header            = &amp;lt;!-- header text --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!--image 1--&amp;gt;&lt;br /&gt;
| image1            = &amp;lt;!-- filename only, i.e. without &amp;quot;File:&amp;quot; or &amp;quot;Image:&amp;quot; prefix --&amp;gt;&lt;br /&gt;
| width1            = &amp;lt;!-- displayed width of image; overridden by &amp;quot;width&amp;quot; above --&amp;gt;&lt;br /&gt;
| class1            = &amp;lt;!-- CSS class. Darkmode theme options: skin-invert-image / bg-transparent --&amp;gt;&lt;br /&gt;
| alt1              = &lt;br /&gt;
| link1             = &lt;br /&gt;
| thumbtime1        =&lt;br /&gt;
| caption1          = &lt;br /&gt;
&amp;lt;!--image 2--&amp;gt;&lt;br /&gt;
| image2            = &amp;lt;!-- filename only, i.e. without &amp;quot;File:&amp;quot; or &amp;quot;Image:&amp;quot; prefix --&amp;gt;&lt;br /&gt;
| width2            = &amp;lt;!-- displayed width of image; overridden by &amp;quot;width&amp;quot; above --&amp;gt;&lt;br /&gt;
| class2            = &amp;lt;!-- CSS class. Darkmode theme options: skin-invert-image / bg-transparent --&amp;gt;&lt;br /&gt;
| alt2              = &lt;br /&gt;
| link2             = &lt;br /&gt;
| thumbtime2        =&lt;br /&gt;
| caption2          = &lt;br /&gt;
&amp;lt;!-- and so on --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Footer --&amp;gt;&lt;br /&gt;
| footer_background = &amp;lt;!-- footer background as a &#039;hex triplet&#039; web color prefixed by # e.g. #33CC00 --&amp;gt;&lt;br /&gt;
| footer_align      = &amp;lt;!-- left (default), center, right --&amp;gt;&lt;br /&gt;
| footer            = &amp;lt;!-- footer text --&amp;gt;&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;/syntaxhighlight&amp;gt;&lt;br /&gt;
&lt;br /&gt;
;No automatic resizing of all images to the same height&lt;br /&gt;
:&amp;lt;syntaxhighlight lang=&amp;quot;wikitext&amp;quot;&amp;gt;&lt;br /&gt;
{{multiple image&lt;br /&gt;
&amp;lt;!-- Layout parameters --&amp;gt;&lt;br /&gt;
 | align             = &amp;lt;!-- right (default), left, center, none --&amp;gt; &lt;br /&gt;
 | direction         = &amp;lt;!-- horizontal (default), vertical --&amp;gt;&lt;br /&gt;
 | background color  = &amp;lt;!-- box background --&amp;gt;&lt;br /&gt;
 | total_width       = &amp;lt;!-- total width of all the displayed images in pixels (an integer, omit &amp;quot;px&amp;quot; suffix) --&amp;gt;&lt;br /&gt;
 | caption_align     = &amp;lt;!-- left (default), center, right --&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Header --&amp;gt;&lt;br /&gt;
 | header_background = &lt;br /&gt;
 | header_align      = &amp;lt;!-- center (default), left, right --&amp;gt;&lt;br /&gt;
 | header            = &lt;br /&gt;
&lt;br /&gt;
&amp;lt;!--image 1--&amp;gt;&lt;br /&gt;
 | image1            = &amp;lt;!-- filename only, i.e. without &amp;quot;File:&amp;quot; or &amp;quot;Image:&amp;quot; prefix --&amp;gt;&lt;br /&gt;
 | class1            = &amp;lt;!-- CSS class. Darkmode theme options: skin-invert-image / bg-transparent --&amp;gt;&lt;br /&gt;
 | alt1              = &lt;br /&gt;
 | link1             = &lt;br /&gt;
 | thumbtime1        =&lt;br /&gt;
 | caption1          = &lt;br /&gt;
&amp;lt;!--image 2--&amp;gt;&lt;br /&gt;
 | image2            = &amp;lt;!-- filename only, i.e. without &amp;quot;File:&amp;quot; or &amp;quot;Image:&amp;quot; prefix --&amp;gt;&lt;br /&gt;
 | class2            = &amp;lt;!-- CSS class. Darkmode theme options: skin-invert-image / bg-transparent --&amp;gt;&lt;br /&gt;
 | alt2              = &lt;br /&gt;
 | link2             = &lt;br /&gt;
 | thumbtime2        =&lt;br /&gt;
 | caption2          = &lt;br /&gt;
&amp;lt;!-- and so on --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- Footer --&amp;gt;&lt;br /&gt;
 | footer_background = &lt;br /&gt;
 | footer_align      = &amp;lt;!-- left (default), center, right --&amp;gt;&lt;br /&gt;
 | footer            = &lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;/syntaxhighlight&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{| class=wikitable&lt;br /&gt;
! Parameter !! Description&lt;br /&gt;
|-&lt;br /&gt;
| align          || right &#039;&#039;(default)&#039;&#039;, left, center&lt;br /&gt;
|-&lt;br /&gt;
| direction      || horizontal &#039;&#039;(default)&#039;&#039;, vertical&lt;br /&gt;
|-&lt;br /&gt;
| background color || To set [[List of colors|the background color]] of the box in which the images appear. &lt;br /&gt;
|-&lt;br /&gt;
| header_background || &lt;br /&gt;
|-&lt;br /&gt;
| header_align   || center &#039;&#039;(default)&#039;&#039;, left, right&lt;br /&gt;
|-&lt;br /&gt;
| header         || &lt;br /&gt;
|-&lt;br /&gt;
| width          || Use to set the same width for each image (i.e. overrides any {{mono|width[n]}} below). Do not include if different image widths intended, including if images are to be resized to a fixed total width.&lt;br /&gt;
|-&lt;br /&gt;
| total_width    || Use to scale the images to the same height and this total width. Do not use both {{mono|total_width}} and {{mono|width}}.&lt;br /&gt;
|-&lt;br /&gt;
| image&#039;&#039;[n]&#039;&#039;   || (where &#039;&#039;[n]&#039;&#039; = 1 to 10)&amp;amp;nbsp; Filename of [n]th image.&lt;br /&gt;
|-&lt;br /&gt;
| width&#039;&#039;[n]&#039;&#039;   || &#039;&#039;(as above)&#039;&#039;&amp;amp;nbsp; Two meanings: (1) The width (in pixels, integer, omit &amp;quot;px&amp;quot;) of [n]th image. Overridden by {{mono|width}} (if set). (2) The full width of the original [n]th image if {{mono|total_width}} is given in order to resize all images to the same height and a given total width.&lt;br /&gt;
|-&lt;br /&gt;
| height&#039;&#039;[n]&#039;&#039;   || &#039;&#039;(as above)&#039;&#039;&amp;amp;nbsp; The full height of the original [n]th image if {{mono|total_width}} is given in order to resize all images to the same height and a given total width. Ignored otherwise.&lt;br /&gt;
|-&lt;br /&gt;
| class&#039;&#039;[n]&#039;&#039;   || &#039;&#039;(as above)&#039;&#039;&amp;amp;nbsp; CSS class for the image. Useful for [[Wikipedia:Dark mode|darkmode theme]] options: skin-invert-image or bg-transparent&lt;br /&gt;
|-&lt;br /&gt;
| alt&#039;&#039;[n]&#039;&#039;     || &#039;&#039;(as above)&#039;&#039;&amp;amp;nbsp; [[WP:ALT|Alt description]] for [n]th image.&lt;br /&gt;
|-&lt;br /&gt;
| link&#039;&#039;[n]&#039;&#039;    || &#039;&#039;(as above)&#039;&#039;&amp;amp;nbsp; The page linked to the [n]th image (i.e. the page that is loaded when the image is clicked).&lt;br /&gt;
* If this parameter is omitted altogether, the image will link to its [[image description page]] as usual (&amp;lt;u&amp;gt;this is by far the most common usage case&amp;lt;/u&amp;gt;).&lt;br /&gt;
* If this parameter is present but left empty (i.e. {{mono|&amp;lt;nowiki&amp;gt;...|link1= |...&amp;lt;/nowiki&amp;gt;}}), the image will not link to anything – this should be the case only for purely decorative images per [[WP:ALT]].&lt;br /&gt;
* &#039;&#039;&#039;Important:&#039;&#039;&#039; If the image is under a [[free license]] (such as the [[GNU Free Documentation License|GDFL]] or a free [[Creative Commons license|CC license]]), the terms of such license require the license, or a link to it, to be reproduced with the image. The image &#039;&#039;&#039;must&#039;&#039;&#039;, therefore, link to its image description page, which can be achieved simply by omitting the link[n] parameter from the template as mentioned. Public domain and (theoretically) non-free use images are not subject to this restriction.&lt;br /&gt;
|-&lt;br /&gt;
| thumbtime&#039;&#039;[n]&#039;&#039; || &#039;&#039;(as above)&#039;&#039;&amp;amp;nbsp; When using video files, sets the time within the video that is used for the initial display. This is either a number of seconds or hours:minutes:seconds; see [[:commons:Commons:Video#Setting a video thumbnail image]].&lt;br /&gt;
|-&lt;br /&gt;
| caption&#039;&#039;[n]&#039;&#039; || &#039;&#039;(as above)&#039;&#039;&amp;amp;nbsp; Caption for the [n]th image.&lt;br /&gt;
|-&lt;br /&gt;
| caption_align  || left &#039;&#039;(default)&#039;&#039;, center, right&lt;br /&gt;
|-&lt;br /&gt;
| footer_background || &lt;br /&gt;
|-&lt;br /&gt;
| footer_align   || left &#039;&#039;(default)&#039;&#039;, center, right&lt;br /&gt;
|-&lt;br /&gt;
| footer         || Caption that spans the entire box, as opposed to individual images. Avoid &amp;quot;left&amp;quot; and &amp;quot;right&amp;quot; if possible, since mobile devices may [[#Using direction|display the images vertically]].&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Examples==&lt;br /&gt;
&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{multiple image&lt;br /&gt;
 | width = 60&lt;br /&gt;
 | image1 = Yellow card.svg&lt;br /&gt;
 | class1 = bg-transparent&lt;br /&gt;
 | alt1 = Yellow cartouche&lt;br /&gt;
 | image2 = Red card.svg&lt;br /&gt;
 | class2 = bg-transparent&lt;br /&gt;
 | alt2 = Red cartouche&lt;br /&gt;
 | footer = Players are cautioned with a yellow card and sent off with a red card.&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{multiple image&lt;br /&gt;
 | align = left&lt;br /&gt;
 | direction = vertical&lt;br /&gt;
 | width = 200&lt;br /&gt;
 | header = [[Portable Network Graphics|PNG]] transparency demonstration&lt;br /&gt;
 | image1 = PNG transparency demonstration 1.png&lt;br /&gt;
 | alt1 = Colored dice with transparent background&lt;br /&gt;
 | class1 = bg-transparent&lt;br /&gt;
 | caption1 = A PNG image with an 8-bit transparency layer...&lt;br /&gt;
 | image2 = PNG transparency demonstration 2.png&lt;br /&gt;
 | alt2 = Colored dice with checkered background&lt;br /&gt;
 | caption2 = ...here overlaying a checkered background.&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{multiple image&lt;br /&gt;
 | width = 60&lt;br /&gt;
 | image1=Ribbon numeral 2.png | alt1=2&lt;br /&gt;
 | image2=Ribbon numeral 3.png | alt2=3&lt;br /&gt;
 | image3=Ribbon numeral 4.png | alt3=4&lt;br /&gt;
 | footer = When a user has many of one type of [[WP:BARN|barnstar]], they can represent them with [[WP:RIBBON|ribbons]] and these numerals to indicate the count.&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
===With &#039;&#039;background color&#039;&#039;===&lt;br /&gt;
{{demo|&amp;lt;nowiki&amp;gt;{{multiple image&lt;br /&gt;
 | align = left&lt;br /&gt;
 | background color = #BBDD99&lt;br /&gt;
 | width = 160&lt;br /&gt;
 | image1 = Adoxa_moschatellina_210406.jpg&lt;br /&gt;
 | alt1 = Green herb with a few tiny yellow-white flowers&lt;br /&gt;
 | image2 = Adoxa_moschatellina_210406a.jpg&lt;br /&gt;
 | alt2 = Three small white and yellow flowers before green-leaf background&lt;br /&gt;
 | image3 = adoxa_moschatellina_blatt.jpeg&lt;br /&gt;
 | alt3 = Leaves of a plant, in groups of three each with three lobes&lt;br /&gt;
 | footer_background = #33CC00&lt;br /&gt;
 | footer_align = center&lt;br /&gt;
 | footer = &#039;&#039;[[Adoxa]]&#039;&#039; (&#039;&#039;Adoxa moschatellina&#039;&#039;)&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
If the images have a clear background, this will by default be changed to white. To make the background color of the images match, set them with {{para|image_style|background-color:}}. You might want to also remove the border. &lt;br /&gt;
&lt;br /&gt;
{{demo|&amp;lt;nowiki&amp;gt;{{multiple image &lt;br /&gt;
| align = center &lt;br /&gt;
| width = 64 &lt;br /&gt;
| background color = black &lt;br /&gt;
| image_style=background-color:black; border:none;&lt;br /&gt;
| image1 = Aries symbol (planetary color).svg|link1=Aries (astrology)&lt;br /&gt;
| image2 = Taurus symbol (planetary color).svg|link2=Taurus (astrology)&lt;br /&gt;
| image3 = Gemini symbol (planetary color).svg|link3=Gemini (astrology)&lt;br /&gt;
| image4 = Leo symbol (planetary color).svg|link4=Leo (astrology)&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
===With links (&#039;&#039;link[n]&#039;&#039;)===&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{multiple image&lt;br /&gt;
 | align = left&lt;br /&gt;
&lt;br /&gt;
 | image1 = Mule (PSF).png&lt;br /&gt;
 | width1 = 143&lt;br /&gt;
 | alt1 = A mule&lt;br /&gt;
 | link1 = Mule&lt;br /&gt;
 | caption1 = A mule&lt;br /&gt;
&lt;br /&gt;
 | image2 = Donkey 1 arp 750px.jpg&lt;br /&gt;
 | width2 = 150&lt;br /&gt;
 | alt2 = A donkey&lt;br /&gt;
 | link2 = &lt;br /&gt;
 | caption2  = A donkey&lt;br /&gt;
&lt;br /&gt;
 | image3 = Rainbow_trout.png&lt;br /&gt;
 | width3 = 91&lt;br /&gt;
 | alt3 = A trout&lt;br /&gt;
 | caption3  = A fish&lt;br /&gt;
&lt;br /&gt;
 | footer = The image of the mule links to [[Mule]]; the image of the donkey does not link anywhere; the image of the trout links to a [[Image description page|standard image description page]].&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
===Using &#039;&#039;direction&#039;&#039;===&lt;br /&gt;
By default, the images the template presents are displayed horizontally, as a row (see left; equivalent to setting {{para|direction|horizontal}}). To display them vertically, i.e. as a column, set {{para|direction|vertical}} (see right).&lt;br /&gt;
{{multiple image&lt;br /&gt;
 |align=left |direction=horizontal |header=(horizontal) |width=60&lt;br /&gt;
 |image1=Ribbon numeral 2.png |image2=Ribbon numeral 3.png |image3=Ribbon numeral 4.png&lt;br /&gt;
}}&lt;br /&gt;
{{multiple image&lt;br /&gt;
 |align=right |direction=vertical |header=(vertical) |width=60&lt;br /&gt;
 |image1=Ribbon numeral 2.png |image2=Ribbon numeral 3.png |image3=Ribbon numeral 4.png&lt;br /&gt;
}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
On mobile devices some images may always be displayed vertically if the total width is larger than around 320.&lt;br /&gt;
&lt;br /&gt;
===To match image heights===&lt;br /&gt;
{{hatnote|Note: The following is unnecessary if all the images presented by the template have the same [[Aspect ratio (image)|aspect ratio]]; if so, simply set {{mono|width}} accordingly.}}&lt;br /&gt;
* Decide on a total width for all the images, say {{pval|320px}}&lt;br /&gt;
* Set the total width using {{para|total_width}}&lt;br /&gt;
&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{multiple image&lt;br /&gt;
 | align = right&lt;br /&gt;
 | total_width = 320&lt;br /&gt;
&lt;br /&gt;
 | image1 = Donkey 1 arp 750px.jpg&lt;br /&gt;
 | alt1 = A donkey&lt;br /&gt;
 | caption1 = Rectangular image of a donkey, originally 536 pixels high.&lt;br /&gt;
&lt;br /&gt;
 | image2 = Rainbow_trout.png&lt;br /&gt;
 | alt2 = A trout&lt;br /&gt;
 | caption2 = Square image of a trout, originally 300 pixels high.&lt;br /&gt;
&lt;br /&gt;
 | footer = Both images have been rendered with the same height, and a total width of 320px&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Using the {{para|width[n]}} and {{para|height[n]}} parameters.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{multiple image&lt;br /&gt;
 | align = right&lt;br /&gt;
 | total_width = 480&lt;br /&gt;
&lt;br /&gt;
 | image1 = Rainbow_trout.png&lt;br /&gt;
 | caption1 = Square image of a trout, originally 300 x 300 pixels.&lt;br /&gt;
&lt;br /&gt;
 | image2 = Rainbow_trout.png&lt;br /&gt;
 | width2 = 900&lt;br /&gt;
 | height2 = 900&lt;br /&gt;
 | caption2 = &amp;lt;code&amp;gt;width2&amp;lt;/code&amp;gt; x &amp;lt;code&amp;gt;height2&amp;lt;/code&amp;gt; = 900 x 900.&lt;br /&gt;
 &lt;br /&gt;
 | image3 = Rainbow_trout.png&lt;br /&gt;
 | width3 = 100&lt;br /&gt;
 | height3 = 200&lt;br /&gt;
 | caption3 = &amp;lt;code&amp;gt;width3&amp;lt;/code&amp;gt; x &amp;lt;code&amp;gt;height3&amp;lt;/code&amp;gt; = 100 x 200.&lt;br /&gt;
 &lt;br /&gt;
 | image4 = Rainbow_trout.png&lt;br /&gt;
 | width4 = 200&lt;br /&gt;
 | height4 = 100&lt;br /&gt;
 | caption4 = &amp;lt;code&amp;gt;width4&amp;lt;/code&amp;gt; x &amp;lt;code&amp;gt;height4&amp;lt;/code&amp;gt; = 200 x 100.&lt;br /&gt;
 &lt;br /&gt;
 | footer = All images have been rendered with the same height except for image3, which is 100/200 = 1/2 the height of the other images. Image4 is 200/100 = 2 times the height of image1, so only its top half is visible. Total width set to 480px.&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
The aspect ratio of each image is automatically retrieved from the File metadata.  You can override the native width and height values by&lt;br /&gt;
* Examining the individual image pages to obtain the full resolution. For example:&lt;br /&gt;
** [[:File:Donkey 1 arp 750px.jpg]] shows &amp;quot;Donkey_1_arp_750px.jpg (750 × 536 pixels, file size: 125 KB, MIME type: image/jpeg)&amp;quot;&lt;br /&gt;
** [[:File:Rainbow trout.png]] shows &amp;quot;Rainbow_trout.png (300 × 300 pixels, file size: 158 KB, MIME type: image/png)&amp;quot;&lt;br /&gt;
* Specify the full width and height for each image, of the form:&lt;br /&gt;
** {{para|width1}} {{para|height1}}  {{para|width2}} {{para|height2}}&lt;br /&gt;
&lt;br /&gt;
=== Multiple rows ===&lt;br /&gt;
To create an array of images, with multiple rows, use {{para|perrow}}.  The value passed to {{para|perrow}} may be a single number, or a list of numbers delimited by &amp;lt;code&amp;gt;/&amp;lt;/code&amp;gt;.  This feature may also be combined with {{para|total_width}} for multiple rows of images with the same total width.&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{multiple image|perrow = 2|total_width=300&lt;br /&gt;
| image1 = Kern_Theodolit_DKM2-A.jpg&lt;br /&gt;
| image2 = Total-Robotic-Station.jpg&lt;br /&gt;
| image3 = DumpyLevel.jpg&lt;br /&gt;
| image4 = GPS_Survey_Equipment_at_Weir_Dyke_Bridge_-_geograph.org.uk_-_336908.jpg&lt;br /&gt;
| footer = Surveying Equipment. Clockwise from upper left: Optical Theodolite, Robotic total station, [[Real-time kinematic|RTK]] GPS Base station, Optical level.&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
=== Removing the image border ===&lt;br /&gt;
The border around the images can be removed using {{para|image_style|border:none}}.&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{multiple image&lt;br /&gt;
 | align = right&lt;br /&gt;
 | total_width = 320&lt;br /&gt;
 | image_style = border:none;&lt;br /&gt;
&lt;br /&gt;
 | image1 = Donkey 1 arp 750px.jpg&lt;br /&gt;
 | alt1 = A donkey&lt;br /&gt;
 | caption1 = Image of a donkey&lt;br /&gt;
&lt;br /&gt;
 | image2 = Rainbow_trout.png&lt;br /&gt;
 | alt2 = A trout&lt;br /&gt;
 | caption2 = Image of a trout&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
=== Increasing the gap between images ===&lt;br /&gt;
The gap between the images can be increased using {{para|image_gap|N}}, where N is the number of pixels (must be non-negative).&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{multiple image&lt;br /&gt;
 | align = right&lt;br /&gt;
 | total_width = 320&lt;br /&gt;
 | image_gap = 20&lt;br /&gt;
&lt;br /&gt;
 | image1 = Donkey 1 arp 750px.jpg&lt;br /&gt;
 | alt1 = A donkey&lt;br /&gt;
 | caption1 = Image of a donkey&lt;br /&gt;
&lt;br /&gt;
 | image2 = Rainbow_trout.png&lt;br /&gt;
 | alt2 = A trout&lt;br /&gt;
 | caption2 = Image of a trout&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
=== Directly invoking module ===&lt;br /&gt;
On large pages, multiple uses of this template can contribute to the page exceeding the maximum [[WP:PEIS|post-expand include size]] limit. To reduce the include size, [[Module:Multiple image]] can be invoked directly as follows (note the extra &amp;lt;code&amp;gt;|&amp;lt;/code&amp;gt; character after the module name):&lt;br /&gt;
&lt;br /&gt;
{{demo|reverse=1|&amp;lt;nowiki&amp;gt;{{#invoke:multiple image|&lt;br /&gt;
 | width = 60&lt;br /&gt;
 | image1 = OOjs UI icon wikiTemplate.svg&lt;br /&gt;
 | class1 = skin-invert-image&lt;br /&gt;
 | image2 = Cib-lua (CoreUI Icons v1.0.0).svg&lt;br /&gt;
 | class2 = skin-invert-image&lt;br /&gt;
}}&amp;lt;/nowiki&amp;gt;}}&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
==TemplateData==&lt;br /&gt;
{{TemplateData header}}&lt;br /&gt;
&amp;lt;templatedata&amp;gt;&lt;br /&gt;
{&lt;br /&gt;
	&amp;quot;description&amp;quot;: &amp;quot;This template creates a box with two to ten images arranged vertically or horizontally with captions for the entire box and each image.&amp;quot;,&lt;br /&gt;
	&amp;quot;format&amp;quot;: &amp;quot;{{_\n| _________________ = _\n}}\n&amp;quot;,&lt;br /&gt;
	&amp;quot;params&amp;quot;: {&lt;br /&gt;
		&amp;quot;align&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alignment&amp;quot;,&lt;br /&gt;
			&amp;quot;default&amp;quot;: &amp;quot;right&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Sets text-wrapping around image box, where \&amp;quot;none\&amp;quot; places the box on the left edge with no text-wrapping, \&amp;quot;center\&amp;quot; places the box at center with no text-wrapping and \&amp;quot;left\&amp;quot; and \&amp;quot;right\&amp;quot; refer to position of box on screen with text-wrapping.&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;left/right/center/none&amp;quot;,&lt;br /&gt;
			&amp;quot;suggestedvalues&amp;quot;: [&lt;br /&gt;
				&amp;quot;left&amp;quot;,&lt;br /&gt;
				&amp;quot;center&amp;quot;,&lt;br /&gt;
				&amp;quot;right&amp;quot;,&lt;br /&gt;
				&amp;quot;none&amp;quot;&lt;br /&gt;
			]&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;direction&amp;quot;: {&lt;br /&gt;
			&amp;quot;default&amp;quot;: &amp;quot;horizontal&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Direction&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Direction in which to tile the images.&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;horizontal/vertical&amp;quot;,&lt;br /&gt;
			&amp;quot;suggested&amp;quot;: true,&lt;br /&gt;
			&amp;quot;suggestedvalues&amp;quot;: [&lt;br /&gt;
				&amp;quot;horizontal&amp;quot;,&lt;br /&gt;
				&amp;quot;vertical&amp;quot;&lt;br /&gt;
			]&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;total_width&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Frame width&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Use to scale the images to the same height and this total width. Do not use both total_width and width. Integer width in pixels; no \&amp;quot;px\&amp;quot; suffix&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;400&amp;quot;,&lt;br /&gt;
			&amp;quot;suggested&amp;quot;: true&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;perrow&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Row layout&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Create an array of images, with multiple rows. The value passed to may be a single number or a list of numbers with each row delimited by /. Can be combined with total_width for automatic sizing of images.&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;1 / 2 / 1&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image width&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Width overrides Width 1, Width 2, Width 3, etc. If you want the images to be different sizes, do not provide the width parameter. Integer width in pixels; no \&amp;quot;px\&amp;quot; suffix&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;200&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;background color&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Background color&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Defines the background color between the border of the box and the images. Changing the background can be bad for accessibility, avoid when possible.&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;#EEFFGG or red&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption_align&amp;quot;: {&lt;br /&gt;
			&amp;quot;default&amp;quot;: &amp;quot;left&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption alignment&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;left/right/center&amp;quot;,&lt;br /&gt;
			&amp;quot;suggestedvalues&amp;quot;: [&lt;br /&gt;
				&amp;quot;left&amp;quot;,&lt;br /&gt;
				&amp;quot;center&amp;quot;,&lt;br /&gt;
				&amp;quot;right&amp;quot;&lt;br /&gt;
			]&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image1&amp;quot;: {&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Image 1 is name of first image. Similarly for Image 2, etc. File name only; no \&amp;quot;File:\&amp;quot; or \&amp;quot;Image:\&amp;quot; prefix.&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;suggested&amp;quot;: true,&lt;br /&gt;
			&amp;quot;required&amp;quot;: true,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 1&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class1&amp;quot;: {&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;CSS class for the image. Mainly used for darkmode theme options&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;suggested&amp;quot;: false,&lt;br /&gt;
			&amp;quot;required&amp;quot;: false,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 1&amp;quot;,&lt;br /&gt;
			&amp;quot;suggestedvalues&amp;quot;: [&lt;br /&gt;
				&amp;quot;skin-invert-image&amp;quot;,&lt;br /&gt;
				&amp;quot;bg-transparent&amp;quot;&lt;br /&gt;
			]&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width1&amp;quot;: {&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Width 1 is width of first image. Similarly for Width 2, etc.&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 1&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt1&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;The [[alt text]] of first image (see [[WP:ALT]]). Similarly for Alt text 2, etc.&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 1&amp;quot;,&lt;br /&gt;
			&amp;quot;suggested&amp;quot;: true&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption1&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Caption 1 is caption of first image. Similarly for Caption 2, etc.&amp;quot;,&lt;br /&gt;
			&amp;quot;suggested&amp;quot;: true,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 1&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link1&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Where the first page links to. Similarly for Link 2, etc. If not specified, image links to the image description page as usual. If specified to the empty value, the image does not link anywhere; this should be used for purely decorative images as per [[WP:ALT]]. Important: If the image is under a free license like the GFDL or a CC license, you must not use this parameter as the terms of those licenses require the license, or a link to it, to be reproduced with the image. The image must, therefore, link to its image page. Public domain and (theoretically) non-free use images are not subject to this restriction.&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 1&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime1&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;If image1 is an Ogg Theora file, sets the time within the video that is used for the initial display. Either a number of seconds or hours:minutes:seconds. Similarly for Thumb time 2, etc.&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 1&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image2&amp;quot;: {&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;suggested&amp;quot;: true,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 2&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class2&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 2&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width2&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 2&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt2&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 2&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;suggested&amp;quot;: true&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption2&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;,&lt;br /&gt;
			&amp;quot;suggested&amp;quot;: true,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 2&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link2&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 2&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime2&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 2&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image3&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 3&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class3&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 3&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width3&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 3&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt3&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 3&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption3&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 3&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link3&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 3&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime3&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 3&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image4&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 4&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class4&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 4&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width4&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 4&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt4&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 4&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption4&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 4&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link4&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 4&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime4&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 4&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image5&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 5&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class5&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 5&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width5&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 5&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt5&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 5&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption5&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 5&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link5&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 5&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime5&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 5&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image6&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 6&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class6&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 6&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width6&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 6&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt6&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 6&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption6&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 6&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link6&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 6&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime6&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 6&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image7&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 7&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class7&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 7&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width7&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 7&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt7&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 7&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption7&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 7&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link7&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 7&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime7&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 7&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image8&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 8&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class8&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 8&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width8&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 8&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt8&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 8&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption8&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 8&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link8&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 8&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime8&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 8&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image9&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 9&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class9&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 9&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width9&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 9&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt9&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 9&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption9&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 9&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link9&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 9&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime9&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 9&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image10&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-file-name&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;example.jpg&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image 10&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;class10&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Class 10&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;width10&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Width 10&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;alt10&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;line&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Alt text 10&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;caption10&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Caption 10&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;link10&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Link 10&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;wiki-page-name&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;thumbtime10&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Thumbtime 10&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image_gap&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;number&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image gap&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Override the distance between adjacent images. Integer width in pixels; no \&amp;quot;px\&amp;quot; suffix&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;20&amp;quot;,&lt;br /&gt;
			&amp;quot;default&amp;quot;: &amp;quot;1&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;image_style&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Image style&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Override the default styling of the image frame.&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;header&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Header&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;A header text to place above the entire frame.&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;header_background&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Header background&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Defines the background color of the header field. Changing the background can be bad for accessibility, avoid when possible&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;#EEFFGG or red&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;header_align&amp;quot;: {&lt;br /&gt;
			&amp;quot;default&amp;quot;: &amp;quot;center&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Header alignment&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;left/right/center&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;footer&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;content&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Footer&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Caption that spans the entire box, as opposed to individual images. Avoid \&amp;quot;left\&amp;quot; and \&amp;quot;right\&amp;quot; if possible, since mobile devices may display the images vertically.&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;footer_background&amp;quot;: {&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Footer background&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Defines the background color of the footer field. Changing the background can be bad for accessibility, avoid when possible&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;#EEFFGG or red&amp;quot;&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;footer_align&amp;quot;: {&lt;br /&gt;
			&amp;quot;default&amp;quot;: &amp;quot;left&amp;quot;,&lt;br /&gt;
			&amp;quot;type&amp;quot;: &amp;quot;string&amp;quot;,&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Footer alignment&amp;quot;,&lt;br /&gt;
			&amp;quot;example&amp;quot;: &amp;quot;left/right/center&amp;quot;,&lt;br /&gt;
			&amp;quot;suggestedvalues&amp;quot;: [&lt;br /&gt;
				&amp;quot;left&amp;quot;,&lt;br /&gt;
				&amp;quot;center&amp;quot;,&lt;br /&gt;
				&amp;quot;right&amp;quot;&lt;br /&gt;
			]&lt;br /&gt;
		},&lt;br /&gt;
		&amp;quot;border&amp;quot;: {&lt;br /&gt;
			&amp;quot;label&amp;quot;: &amp;quot;Show or hide border&amp;quot;,&lt;br /&gt;
			&amp;quot;description&amp;quot;: &amp;quot;Use value \&amp;quot;infobox\&amp;quot; to hide the border when using the template within an infobox.&amp;quot;,&lt;br /&gt;
			&amp;quot;suggestedvalues&amp;quot;: [&lt;br /&gt;
				&amp;quot;infobox&amp;quot;&lt;br /&gt;
			]&lt;br /&gt;
		}&lt;br /&gt;
	}&lt;br /&gt;
}&amp;lt;/templatedata&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Tracking categories==&lt;br /&gt;
* {{clc|Category:Pages using multiple image with unknown parameters}}&lt;br /&gt;
* {{clc|Pages using multiple image with auto scaled images}}&lt;br /&gt;
* {{clc|Pages using multiple image with manual scaled images}}&lt;br /&gt;
&lt;br /&gt;
== Other wikis ==&lt;br /&gt;
In order to use this template on other wikis, next to the required module and stylesheet, this template also depends on [[:mediawikiwiki:Manual:$wgUseLegacyMediaStyles|$wgUseLegacyMediaStyles]]. This setting of MediaWiki provides the stylesheets for the older thumbnail styles that MediaWiki used to use up to MediaWiki 1.40.&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
* {{tl|Gallery}}&lt;br /&gt;
* {{tl|Image array}}&lt;br /&gt;
* {{tl|Image frame}}&lt;br /&gt;
* {{tl|Photomontage}}&lt;br /&gt;
* {{tl|Stack}}&lt;br /&gt;
* [[Wikipedia:Collage tips]]&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
{{notelist}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;includeonly&amp;gt;{{Sandbox other|&lt;br /&gt;
| &amp;lt;!-- Categories below this line, please; interwikis at Wikidata --&amp;gt;&lt;br /&gt;
[[Category:Graphics templates]]&lt;br /&gt;
[[Category:Image formatting and function templates]]&lt;br /&gt;
[[Category:Templates that add a tracking category]]&lt;br /&gt;
}}&amp;lt;/includeonly&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Demo&amp;diff=1624</id>
		<title>Template:Demo</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Demo&amp;diff=1624"/>
		<updated>2026-01-10T00:51:38Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#invoke:Demo|main}}&amp;lt;noinclude&amp;gt;{{documentation}}&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Module:Demo&amp;diff=1622</id>
		<title>Module:Demo</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Module:Demo&amp;diff=1622"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;local p = {}&lt;br /&gt;
&lt;br /&gt;
--creates a frame object that cannot access any of the parent&#039;s args&lt;br /&gt;
--unless a table containing a list keys of not to inherit is provided&lt;br /&gt;
function disinherit(frame, onlyTheseKeys)&lt;br /&gt;
	local parent = frame:getParent() or frame&lt;br /&gt;
	local orphan = parent:newChild{}&lt;br /&gt;
	orphan.getParent = parent.getParent --returns nil&lt;br /&gt;
	orphan.args = {}&lt;br /&gt;
	if onlyTheseKeys then&lt;br /&gt;
		local family = {parent, frame}&lt;br /&gt;
		for f = 1, 2 do&lt;br /&gt;
			for k, v in pairs(family[f] and family[f].args or {}) do&lt;br /&gt;
				orphan.args[k] = orphan.args[k] or v&lt;br /&gt;
			end&lt;br /&gt;
		end&lt;br /&gt;
		parent.args = mw.clone(orphan.args)&lt;br /&gt;
		setmetatable(orphan.args, nil)&lt;br /&gt;
		for _, k in ipairs(onlyTheseKeys) do&lt;br /&gt;
			rawset(orphan.args, k, nil)&lt;br /&gt;
		end&lt;br /&gt;
	end&lt;br /&gt;
	return orphan, parent&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
function getSeparator(args, default)&lt;br /&gt;
	local br = tonumber(args.br) and (&#039;&amp;lt;br&amp;gt;&#039;):rep(args.br) or args.br&lt;br /&gt;
	local sep = args.sep or br or default&lt;br /&gt;
	return #sep &amp;gt; 0 and &#039; &#039; .. sep .. &#039; &#039; or sep&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
function p.get(frame, arg, passArgs)&lt;br /&gt;
	local orphan, frame = disinherit(frame, passArgs and {arg or 1})&lt;br /&gt;
	local code = frame.args[arg or 1] or &#039;&#039;&lt;br /&gt;
	if code:match&#039;UNIQ%-%-nowiki&#039; then&lt;br /&gt;
		code = mw.text.unstripNoWiki(code)&lt;br /&gt;
			:gsub(&#039;&amp;amp;lt;&#039;, &#039;&amp;lt;&#039;)&lt;br /&gt;
			:gsub(&#039;&amp;amp;gt;&#039;, &#039;&amp;gt;&#039;)&lt;br /&gt;
			:gsub(&#039;&amp;amp;quot;&#039;, &#039;&amp;quot;&#039;)&lt;br /&gt;
			-- Replace `&amp;amp;#125;%-` with `}-` because of some server quirk leading to&lt;br /&gt;
			-- =mw.text.unstripNoWiki(mw.getCurrentFrame():preprocess(&#039;&amp;lt;nowiki&amp;gt;}-&amp;lt;/nowiki&amp;gt;&#039;))&lt;br /&gt;
			-- outputting `&amp;amp;#125;-` instead of `}-`, while it&#039;s ok with `&amp;lt;nowiki&amp;gt;} -&amp;lt;/nowiki&amp;gt;`&lt;br /&gt;
			:gsub(&#039;&amp;amp;#125;%-&#039;, &#039;}-&#039;)&lt;br /&gt;
			-- The same with `-&amp;amp;#123;`&lt;br /&gt;
			:gsub(&#039;%-&amp;amp;#123;&#039;, &#039;-{&#039;)&lt;br /&gt;
	end&lt;br /&gt;
	local kill_categories = frame.args.demo_kill_categories or frame.args.nocat&lt;br /&gt;
	return {&lt;br /&gt;
		source = code,&lt;br /&gt;
		output = orphan:preprocess(code):gsub(kill_categories and &#039;%[%[Category.-%]%]&#039; or &#039;&#039;, &#039;&#039;),&lt;br /&gt;
		frame = frame&lt;br /&gt;
	}&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
function p.main(frame, demoTable)&lt;br /&gt;
	local show = demoTable or p.get(frame)&lt;br /&gt;
	local args = show.frame.args&lt;br /&gt;
	if show[args.result_arg] then&lt;br /&gt;
		return show[args.result_arg]&lt;br /&gt;
	end&lt;br /&gt;
	local yesno = require(&#039;Module:Yesno&#039;)&lt;br /&gt;
	args.reverse = yesno(args.reverse, false)&lt;br /&gt;
	args.sep = getSeparator(args, &#039;&#039;)&lt;br /&gt;
	local source = frame:extensionTag{&lt;br /&gt;
		name = &#039;syntaxhighlight&#039;,&lt;br /&gt;
		args = {&lt;br /&gt;
			lang = &#039;wikitext&#039;,&lt;br /&gt;
			style = args.style&lt;br /&gt;
		},&lt;br /&gt;
		content = show.source&lt;br /&gt;
	}&lt;br /&gt;
	return args.reverse and&lt;br /&gt;
		show.output .. args.sep .. source or&lt;br /&gt;
		source .. args.sep .. show.output&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
-- Alternate function to return an inline result&lt;br /&gt;
function p.inline(frame, demoTable)&lt;br /&gt;
	local show = demoTable or p.get(frame)&lt;br /&gt;
	local args = show.frame.args&lt;br /&gt;
	if show[args.result_arg] then&lt;br /&gt;
		return show[args.result_arg]&lt;br /&gt;
	end&lt;br /&gt;
	local yesno = require(&#039;Module:Yesno&#039;)&lt;br /&gt;
	args.reverse = yesno(args.reverse, false)&lt;br /&gt;
	args.sep = getSeparator(args, args.reverse and &#039;←&#039; or &#039;→&#039;)&lt;br /&gt;
	local source =  frame:extensionTag{&lt;br /&gt;
		name = &#039;syntaxhighlight&#039;,&lt;br /&gt;
		args = {&lt;br /&gt;
			lang = &#039;wikitext&#039;,&lt;br /&gt;
			inline = true,&lt;br /&gt;
			style = args.style&lt;br /&gt;
		},&lt;br /&gt;
		content = show.source&lt;br /&gt;
	}&lt;br /&gt;
	return args.reverse and&lt;br /&gt;
		show.output .. args.sep .. source or&lt;br /&gt;
		source .. args.sep .. show.output&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
--passing of args into other module without preprocessing&lt;br /&gt;
function p.module(frame)&lt;br /&gt;
	local orphan, frame = disinherit(frame, {&lt;br /&gt;
		&#039;demo_template&#039;,&lt;br /&gt;
		&#039;demo_module&#039;,&lt;br /&gt;
		&#039;demo_module_func&#039;,&lt;br /&gt;
		&#039;demo_main&#039;,&lt;br /&gt;
		&#039;demo_sep&#039;,&lt;br /&gt;
		&#039;demo_br&#039;,&lt;br /&gt;
		&#039;demo_result_arg&#039;,&lt;br /&gt;
		&#039;demo_kill_categories&#039;,&lt;br /&gt;
		&#039;nocat&#039;&lt;br /&gt;
	})&lt;br /&gt;
	local template = frame.args.demo_template and &#039;Template:&#039;..frame.args.demo_template&lt;br /&gt;
	local demoFunc = frame.args.demo_module_func or &#039;main\n&#039;&lt;br /&gt;
	local demoModule = require(&#039;Module:&#039; .. frame.args.demo_module)[demoFunc:match(&#039;^%s*(.-)%s*$&#039;)]&lt;br /&gt;
	frame.args.br, frame.args.result_arg = frame.args.demo_sep or frame.args.demo_br, frame.args.demo_result_arg&lt;br /&gt;
	local kill_categories = frame.args.demo_kill_categories or frame.args.nocat&lt;br /&gt;
	if demoModule then&lt;br /&gt;
		local named = {insert = function(self, ...) table.insert(self, ...) return self end}&lt;br /&gt;
		local source = {insert = named.insert, &#039;{{&#039;, frame.args.demo_template or frame.args.demo_module, &#039;\n&#039;}&lt;br /&gt;
		if not template then&lt;br /&gt;
			source:insert(2, &#039;#invoke:&#039;):insert(4, &#039;|&#039;):insert(5, demoFunc)&lt;br /&gt;
		end&lt;br /&gt;
		local insertNamed = #source + 1&lt;br /&gt;
		for k, v in pairs(orphan.args) do&lt;br /&gt;
			local nan, insert = type(k) ~= &#039;number&#039;, {v}&lt;br /&gt;
			local target = nan and named or source&lt;br /&gt;
			target:insert&#039;|&#039;&lt;br /&gt;
			if nan then&lt;br /&gt;
				target:insert(k):insert&#039;=&#039;:insert&#039;\n&#039;&lt;br /&gt;
				table.insert(insert, 1, #target)&lt;br /&gt;
			end&lt;br /&gt;
			target:insert(unpack(insert))&lt;br /&gt;
			local nowiki = v:match(&#039;nowiki&#039;)&lt;br /&gt;
			if nowiki or v:match(&#039;{{.-}}&#039;) then&lt;br /&gt;
				orphan.args[k] = frame:preprocess(nowiki and mw.text.unstripNoWiki(v) or v)&lt;br /&gt;
			end&lt;br /&gt;
		end&lt;br /&gt;
		source:insert&#039;}}&#039;&lt;br /&gt;
		table.insert(source, insertNamed, table.concat(named))&lt;br /&gt;
		return p.main(orphan, {&lt;br /&gt;
			source = table.concat(source), &amp;quot;&amp;lt;&amp;gt;&#039;|=~&amp;quot;,&lt;br /&gt;
			output = tostring(demoModule(orphan)):gsub(kill_categories and &#039;%[%[Category.-%]%]&#039; or &#039;&#039;, &#039;&#039;),&lt;br /&gt;
			frame = frame&lt;br /&gt;
		})&lt;br /&gt;
	else&lt;br /&gt;
		return &amp;quot;ERROR: Invalid module function: &amp;quot;..demoFunc&lt;br /&gt;
	end&lt;br /&gt;
end&lt;br /&gt;
&lt;br /&gt;
return p&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Module:Transclusion_count/data/M&amp;diff=1620</id>
		<title>Module:Transclusion count/data/M</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Module:Transclusion_count/data/M&amp;diff=1620"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;return {&lt;br /&gt;
[&amp;quot;M&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;MAD&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;MAR&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;MAS&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;MDA&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;MDG&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;MEX&amp;quot;] = 6700,&lt;br /&gt;
[&amp;quot;MINUTE&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;MKD&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;MLB_Farm_System&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;MLB_Year&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;MLB_standings&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;MLB_standings/styles.css&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;MLBplayer&amp;quot;] = 4000,&lt;br /&gt;
[&amp;quot;MMA_record_start&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;MMArecordbox&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;MMSI_Number&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;MONTH&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;MONTHNAME&amp;quot;] = 614000,&lt;br /&gt;
[&amp;quot;MONTHNUMBER&amp;quot;] = 647000,&lt;br /&gt;
[&amp;quot;MS&amp;quot;] = 5800,&lt;br /&gt;
[&amp;quot;MV&amp;quot;] = 9900,&lt;br /&gt;
[&amp;quot;MYS&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;MacTutor&amp;quot;] = 2100,&lt;br /&gt;
[&amp;quot;Main&amp;quot;] = 380000,&lt;br /&gt;
[&amp;quot;Main_article&amp;quot;] = 29000,&lt;br /&gt;
[&amp;quot;Main_other&amp;quot;] = 12300000,&lt;br /&gt;
[&amp;quot;Main_page_image&amp;quot;] = 32000,&lt;br /&gt;
[&amp;quot;Main_page_image/DYK&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Main_page_image/ITN/styles.css&amp;quot;] = 4200,&lt;br /&gt;
[&amp;quot;Main_page_image/TFA&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Maintenance_category&amp;quot;] = 41000,&lt;br /&gt;
[&amp;quot;Malay_name&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;Map_requested&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Map_requested/Category_helper&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Map_scale&amp;quot;] = 27000,&lt;br /&gt;
[&amp;quot;Maplink&amp;quot;] = 37000,&lt;br /&gt;
[&amp;quot;Maplink-road&amp;quot;] = 6900,&lt;br /&gt;
[&amp;quot;Marriage&amp;quot;] = 97000,&lt;br /&gt;
[&amp;quot;Marriage/doc&amp;quot;] = 97000,&lt;br /&gt;
[&amp;quot;Marriage/styles.css&amp;quot;] = 97000,&lt;br /&gt;
[&amp;quot;Math&amp;quot;] = 11000,&lt;br /&gt;
[&amp;quot;MathGenealogy&amp;quot;] = 7500,&lt;br /&gt;
[&amp;quot;MathWorld&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;Mathgenealogy&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Max&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Maybe&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Maybe_free_media&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Maybe_pipe&amp;quot;] = 2200,&lt;br /&gt;
[&amp;quot;Mbox&amp;quot;] = 4140000,&lt;br /&gt;
[&amp;quot;Mdash&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;MeSH_name&amp;quot;] = 6000,&lt;br /&gt;
[&amp;quot;Medal&amp;quot;] = 132000,&lt;br /&gt;
[&amp;quot;MedalBottom&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;MedalBronze&amp;quot;] = 62000,&lt;br /&gt;
[&amp;quot;MedalComp&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;MedalCompetition&amp;quot;] = 103000,&lt;br /&gt;
[&amp;quot;MedalCount&amp;quot;] = 4000,&lt;br /&gt;
[&amp;quot;MedalCountry&amp;quot;] = 91000,&lt;br /&gt;
[&amp;quot;MedalGold&amp;quot;] = 61000,&lt;br /&gt;
[&amp;quot;MedalOlympic&amp;quot;] = 4400,&lt;br /&gt;
[&amp;quot;MedalOlympics&amp;quot;] = 6400,&lt;br /&gt;
[&amp;quot;MedalSilver&amp;quot;] = 60000,&lt;br /&gt;
[&amp;quot;MedalSport&amp;quot;] = 89000,&lt;br /&gt;
[&amp;quot;MedalTableTop&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;MedalTop&amp;quot;] = 2800,&lt;br /&gt;
[&amp;quot;MedalistTable&amp;quot;] = 17000,&lt;br /&gt;
[&amp;quot;Medals_table&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Media&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;MediaWiki_checkbox&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Medical_resources&amp;quot;] = 7000,&lt;br /&gt;
[&amp;quot;Merge_done&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Merged-from&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;Merged-to&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;MeshName&amp;quot;] = 5900,&lt;br /&gt;
[&amp;quot;Metacritic_film&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;Metacritic_film_prose&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;Mid-Class&amp;quot;] = 15000,&lt;br /&gt;
[&amp;quot;Mid-importance&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Middot&amp;quot;] = 6500,&lt;br /&gt;
[&amp;quot;Military_navigation&amp;quot;] = 66000,&lt;br /&gt;
[&amp;quot;Min&amp;quot;] = 27000,&lt;br /&gt;
[&amp;quot;Minor_planet&amp;quot;] = 5300,&lt;br /&gt;
[&amp;quot;Minor_planet_link&amp;quot;] = 2500,&lt;br /&gt;
[&amp;quot;Minor_planet_list_link&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Minor_planets_navigator&amp;quot;] = 3200,&lt;br /&gt;
[&amp;quot;MirrorH&amp;quot;] = 6800,&lt;br /&gt;
[&amp;quot;Missing_information&amp;quot;] = 4100,&lt;br /&gt;
[&amp;quot;Mlby&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Mobile_IP&amp;quot;] = 8400,&lt;br /&gt;
[&amp;quot;MobyGames&amp;quot;] = 10000,&lt;br /&gt;
[&amp;quot;Moby_game&amp;quot;] = 7700,&lt;br /&gt;
[&amp;quot;Mod&amp;quot;] = 7900,&lt;br /&gt;
[&amp;quot;Module_other&amp;quot;] = 7200,&lt;br /&gt;
[&amp;quot;Module_rating&amp;quot;] = 2000,&lt;br /&gt;
[&amp;quot;Modulo&amp;quot;] = 7900,&lt;br /&gt;
[&amp;quot;Mojo_title&amp;quot;] = 7600,&lt;br /&gt;
[&amp;quot;Molecular_formula_index&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Monday&amp;quot;] = 2700,&lt;br /&gt;
[&amp;quot;Mono&amp;quot;] = 33000,&lt;br /&gt;
[&amp;quot;Mono/styles.css&amp;quot;] = 34000,&lt;br /&gt;
[&amp;quot;MonthCategoryNav&amp;quot;] = 27000,&lt;br /&gt;
[&amp;quot;Month_category_navigation&amp;quot;] = 51000,&lt;br /&gt;
[&amp;quot;Month_events_in_country_category_header&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Month_in_country_category_header&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Month_in_country_category_header/inner_core&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Month_in_country_category_header/outer_core&amp;quot;] = 12000,&lt;br /&gt;
[&amp;quot;Month_year_sports_events_in_country_category_header&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Month_year_sports_events_in_country_category_header/core&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;MonthlyArchive&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Monthly_archive_list&amp;quot;] = 4600,&lt;br /&gt;
[&amp;quot;Monthly_clean-up_category&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Monthly_clean-up_category/core&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Monthly_clean-up_category/monthname&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Monthly_clean-up_category/monthno&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Monthly_clean-up_category/name_part&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Monthly_clean-up_category/outer_core&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Monthly_clean-up_category/styles.css&amp;quot;] = 18000,&lt;br /&gt;
[&amp;quot;Monthly_clean-up_category/to_add&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;Monthly_clean_up_category&amp;quot;] = 6400,&lt;br /&gt;
[&amp;quot;Monthly_links&amp;quot;] = 4600,&lt;br /&gt;
[&amp;quot;Monthyear&amp;quot;] = 58000,&lt;br /&gt;
[&amp;quot;Monthyear-1&amp;quot;] = 56000,&lt;br /&gt;
[&amp;quot;MoreInfo&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;More_citations_needed&amp;quot;] = 421000,&lt;br /&gt;
[&amp;quot;More_citations_needed_section&amp;quot;] = 19000,&lt;br /&gt;
[&amp;quot;More_footnotes&amp;quot;] = 27000,&lt;br /&gt;
[&amp;quot;More_footnotes_needed&amp;quot;] = 55000,&lt;br /&gt;
[&amp;quot;More_plot&amp;quot;] = 3700,&lt;br /&gt;
[&amp;quot;More_references&amp;quot;] = 3000,&lt;br /&gt;
[&amp;quot;More_sources&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;More_sources_needed&amp;quot;] = 2300,&lt;br /&gt;
[&amp;quot;Moresources&amp;quot;] = 5000,&lt;br /&gt;
[&amp;quot;Motorsport_season&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Motorsport_season/styles.css&amp;quot;] = 5500,&lt;br /&gt;
[&amp;quot;Moved_discussion_from&amp;quot;] = 3600,&lt;br /&gt;
[&amp;quot;Moved_discussion_to&amp;quot;] = 3100,&lt;br /&gt;
[&amp;quot;Mp&amp;quot;] = 5200,&lt;br /&gt;
[&amp;quot;Mpl&amp;quot;] = 2400,&lt;br /&gt;
[&amp;quot;MultiReplace&amp;quot;] = 232000,&lt;br /&gt;
[&amp;quot;Multiple_image&amp;quot;] = 65000,&lt;br /&gt;
[&amp;quot;Multiple_image/styles.css&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Multiple_issues&amp;quot;] = 127000,&lt;br /&gt;
[&amp;quot;Multiple_issues/styles.css&amp;quot;] = 127000,&lt;br /&gt;
[&amp;quot;Music&amp;quot;] = 8300,&lt;br /&gt;
[&amp;quot;MusicBrainz_artist&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;MusicBrainz_meta&amp;quot;] = 5900,&lt;br /&gt;
[&amp;quot;MusicBrainz_release_group&amp;quot;] = 2600,&lt;br /&gt;
[&amp;quot;Music_ratings&amp;quot;] = 101000,&lt;br /&gt;
[&amp;quot;Mvar&amp;quot;] = 9400,&lt;br /&gt;
[&amp;quot;Mw_lang&amp;quot;] = 93000,&lt;br /&gt;
[&amp;quot;My_sandbox&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;Myprefs&amp;quot;] = 14000,&lt;br /&gt;
[&amp;quot;Module:MLB_standings&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;Module:MLB_standings/data&amp;quot;] = 3900,&lt;br /&gt;
[&amp;quot;Module:Main_page_image&amp;quot;] = 22000,&lt;br /&gt;
[&amp;quot;Module:Make_Wikisource_link&amp;quot;] = 20000,&lt;br /&gt;
[&amp;quot;Module:Mapframe&amp;quot;] = 1650000,&lt;br /&gt;
[&amp;quot;Module:Math&amp;quot;] = 1650000,&lt;br /&gt;
[&amp;quot;Module:Medals_table&amp;quot;] = 16000,&lt;br /&gt;
[&amp;quot;Module:Message_box&amp;quot;] = 20800000,&lt;br /&gt;
[&amp;quot;Module:Message_box/ambox.css&amp;quot;] = 3790000,&lt;br /&gt;
[&amp;quot;Module:Message_box/cmbox.css&amp;quot;] = 562000,&lt;br /&gt;
[&amp;quot;Module:Message_box/configuration&amp;quot;] = 11300000,&lt;br /&gt;
[&amp;quot;Module:Message_box/fmbox.css&amp;quot;] = 23000,&lt;br /&gt;
[&amp;quot;Module:Message_box/imbox.css&amp;quot;] = 989000,&lt;br /&gt;
[&amp;quot;Module:Message_box/ombox.css&amp;quot;] = 1970000,&lt;br /&gt;
[&amp;quot;Module:Message_box/tmbox.css&amp;quot;] = 13900000,&lt;br /&gt;
[&amp;quot;Module:Military_navigation&amp;quot;] = 90000,&lt;br /&gt;
[&amp;quot;Module:Minor_planet_list_link&amp;quot;] = 4300,&lt;br /&gt;
[&amp;quot;Module:MultiReplace&amp;quot;] = 2070000,&lt;br /&gt;
[&amp;quot;Module:Multiple_image&amp;quot;] = 67000,&lt;br /&gt;
[&amp;quot;Module:Music_ratings&amp;quot;] = 101000,&lt;br /&gt;
[&amp;quot;Module:Mw_lang&amp;quot;] = 93000,&lt;br /&gt;
}&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Pval&amp;diff=1618</id>
		<title>Template:Pval</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Pval&amp;diff=1618"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Template:Param value]]&lt;br /&gt;
&lt;br /&gt;
{{Rcat shell|&lt;br /&gt;
{{R shortcut}}&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Param_value&amp;diff=1616</id>
		<title>Template:Param value</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Param_value&amp;diff=1616"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;templatestyles src=&amp;quot;Template:Param value/styles.css&amp;quot;/&amp;gt;&amp;lt;span class=&amp;quot;tpl-pval__wrapper&amp;quot;&amp;gt;&amp;lt;code class=&amp;quot;tpl-pval__code&amp;quot; style=&amp;quot;{{#if:{{{border|{{{b|}}}}}}|border:{{{border|{{{b|}}}}}};}} {{#if:{{{bg-color|}}}|background-color: {{{bg-color}}}; color: {{Greater color contrast ratio|{{{bg-color}}}}};}} {{#if:{{{bg|}}}|color: {{Greater color contrast ratio|{{{bg}}}}};}} {{#ifexpr:{{str len|{{{1|}}}}} &amp;gt; 25|white-space: wrap;|}} {{{style|}}}&amp;quot;&amp;gt;{{replace|{{replace|{{replace|{{replace|{{replace|&amp;lt;includeonly&amp;gt;⊗ϑ{{{1|}}}⊗ϑ&amp;lt;/includeonly&amp;gt;&amp;lt;noinclude&amp;gt;value&amp;lt;/noinclude&amp;gt;| |{{{space|{{{sp|&amp;amp;nbsp;}}}}}}}}|#|&amp;amp;#35;}}|*|&amp;amp;#42;}}|:|&amp;amp;#58;}}|⊗ϑ|}}&amp;lt;/code&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;noinclude&amp;gt;&lt;br /&gt;
{{Documentation}}&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Warning&amp;diff=1614</id>
		<title>Template:Warning</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Warning&amp;diff=1614"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Mbox&lt;br /&gt;
| name       = Warning&lt;br /&gt;
| demospace  = {{{demospace|}}}&lt;br /&gt;
| style      = {{#if:{{{style|}}} |{{{style}}} }}&lt;br /&gt;
| subst      = &amp;lt;includeonly&amp;gt;{{subst:substcheck}}&amp;lt;/includeonly&amp;gt;&lt;br /&gt;
| type       = content&lt;br /&gt;
| image      = {{#if:{{{image|}}}| [[File:{{{image}}}|{{{imagesize|40px}}}|Warning]] }}&lt;br /&gt;
| small      = {{{small|}}}&lt;br /&gt;
| smallimage = {{#if:{{{image|}}}| [[File:{{{image}}}|30px|Warning]]}}&lt;br /&gt;
| imageright = {{#if:{{{imageright|}}} |{{{imageright}}} |{{#if:{{{shortcut|{{{shortcut1|}}}}}} |{{Ombox/shortcut|{{{shortcut|{{{shortcut1|}}}}}}|{{{shortcut2|}}}|{{{shortcut3|}}}|{{{shortcut4|}}}|{{{shortcut5|}}}}}}} }}&lt;br /&gt;
| textstyle  = {{{textstyle|text-align: {{#if:{{{center|}}}|center|{{{align|left}}}}};}}}&lt;br /&gt;
| text       = {{#if:{{{header|{{{heading|{{{title|}}}}}}}}} |&amp;lt;div style=&amp;quot;{{{headstyle|text-align: {{#if:{{{center|}}}|center|left}};}}}&amp;quot;&amp;gt;&#039;&#039;&#039;{{{header|{{{heading|{{{title|}}}}}}}}}&#039;&#039;&#039;&amp;lt;/div&amp;gt;}}&amp;lt;!--&lt;br /&gt;
            --&amp;gt;{{{text|{{{content|{{{reason|{{{1}}}}}}}}}}}}&lt;br /&gt;
}}{{Editnotice EXPECTUNUSEDTEMPLATE}}&amp;lt;noinclude&amp;gt;&lt;br /&gt;
&amp;lt;!-- Add categories to the /doc subpage; interwikis go to Wikidata. --&amp;gt;&lt;br /&gt;
{{Documentation}}&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Str_len&amp;diff=1612</id>
		<title>Template:Str len</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Str_len&amp;diff=1612"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{&amp;lt;includeonly&amp;gt;safesubst:&amp;lt;/includeonly&amp;gt;#invoke:String|len|s={{{1|}}}}}&amp;lt;noinclude&amp;gt;&lt;br /&gt;
{{documentation}}&lt;br /&gt;
&amp;lt;!-- Add categories to the /doc subpage, not here! --&amp;gt;&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:No_redirect&amp;diff=1610</id>
		<title>Template:No redirect</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:No_redirect&amp;diff=1610"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{safesubst:&amp;lt;noinclude/&amp;gt;#if: {{safesubst:&amp;lt;noinclude/&amp;gt;#invoke:Redirect|isRedirect|{{{1}}}}}&lt;br /&gt;
| &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[{{safesubst:&amp;lt;noinclude/&amp;gt;fullurl:{{{1}}}|redirect=no}} {{{2|{{{1}}}}}}]&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;display: none&amp;quot;&amp;gt;[[:{{{1}}}]]&amp;lt;/span&amp;gt;&lt;br /&gt;
| [[:{{safesubst:&amp;lt;noinclude/&amp;gt;FULLPAGENAME:{{{1}}}}}|{{{2|{{{1}}}}}}]]&lt;br /&gt;
}}&amp;lt;noinclude&amp;gt;&lt;br /&gt;
{{documentation}}&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Tq&amp;diff=1608</id>
		<title>Template:Tq</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Tq&amp;diff=1608"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Template:Talk quote inline]]&lt;br /&gt;
&lt;br /&gt;
{{Rcat shell|&lt;br /&gt;
{{R with Wikidata item}}&lt;br /&gt;
{{R from move}}&lt;br /&gt;
{{R from template shortcut}}&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Talk_quote_inline/styles.css&amp;diff=1606</id>
		<title>Template:Talk quote inline/styles.css</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Talk_quote_inline/styles.css&amp;diff=1606"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;/* {{pp-template}} */&lt;br /&gt;
&lt;br /&gt;
@media screen {&lt;br /&gt;
    html.skin-theme-clientpref-night .inline-quote-talk {&lt;br /&gt;
		color: #00B785;&lt;br /&gt;
	}&lt;br /&gt;
}&lt;br /&gt;
&lt;br /&gt;
@media screen and ( prefers-color-scheme: dark) {&lt;br /&gt;
	html.skin-theme-clientpref-os .inline-quote-talk {&lt;br /&gt;
		color: #00B785;&lt;br /&gt;
	}&lt;br /&gt;
}&lt;br /&gt;
&lt;br /&gt;
.inline-quote-talk {&lt;br /&gt;
	font-family: Georgia, &#039;DejaVu Serif&#039;, serif;&lt;br /&gt;
	color: #008560;&lt;br /&gt;
	quotes: none;&lt;br /&gt;
}&lt;br /&gt;
.inline-quote-talk-italic {&lt;br /&gt;
	font-family: inherit;&lt;br /&gt;
	font-style: italic;&lt;br /&gt;
}&lt;br /&gt;
.inline-quote-talk-marks {&lt;br /&gt;
	quotes: &#039;&amp;quot;&#039; &#039;&amp;quot;&#039;;&lt;br /&gt;
}&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
	<entry>
		<id>https://wiki.rord.club/index.php?title=Template:Talk_quote_inline&amp;diff=1604</id>
		<title>Template:Talk quote inline</title>
		<link rel="alternate" type="text/html" href="https://wiki.rord.club/index.php?title=Template:Talk_quote_inline&amp;diff=1604"/>
		<updated>2026-01-10T00:51:37Z</updated>

		<summary type="html">&lt;p&gt;Ikigai: 1 revision imported&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;templatestyles src=&amp;quot;Talk quote inline/styles.css&amp;quot; /&amp;gt;{{#ifeq:{{NAMESPACE}}|{{ns:0}}|{{FormattingError|Template:Tq is only for quoting in talk and project pages. Do not use it in actual articles.}}|&amp;lt;!--&lt;br /&gt;
--&amp;gt;&amp;lt;q {{#if: {{{title|}}} | title=&amp;quot;{{{title}}}&amp;quot;}} class=&amp;quot;inline-quote-talk {{#if: {{{i|{{{italic|}}}}}} | inline-quote-talk-italic}} {{#if: {{{q|{{{quotes|}}}}}}|inline-quote-talk-marks}}&amp;quot;&amp;gt;{{Encodefirst|{{trim|{{{1|&amp;lt;includeonly&amp;gt;{{error|Error: No text given for quotation (or equals sign used in the actual argument to an unnamed parameter)}}[[Category:Pages incorrectly using the talk quote inline template]]&amp;lt;/includeonly&amp;gt;&amp;lt;noinclude&amp;gt;Example text&amp;lt;/noinclude&amp;gt;}}}}}}}&amp;lt;/q&amp;gt;&amp;lt;!--&lt;br /&gt;
--&amp;gt;}}{{#invoke:Check for unknown parameters|check|unknown=[[Category:Pages using talk quote inline with unknown parameters|_VALUE_{{PAGENAME}}]]|preview=Page using [[Template:Talk quote inline]] with unknown parameter &amp;quot;_VALUE_&amp;quot;|ignoreblank=y| 1 | i | italic | q | quotes | title }}&amp;lt;noinclude&amp;gt;&lt;br /&gt;
{{Documentation}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ikigai</name></author>
	</entry>
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